Statements (61)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:Film_Director
|
| gptkbp:activeYears |
1949-2002
|
| gptkbp:almaMater |
gptkb:Yale_University
|
| gptkbp:awards |
gptkb:Directors_Guild_of_America_Award
gptkb:BAFTA_Award_for_Best_Film Academy Award for Best Director |
| gptkbp:birthDate |
1921-12-20
|
| gptkbp:birthPlace |
gptkb:Minneapolis,_Minnesota,_USA
|
| gptkbp:children |
2
|
| gptkbp:collaboratedWith |
gptkb:Meryl_Streep
gptkb:Dustin_Hoffman gptkb:Paul_Newman gptkb:Robert_Redford gptkb:George_Lucas |
| gptkbp:deathDate |
2002-12-27
|
| gptkbp:deathPlace |
New_York_City,_New_York,_USA
|
| gptkbp:filmography |
Cinematography
Emotional depth Humor Realism Social commentary Sound design Symbolism Narrative structure Character development Audience engagement Cultural impact Visual storytelling Costume design Cultural relevance Production design Genre blending Character arcs The Gift of Love Editing techniques Narrative complexity Dialogue-driven narratives Thematic depth Pacing and timing Use of music Character focus Cinematic_innovation |
| https://www.w3.org/2000/01/rdf-schema#label |
George Roy Hill
|
| gptkbp:influenced |
gptkb:Modern_American_cinema
|
| gptkbp:influencedBy |
gptkb:Howard_Hawks
gptkb:Frank_Capra gptkb:John_Ford |
| gptkbp:knownFor |
Western films
Comedy films Drama films |
| gptkbp:legacy |
Innovative storytelling
Character-driven narratives Cinematic style Cinematic humor |
| gptkbp:notableWork |
gptkb:Butch_Cassidy_and_the_Sundance_Kid
The Sting Slaughterhouse-Five |
| gptkbp:occupation |
Producer
Screenwriter |
| gptkbp:produces |
The Little Prince
|
| gptkbp:spouse |
Patricia_Hill
|