|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:television
gptkb:film
gptkb:stage_play
limited
capturing the essence
|
|
gptkbp:adapted_for_radio_in
|
gptkb:1980
|
|
gptkbp:adapted_for_television_in
|
gptkb:1976
|
|
gptkbp:adapted_into
|
gptkb:television
gptkb:film
into various formats
into operas
into graphic novels
into audiobooks
into radio plays
into dance performances
|
|
gptkbp:audience
|
mixed reviews
|
|
gptkbp:author
|
gptkb:Graham_Greene
|
|
gptkbp:available_on
|
in published script form
on streaming platforms
|
|
gptkbp:awarded_to
|
various accolades
|
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_British_Film
|
|
gptkbp:based_on
|
play by John Osborne
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:character_arc
|
Archie Rice's struggle for relevance
Archie Rice's downfall
Rico's decline
|
|
gptkbp:character_development
|
complex characters
Archie's decline
Rico's journey
|
|
gptkbp:character_motivation
|
desire for success
|
|
gptkbp:character_relationships
|
internal and external
self-destructive behavior
tension between characters
self-delusion
strained family ties
Archie and his family
Archie's internal struggle
conflict with family members
Rico and his family
|
|
gptkbp:characteristic
|
Archie Rice's psyche
|
|
gptkbp:cinematography
|
in the film adaptation
|
|
gptkbp:cinematography_by
|
gptkb:Oswald_Morris
|
|
gptkbp:climax
|
Rico's final performance
|
|
gptkbp:color
|
black and white
|
|
gptkbp:conflict
|
personal vs professional life
personal and professional struggles
|
|
gptkbp:critical_analysis
|
social commentary
explores themes of alienation
|
|
gptkbp:critical_reception
|
mixed
mixed reviews
|
|
gptkbp:criticism
|
gptkb:Kenneth_Tynan
analyzed for its depth.
|
|
gptkbp:cultural_aspect
|
post-colonial Egypt
|
|
gptkbp:cultural_impact
|
gptkb:significant
British cinema
influenced later works
|
|
gptkbp:cultural_references
|
music hall tradition
|
|
gptkbp:cultural_significance
|
reflects societal issues
reflection of societal changes
|
|
gptkbp:depicts
|
the entertainment industry
family dynamics
post-war disillusionment
the struggle for relevance
|
|
gptkbp:directed_by
|
gptkb:Tony_Richardson
|
|
gptkbp:director
|
gptkb:Richard_Eyre
gptkb:Tony_Richardson
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:John_Glen
|
|
gptkbp:element
|
the stage
|
|
gptkbp:examines
|
the nature of performance
the role of the entertainer.
|
|
gptkbp:explores
|
Family dynamics
the concept of identity
family dynamics
the role of entertainment in society
themes of disillusionment
themes of failure
|
|
gptkbp:explores_themes
|
gptkb:identity
|
|
gptkbp:features
|
gptkb:theatrical_performances
music and performance
music hall performances
the character Archie Rice
|
|
gptkbp:film
|
gptkb:Laurence_Olivier
|
|
gptkbp:film_editing
|
gptkb:1960
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival_1960
|
|
gptkbp:filming_location
|
gptkb:London
|
|
gptkbp:first_performance
|
gptkb:1957
|
|
gptkbp:follows
|
a struggling entertainer
the life of a failing comedian
|
|
gptkbp:genre
|
gptkb:drama
gptkb:play
|
|
gptkbp:has_been_restored
|
gptkb:multiple_times
|
|
gptkbp:has_cameo
|
in the film adaptation
famous British actors
|
|
gptkbp:has_influenced
|
contemporary playwrights
|
|
gptkbp:has_performed_at
|
internationally
in community theatres
in various languages
in prestigious venues
|
|
gptkbp:has_themes
|
family conflict
cultural change
identity crisis
|
|
gptkbp:historical_context
|
post-war Britain
1950s Egypt
|
|
gptkbp:historical_legacy
|
a classic of modern theatre
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Entertainer
|
|
gptkbp:influence
|
gptkb:theater
|
|
gptkbp:influenced
|
modern drama
British theatre
future playwrights
modern British drama
the British New Wave cinema
|
|
gptkbp:influenced_by
|
gptkb:Vaudeville
gptkb:theatre_of_the_absurd
realism
the social issues of the time
Post-war British society
the Theatre of the Absurd
post-war British society
the decline of British society
|
|
gptkbp:inspiration
|
Greene's experiences
|
|
gptkbp:inspired
|
musicals
subsequent adaptations
|
|
gptkbp:is_cited_in
|
in literature reviews
|
|
gptkbp:is_considered
|
a classic of British theatre
a reflection of its time
a commentary on entertainment industry
a critique of the British class system
a pivotal work in Osborne's career
|
|
gptkbp:is_critiqued_by
|
for its social commentary
|
|
gptkbp:is_explored_in
|
in documentaries
|
|
gptkbp:is_featured_in
|
in theatre history courses
|
|
gptkbp:is_influential_in
|
in film adaptations
in theatrical techniques.
