|
gptkbp:instance_of
|
gptkb:graphic_novel
gptkb:short_story
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:Rashomon_(TV_series)
gptkb:Rashomon_(radio_drama)
gptkb:Rashomon_(video_game)
gptkb:The_Outrage_(1964_film)
gptkb:The_Tale_of_the_Heike
gptkb:film
Rashomon (film)
Rashomon (graphic novel)
Rashomon (play)
|
|
gptkbp:adaptations
|
Rashomon (film)
|
|
gptkbp:adapted_into
|
gptkb:anime
gptkb:television_series
gptkb:theater
gptkb:television
gptkb:short_stories
gptkb:film
Stage plays
various media
graphic novels
stage productions
|
|
gptkbp:art_style
|
black and white
|
|
gptkbp:author
|
gptkb:Fumiko_Enchi
gptkb:Ryunosuke_Akutagawa
|
|
gptkbp:available_formats
|
gptkb:print
digital
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
streaming services
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Foreign_Language_Film
|
|
gptkbp:based_on
|
gptkb:Ryūnosuke_Akutagawa
gptkb:short_story
short stories by Ryūnosuke Akutagawa
Rashomon (short story)
In a Grove (short story)
Short stories by Ryūnosuke Akutagawa
|
|
gptkbp:box_office
|
$1.2 million
$1.5 million
$1 million
successful
successful in Japan
successful internationally
|
|
gptkbp:cast
|
gptkb:Toshiro_Mifune
gptkb:Masayuki_Mori
gptkb:Takashi_Shimura
gptkb:Machiko_Kyo
|
|
gptkbp:cinematography_by
|
gptkb:Kazuo_Miyagawa
|
|
gptkbp:collection
|
gptkb:Rashomon_and_Seventeen_Other_Stories
|
|
gptkbp:color
|
Black and white
black and white
|
|
gptkbp:conflict
|
gptkb:murder_mystery
|
|
gptkbp:country
|
gptkb:Japan
|
|
gptkbp:critical_reception
|
Highly acclaimed
positive
highly acclaimed
considered a masterpiece
|
|
gptkbp:cultural_impact
|
gptkb:significant
gptkb:Rashomon_effect
inspired literature
influenced other works
inspired many films
inspired television shows
considered a classic of world cinema
inspired the term ' Rashomon effect'
Cited in discussions of narrative structure
introduced the ' Rashomon effect' concept
inspired the term ' Rashomon effect'.
|
|
gptkbp:cultural_significance
|
considered a classic
influential in world cinema
pioneering
Considered a classic of world cinema
exploration of subjective truth
pioneered the use of unreliable narrators
pioneered new narrative techniques
considered a classic of world cinema.
|
|
gptkbp:depicts
|
gptkb:moral_ambiguity
multiple viewpoints
the nature of reality
human nature
a wife
a bandit
a samurai
a woodcutter
a murder case
|
|
gptkbp:directed_by
|
gptkb:Akira_Kurosawa
|
|
gptkbp:director
|
gptkb:Martin_Scorsese
gptkb:Sofia_Coppola
gptkb:David_Lynch
gptkb:Christopher_Nolan
gptkb:Francis_Ford_Coppola
gptkb:Quentin_Tarantino
gptkb:Akira_Kurosawa
|
|
gptkbp:distributor
|
gptkb:Daiei_Film
gptkb:Toho
|
|
gptkbp:edited_by
|
gptkb:Akira_Kurosawa
|
|
gptkbp:editing
|
gptkb:Akira_Kurosawa
|
|
gptkbp:examines
|
subjectivity
|
|
gptkbp:explores
|
human nature
|
|
gptkbp:explores_themes
|
gptkb:justice
gptkb:memory
subjectivity of truth
|
|
gptkbp:features
|
multiple perspectives
multiple narrators
|
|
gptkbp:features_character
|
a woman
the wife
a wife
a bandit
a samurai
a woodcutter
the samurai
the woodcutter
|
|
gptkbp:features_narrative_device
|
multiple perspectives
|
|
gptkbp:features_voice_actors
|
gptkb:Machiko_Kyō
gptkb:Toshiro_Mifune
gptkb:Masayuki_Mori
gptkb:Takashi_Shimura
|
|
gptkbp:film_awards
|
gptkb:Best_Actor
gptkb:Best_Director
gptkb:Golden_Lion
|
|
gptkbp:film_editing
|
gptkb:Akira_Kurosawa
gptkb:Toshio_Tomita
Rashomon (1950 film)
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:Venice_Film_Festival
