|
gptkbp:instance_of
|
gptkb:book
gptkb:novel
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Naked_Lunch
gptkb:William_S._Burroughs
gptkb:The_Downward_Spiral
gptkb:The_Naked_Lunch
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:adapted_into
|
gptkb:none
|
|
gptkbp:author
|
gptkb:William_S._Burroughs
|
|
gptkbp:available_formats
|
gptkb:book
ebook
hardcover
paperback
|
|
gptkbp:character_development
|
non-linear
|
|
gptkbp:cover_art
|
gptkb:David_Pelham
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
gptkb:Beat_Generation
gptkb:significant
gptkb:organization
postmodern literature
|
|
gptkbp:followed_by
|
gptkb:The_Wild_Boys
|
|
gptkbp:follows
|
gptkb:Naked_Lunch
|
|
gptkbp:genre
|
gptkb:Author
gptkb:novel
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Ticket That Exploded
|
|
gptkbp:influenced
|
postmodern literature
|
|
gptkbp:influenced_artists
|
gptkb:Grimes
gptkb:Charli_XCX
gptkb:MGMT
gptkb:The_Cure
gptkb:The_Doors
gptkb:The_Flaming_Lips
gptkb:The_Prodigy
gptkb:The_Velvet_Underground
gptkb:The_War_on_Drugs
gptkb:David_Bowie
gptkb:Dua_Lipa
gptkb:Fleet_Foxes
gptkb:Hozier
gptkb:Lana_Del_Rey
gptkb:Olivia_Rodrigo
gptkb:Rina_Sawayama
gptkb:Tame_Impala
gptkb:The_National
gptkb:The_Smashing_Pumpkins
gptkb:Beastie_Boys
gptkb:Fiona_Apple
gptkb:Phoebe_Bridgers
gptkb:Radiohead
gptkb:The_Chemical_Brothers
gptkb:Sonic_Youth
gptkb:Billie_Eilish
gptkb:Kurt_Cobain
gptkb:Elliott_Smith
gptkb:Morrissey
gptkb:Ariel_Pink
gptkb:Bon_Iver
gptkb:Death_Grips
gptkb:Tricky
gptkb:Mac_De_Marco
gptkb:Nine_Inch_Nails
gptkb:The_Black_Angels
|
|
gptkbp:influenced_by
|
gptkb:Monarch
Freudian theory
Jungian psychology
|
|
gptkbp:influences
|
gptkb:Artist
gptkb:Monarch
Existentialism
Psychedelic culture
|
|
gptkbp:isbn
|
978-0802131452
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Lee
|
|
gptkbp:narrative_style
|
cut-up technique
|
|
gptkbp:notable_character
|
gptkb:The_Girl
gptkb:The_Man
gptkb:The_Woman
gptkb:Lee
gptkb:The_Boy
The Ticket
|
|
gptkbp:notable_quote
|
“ The only thing that matters is the experience.”
|
|
gptkbp:page_count
|
192
|
|
gptkbp:preceded_by
|
gptkb:Naked_Lunch
|
|
gptkbp:precedes
|
gptkb:Nova_Express
gptkb:The_Wild_Boys
|
|
gptkbp:published_by
|
gptkb:1962
|
|
gptkbp:published_year
|
gptkb:1960
gptkb:1962
|
|
gptkbp:publisher
|
gptkb:Grove_Press
gptkb:Olympia_Press
|
|
gptkbp:related_to
|
gptkb:Beat_Generation
|
|
gptkbp:related_works
|
gptkb:Cities_of_the_Red_Night
gptkb:The_Soft_Machine
gptkb:The_Wild_Boys
gptkb:The_Place_of_Dead_Roads
Ghosts at the Table
|
|
gptkbp:setting
|
post-apocalyptic world
|
|
gptkbp:symbolism
|
gptkb:technology
gptkb:drug
control
|
|
gptkbp:theme
|
control and manipulation
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:drug
control
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Spanish
gptkb:Native_American_tribe
|