|
gptkbp:instance_of
|
gptkb:book
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
|
|
gptkbp:author
|
gptkb:William_S._Burroughs
|
|
gptkbp:available_formats
|
ebook
hardcover
paperback
|
|
gptkbp:character
|
gptkb:The_Creator
gptkb:The_Ghost
gptkb:The_Prophet
gptkb:The_Voice
gptkb:The_Machine
gptkb:The_Seer
gptkb:The_Spirit
gptkb:The_Destroyer
gptkb:The_Shadow
gptkb:The_Wanderer
gptkb:The_Hand
gptkb:The_Eye
gptkb:The_Pioneer
gptkb:The_Rebel
gptkb:The_Traveler
gptkb:The_Soul
gptkb:The_Visionary
gptkb:The_Dream_Machine
gptkb:The_Interzone
gptkb:The_Body
gptkb:The_Dreamer
gptkb:The_Innovator
gptkb:The_Soft_Machine
gptkb:The_Explorer
gptkb:The_Nomad
The Outlaw
The Language of the Mind
The Adventurer
The Cut-Up Technique
The Word Hoard
|
|
gptkbp:cover_artist
|
gptkb:Brion_Gysin
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
gptkb:counterculture_movement
|
|
gptkbp:followed_by
|
gptkb:The_Soft_Machine_Volume_Three
|
|
gptkbp:genre
|
gptkb:novel
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Soft Machine Volume Two
|
|
gptkbp:influenced
|
gptkb:Patti_Smith
gptkb:David_Bowie
gptkb:John_Waters
|
|
gptkbp:influenced_by
|
gptkb:Beat_Generation
gptkb:James_Joyce
gptkb:Marcel_Duchamp
gptkb:William_Blake
gptkb:Surrealism
|
|
gptkbp:isbn
|
978-0-8112-1004-0
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Mr._Lee
|
|
gptkbp:narrative_style
|
cut-up technique
|
|
gptkbp:notable_quote
|
“ The only thing that matters is the experience.”
|
|
gptkbp:page_count
|
256
|
|
gptkbp:preceded_by
|
gptkb:The_Soft_Machine_Volume_One
|
|
gptkbp:published_year
|
gptkb:1961
|
|
gptkbp:publisher
|
gptkb:Olympia_Press
|
|
gptkbp:related_to
|
gptkb:Naked_Lunch
gptkb:The_Ticket_That_Exploded
gptkb:The_Wild_Boys
|
|
gptkbp:series
|
gptkb:The_Soft_Machine
|
|
gptkbp:setting
|
future dystopia
|
|
gptkbp:theme
|
gptkb:addiction
gptkb:identity
control
|
|
gptkbp:bfsParent
|
gptkb:Canterbury_Scene
|
|
gptkbp:bfsLayer
|
5
|