gptkb:New_York_Film_Festival
|
|
gptkbp:film_score
|
Fumio Hayasaka's score
|
|
gptkbp:film_technique
|
gptkb:Vantage_Point
gptkb:The_Affair
gptkb:The_Last_Duel
gptkb:Gone_Girl
gptkb:The_Usual_Suspects
multiple viewpoints
multiple perspectives
flashbacks
unreliable narrator
Non-linear storytelling
Multiple perspectives
flashback
high-contrast lighting
|
|
gptkbp:filming_location
|
gptkb:Kamakura
gptkb:Nara_Prefecture,_Japan
|
|
gptkbp:first_edition
|
gptkb:2000
|
|
gptkbp:first_performance
|
1950
|
|
gptkbp:genre
|
gptkb:manga
gptkb:mystery
gptkb:drama
literary fiction
psychological thriller
|
|
gptkbp:has_adaptation
|
gptkb:television_shows
gptkb:novels
radio plays
theater adaptations
|
|
gptkbp:has_been_restored
|
gptkb:2000
|
|
gptkbp:has_cultural_impact
|
influence on world cinema
inspired the term ' Rashomon effect'
|
|
gptkbp:has_editing_by
|
innovative editing techniques
|
|
gptkbp:has_genre
|
gptkb:mystery
gptkb:drama
psychological thriller
|
|
gptkbp:has_influence_on
|
theater arts
filmmakers worldwide
|
|
gptkbp:has_legacy
|
inspired the term ' Rashomon effect'
|
|
gptkbp:has_rating
|
8.2/10
|
|
gptkbp:has_sequel
|
gptkb:Kagemusha
Ran
Rashomon (1950) -not a direct sequel but related themes
|
|
gptkbp:has_soundtrack
|
gptkb:Fumio_Hayasaka
|
|
gptkbp:has_theme
|
truth and perspective
|
|
gptkbp:has_themes
|
gptkb:justice
gptkb:deception
guilt
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
Digital streaming
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Rashomon
|
|
gptkbp:illustrator
|
gptkb:Yoshihiro_Tatsumi
|
|
gptkbp:influence
|
gptkb:cinema
gptkb:Japanese_literature
gptkb:storytelling
|
|
gptkbp:influenced
|
gptkb:cinema
gptkb:Film_noir
gptkb:Postmodern_literature
gptkb:The_Last_Duel
gptkb:Video_games
gptkb:Pulp_Fiction
gptkb:Akira_Kurosawa
gptkb:The_Usual_Suspects
postmodern literature
Cinematic storytelling
film noir
documentary filmmaking
Documentary filmmaking
Interactive storytelling
modern storytelling
filmmakers worldwide
narrative structure in films
cinema worldwide
narrative structure in films.
the term ' Rashomon effect'
|
|
gptkbp:influenced_artists
|
gptkb:Life_of_Pi
gptkb:The_Girl_with_the_Dragon_Tattoo
gptkb:The_Sound_and_the_Fury
gptkb:The_Secret_History
gptkb:Cloud_Atlas
modern storytelling techniques
|
|
gptkbp:influenced_by
|
gptkb:Japanese_folklore
gptkb:Japanese_literature
gptkb:Akira_Kurosawa
gptkb:The_Tale_of_the_Bamboo_Cutter
gptkb:Japanese_culture
Western films
|
|
gptkbp:inspiration
|
gptkb:Pulp_Fiction
gptkb:Lost_(TV_series)
gptkb:The_Usual_Suspects
|
|
gptkbp:inspired
|
gptkb:Rashomon_effect
academic studies
television adaptations
numerous adaptations
numerous parodies
theater adaptations
Rashomon effect in psychology
|
|
gptkbp:inspired_by
|
gptkb:Akutagawa's_short_stories
Rashomon Gate
short story by Ryunosuke Akutagawa
|
|
gptkbp:is_acclaimed_for
|
yes
|
|
gptkbp:is_associated_with
|
gptkb:Akira_Kurosawa
theatrical innovation
|
|
gptkbp:is_available_in
|
published scripts
|
|
gptkbp:is_available_on
|
gptkb:DVD
gptkb:Blu-ray
gptkb:streaming_platforms
streaming services
|
|
gptkbp:is_cited_in
|
gptkb:art
gptkb:law
gptkb:Journalist
gptkb:literature
gptkb:sociology
gptkb:philosophy
gptkb:psychology
film studies
literary critiques
philosophy discussions
psychology discussions
|
|
gptkbp:is_considered
|
a classic
a timeless piece
a philosophical work
a narrative experiment
|
|
gptkbp:is_considered_as
|
a classic of world cinema
a pioneer of modern cinema
|
|
gptkbp:is_explored_in
|
