|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Rashomon
|
|
gptkbp:based_on
|
The Last Stagecoach West
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$2 million
|
|
gptkbp:character
|
gptkb:The_Man
gptkb:The_Stranger
gptkb:The_Woman
The Outlaw
The Sheriff
|
|
gptkbp:cinematography
|
gptkb:Charles_Lang
|
|
gptkbp:color
|
Black and white
|
|
gptkbp:composer
|
gptkb:Alex_North
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:cultural_impact
|
Influenced Western genre
|
|
gptkbp:director
|
gptkb:Martin_Ritt
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:editor
|
Marjorie Fowler
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_score
|
Orchestral
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:genre
|
Western
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Outrage (1964)
|
|
gptkbp:influenced_by
|
gptkb:Akira_Kurosawa
Western films
Japanese cinema
|
|
gptkbp:language
|
English
|
|
gptkbp:narrative_style
|
Non-linear
|
|
gptkbp:notable_quote
|
" The truth is never what it seems."
|
|
gptkbp:premiere
|
gptkb:Los_Angeles
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
|
|
gptkbp:release_date
|
1964-12-25
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:remake
|
gptkb:Rashomon
|
|
gptkbp:runtime
|
102 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Earl_Felton
|
|
gptkbp:setting
|
gptkb:American_Southwest
|
|
gptkbp:starring
|
gptkb:Edward_G._Robinson
gptkb:Paul_Leonard_Newman
gptkb:Joanne_Woodward
gptkb:Cliff_Robertson
|
|
gptkbp:theme
|
gptkb:Redemption
gptkb:Violence
gptkb:Betrayal
gptkb:Truth
Perspective
Justice and morality
|