|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:David_Cronenberg
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:theatre
gptkb:1991
gptkb:radio_station
gptkb:graphic_novel
gptkb:video_game
gptkb:film
gptkb:Naked_Lunch_(1991_film)
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:allows
|
considered a classic
banned in several countries
subject of legal battles
banned in some places
controversial upon release
banned in several places
challenged in schools
|
|
gptkbp:author
|
gptkb:William_S._Burroughs
|
|
gptkbp:awards
|
nominated for Academy Award
|
|
gptkbp:based_on
|
gptkb:William_S._Burroughs
Naked Lunch (novel)
|
|
gptkbp:box_office
|
$2.5 million
$18 million
|
|
gptkbp:budget
|
$18 million
|
|
gptkbp:character
|
gptkb:Dr._Benway
gptkb:William_Lee
gptkb:The_Interzone
The Mugwump
The Black Meat
The Yage
|
|
gptkbp:cinematography
|
gptkb:Peter_Suschitzky
|
|
gptkbp:contains
|
gptkb:comic_book
dark humor
cut-up technique
|
|
gptkbp:controversy
|
gptkb:obscenity_trial
|
|
gptkbp:country
|
gptkb:Native_American_tribe
|
|
gptkbp:cover_art
|
gptkb:David_O._Smith
|
|
gptkbp:critical_reception
|
Mixed reviews
controversial
mixed reviews
|
|
gptkbp:cultural_impact
|
gptkb:significant
gptkb:organization
Cult film
influenced fashion
influenced literature
influenced counterculture
influenced visual arts
influenced film
influenced music
influenced theater
|
|
gptkbp:cultural_references
|
gptkb:musical
gptkb:film
gptkb:organization
literary critiques
artistic movements
|
|
gptkbp:cultural_significance
|
gptkb:Beat_Generation
gptkb:Artist
gptkb:Monarch
experimental literature
avant-garde
iconic
considered a classic
|
|
gptkbp:directed_by
|
gptkb:David_Cronenberg
|
|
gptkbp:director
|
gptkb:David_Cronenberg
|
|
gptkbp:distributor
|
gptkb:Universal_Pictures
|
|
gptkbp:edited_by
|
Ronald Sanders
|
|
gptkbp:examines
|
cultural studies
|
|
gptkbp:explores
|
gptkb:TV_series
control
sexuality
drug addiction
|
|
gptkbp:features
|
nonlinear structure
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Berlin_International_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_score
|
gptkb:R
|
|
gptkbp:filmography
|
gptkb:Peter_Weller
English
108 minutes
Ronald Sanders
|
|
gptkbp:followed_by
|
gptkb:The_Ticket_That_Exploded
|
|
gptkbp:follows
|
gptkb:William_Lee
|
|
gptkbp:format
|
prose
|
|
gptkbp:genre
|
gptkb:Howard_Shore
gptkb:Author
gptkb:High_School
nonlinear narrative
|
|
gptkbp:has_influence_on
|
postmodern literature
|
|
gptkbp:has_theme
|
gptkb:existentialism
gptkb:absurdism
alienation
paranoia
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Naked Lunch
|
|
gptkbp:impact
|
gptkb:organization
|
|
gptkbp:influence
|
gptkb:Beat_Generation
|
|
gptkbp:influenced
|
gptkb:musical
gptkb:Patti_Smith
gptkb:painting
gptkb:David_Cronenberg
gptkb:Hunter_S._Thompson
gptkb:philosopher
gptkb:physicist
gptkb:Beat_Generation
gptkb:Kurt_Vonnegut
gptkb:Artist
gptkb:John_Waters
gptkb:Thomas_Pynchon
gptkb:psychologist
gptkb:William_Gibson
gptkb:literary_work
gptkb:artwork
gender studies
experimental literature
postmodern literature
cultural studies
surrealism
art movements
media studies
visual artists
film noir
literary modernism
counterculture movements
postcolonial studies
cyberpunk literature
experimental writing
|
|
gptkbp:influenced_artists
|
gptkb:musician
gptkb:Author
gptkb:Film_Director
|
|
gptkbp:influenced_by
|
gptkb:Beat_Generation
gptkb:Monarch
surrealism
|
|
gptkbp:inspiration
|
Burroughs' experiences
|
|
gptkbp:inspired
|
gptkb:Beat_Generation
|
|
gptkbp:inspired_by
|
Burroughs' experiences
|
|