|
|
gptkbp:is_known_for
|
its emotional depth
its critical portrayal of post-war Britain
|
|
gptkbp:is_notable_for
|
its character development
its historical context
its dialogue
|
|
gptkbp:is_part_of
|
the British New Wave movement
the canon of modern British drama
|
|
gptkbp:is_referenced_in
|
in popular culture
|
|
gptkbp:is_reviewed_by
|
by numerous critics
|
|
gptkbp:is_set_in
|
a seaside town
|
|
gptkbp:is_studied_in
|
in academic settings
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
witty
|
|
gptkbp:literary_devices
|
irony
|
|
gptkbp:literary_significance
|
exploration of identity
|
|
gptkbp:main_character
|
gptkb:Rico
|
|
gptkbp:motif
|
gptkb:performance
|
|
gptkbp:music_by
|
gptkb:John_Addison
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:narrative_style
|
first-person
non-linear
satirical
|
|
gptkbp:notable_actor
|
gptkb:Laurence_Olivier
|
|
gptkbp:notable_awards
|
gptkb:Tony_Award_for_Best_Revival
|
|
gptkbp:notable_character
|
gptkb:Archie_Rice
|
|
gptkbp:notable_for
|
gptkb:Laurence_Olivier's_performance
|
|
gptkbp:notable_influence
|
inspired future playwrights.
|
|
gptkbp:notable_locations
|
a rundown theatre
|
|
gptkbp:notable_production
|
2007 revival at the Old Vic
|
|
gptkbp:notable_quote
|
“ The past is a foreign country; they do things differently there.”
sharp and witty exchanges
|
|
gptkbp:notable_scene
|
the final performance
|
|
gptkbp:notable_themes
|
nostalgia
failure and redemption
the decline of music hall entertainment
|
|
gptkbp:parodied_in
|
in various media
|
|
gptkbp:performed_at
|
gptkb:Royal_Court_Theatre
|
|
gptkbp:performed_in
|
in festivals
in schools and universities
|
|
gptkbp:plot
|
a struggling entertainer's life
|
|
gptkbp:portrayed_in
|
the decline of music hall entertainment
the impact of television on theatre
|
|
gptkbp:premiered_on
|
gptkb:1957
gptkb:The_Royal_Court_Theatre
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Tony_Richardson
|
|
gptkbp:production_company
|
gptkb:Woodfall_Film_Productions
|
|
gptkbp:published_by
|
gptkb:Faber_and_Faber
|
|
gptkbp:published_in
|
gptkb:1960
|
|
gptkbp:reflects
|
the changing tastes of audiences
|
|
gptkbp:release_date
|
1960-12-01
|
|
gptkbp:release_year
|
gptkb:1960
gptkb:1976
|
|
gptkbp:released_in
|
gptkb:1960
|
|
gptkbp:resolution
|
Rico's fate
|
|
gptkbp:revived_in
|
gptkb:2007
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:John_Osborne
|
|
gptkbp:set_in
|
gptkb:Blackpool
gptkb:Brighton
1950s
1950s England
|
|
gptkbp:setting
|
gptkb:Cairo
|
|
gptkbp:soundtrack
|
gptkb:original_score
original music by John Addison
|
|
gptkbp:stage_play_genre
|
gptkb:comedy
|
|
gptkbp:stage_play_starring
|
gptkb:Bobby_Crush
|
|
gptkbp:stage_play_year
|
gptkb:1957
|
|
gptkbp:starring
|
gptkb:Laurence_Olivier
|
|
gptkbp:symbolism
|
the music hall
Archie as a symbol of fading glory
the fading glory of entertainers
Rico as a tragic figure
|
|
gptkbp:television_appearance
|
gptkb:Burt_Lancaster
|
|
gptkbp:television_director
|
gptkb:John_Frankenheimer
|
|
gptkbp:theater
|
gptkb:Peter_Hall
|
|
gptkbp:thematic_element
|
disillusionment
the role of the entertainer
|
|
gptkbp:theme
|
disillusionment
|
|
gptkbp:themes
|
nostalgia
disillusionment
|
|
gptkbp:translated_into
|
several languages
|
|
gptkbp:written_by
|
gptkb:John_Osborne
|
|
gptkbp:bfsParent
|
gptkb:Billy_Joel
|
|
gptkbp:bfsLayer
|
3
|