gptkbp:is_available_in
|
multiple editions
|
|
gptkbp:is_characterized_by
|
its surreal imagery
|
|
gptkbp:is_cited_in
|
gptkb:literary_work
|
|
gptkbp:is_considered
|
a controversial work
a classic of modern literature
a landmark in American literature
|
|
gptkbp:is_discussed_in
|
literary circles
|
|
gptkbp:is_explored_in
|
academic studies
|
|
gptkbp:is_influenced_by
|
William S. Burroughs' experiences
|
|
gptkbp:is_known_for
|
its fragmented narrative
|
|
gptkbp:is_noted_for
|
its provocative themes
|
|
gptkbp:is_part_of
|
the counterculture movement
Burroughs' bibliography
|
|
gptkbp:is_recognized_by
|
a seminal work
|
|
gptkbp:is_referenced_in
|
gptkb:organization
|
|
gptkbp:is_studied_in
|
literature courses
|
|
gptkbp:isbn
|
978-0802133451
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:William_Lee
|
|
gptkbp:music_by
|
gptkb:Howard_Shore
|
|
gptkbp:narrative_style
|
stream of consciousness
Non-linear
satirical
fragmented
absurdist
cut-up technique
|
|
gptkbp:next_edition
|
gptkb:1959
hardcover
|
|
gptkbp:notable_character
|
gptkb:Dr._Benway
gptkb:The_Exterminator
gptkb:William_Lee
gptkb:The_Interzone
gptkb:The_Naked_Lunch
The Mugwump
The Black Meat
The Yage
|
|
gptkbp:notable_for
|
gptkb:absurdism
stream of consciousness
dark humor
paranoia
intertextuality
satirical elements
controversial content
experimental writing
fragmented narrative
dystopian elements
metafictional elements
its experimental style
its controversial content
|
|
gptkbp:notable_products
|
gptkb:existentialism
gptkb:comic_book
social commentary
stream of consciousness
anti-establishment themes
dark humor
identity crisis
fragmented narrative
dystopian themes
surreal imagery
|
|
gptkbp:notable_quote
|
“ The only thing that counts is the experience.”
“ I am a prisoner of my own mind.”
“ Language is a virus.”
“ The past is a fiction.”
“ There is no other way to be.”
“ You can’t get away from yourself.”
“ Nothing is true, everything is permitted.”
“ The only thing that matters is the experience.”
“ There is no reality, only perception.”
“ The future is a thing that is not yet.”
“ The only thing that can save you is the truth.”
“ I am a drug.”
“ I am a writer, and I am a drug addict.”
|
|
gptkbp:page_count
|
gptkb:television_series
256
around 255 pages
|
|
gptkbp:predecessor
|
gptkb:Junky
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
gptkb:Geffen_Pictures
|
|
gptkbp:published_by
|
gptkb:1958
gptkb:1959
gptkb:Grove_Press
|
|
gptkbp:published_year
|
gptkb:1959
|
|
gptkbp:publisher
|
gptkb:Grove_Press
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
1991-12-27
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:release_year
|
1991-12-27
|
|
gptkbp:reports_to
|
several countries
|
|
gptkbp:runtime
|
108 minutes
|
|
gptkbp:screenplay_by
|
gptkb:David_Cronenberg
|
|
gptkbp:set_in
|
various locations
a dystopian world
|
|
gptkbp:setting
|
various locations
interzone
interior of the mind
|
|
gptkbp:starring
|
gptkb:Judy_Davis
gptkb:Peter_Weller
gptkb:Ian_Holm
|
|
gptkbp:style
|
experimental
cut-up technique
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:drug
control
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:existentialism
gptkb:nihilism
gptkb:drug
gptkb:Reality
Surveillance
Addiction
alienation
the absurd
surrealism
societal norms
surveillance
power dynamics
control
sexuality
addiction recovery
dystopia
government control
reality perception
transgression
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:visual_effects
|
MPC
|
|
gptkbp:voice_actor
|
gptkb:William_Lee
|
|
gptkbp:written_in
|
first person
|