academic studies
philosophical discussions
theater reviews
|
|
gptkbp:is_influential_in
|
film studies
|
|
gptkbp:is_known_for
|
its narrative structure
|
|
gptkbp:is_notable_for
|
non-linear storytelling
|
|
gptkbp:is_part_of
|
gptkb:Japanese_literature
theatrical canon
|
|
gptkbp:is_part_of_cinematic_history
|
Japanese cinema
international cinema
|
|
gptkbp:is_recognized_for
|
its cultural impact
its innovative storytelling
|
|
gptkbp:is_referenced_in
|
gptkb:television_shows
gptkb:literature
gptkb:popular_culture
various films
|
|
gptkbp:is_set_in
|
the Heian period
a forest
|
|
gptkbp:is_studied_in
|
literature courses
film schools
|
|
gptkbp:isbn
|
978-4-09-124123-4
|
|
gptkbp:language
|
gptkb:Japanese
|
|
gptkbp:main_character
|
the wife
the samurai
the bandit
the woodcutter
|
|
gptkbp:main_theme
|
truth and perception
|
|
gptkbp:music_by
|
gptkb:Masaru_Satō
gptkb:Fumio_Hayasaka
gptkb:Masaru_Sato
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:narrative_style
|
multiple perspectives
non-linear
non-linear storytelling
unreliable narrator
Unreliable narrator
|
|
gptkbp:notable_cast
|
gptkb:Machiko_Kyō
gptkb:Toshiro_Mifune
gptkb:Masayuki_Mori
gptkb:Takashi_Shimura
gptkb:Kichijiro_Ueda
|
|
gptkbp:notable_character
|
the wife
the samurai
the bandit
|
|
gptkbp:notable_for
|
its narrative structure
|
|
gptkbp:notable_quote
|
“ The past is never dead. It’s not even past.”
“ Each witness has a different story.”
“ Truth is a matter of perspective.”
“ What is truth?”
“ The only thing we know is that we don’t know.”
“ Truth is in the eye of the beholder.”
' Each witness has a different story.'
' Memory is a tricky thing.'
' The only truth is that there is no truth.'
' We all see things differently.'
' What is truth?'
' Each person sees the world differently.'
' The truth is not always the same as the facts.'
“ The only thing we can do is to keep on living.”
“ In the end, the truth is not what you think.”
“ Each person sees the world differently.”
|
|
gptkbp:notable_technique
|
multiple perspectives
flashbacks
unreliable narration
|
|
gptkbp:notable_themes
|
gptkb:justice
gptkb:deception
gptkb:identity
gptkb:memory
conflict resolution
perception
morality
human nature
truth
cultural relativism
|
|
gptkbp:page_count
|
gptkb:200
|
|
gptkbp:part_of_series
|
Kurosawa's films
Kurosawa's filmography
|
|
gptkbp:performed_by
|
various theater companies
amateur theater groups
|
|
gptkbp:performed_in
|
gptkb:theater_festivals
internationally
in various languages
in universities
in high schools
|
|
gptkbp:plot
|
A tale of a murder and the conflicting testimonies surrounding it.
a murder and a rape told from different perspectives
A murder and its aftermath are recounted from multiple perspectives.
multiple perspectives on a crime
|
|
gptkbp:premiere
|
gptkb:Venice_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:Venice_Film_Festival
Kurosawa's production company
|
|
gptkbp:produced_by
|
gptkb:Akira_Kurosawa_Productions
|
|
gptkbp:production_company
|
gptkb:Daiei_Film
|
|
gptkbp:publication_year
|
gptkb:2000
|
|
gptkbp:published_by
|
gptkb:Kodansha
|
|
gptkbp:published_in
|
gptkb:Shincho_Magazine
1915
|
|
gptkbp:received
|
critical acclaim
|
|
gptkbp:recognized_by
|
gptkb:AFI's_100_Years...100_Movies
Sight & Sound's Greatest Films of All Time
|
|
gptkbp:release_date
|
August 26, 1950
August 25, 1950
|
|
gptkbp:release_year
|
gptkb:1990
gptkb:1996
1950
|
|
gptkbp:released_in
|
1950
|
|
gptkbp:remake
|
gptkb:The_Outrage_(1964_film)
gptkb:Rashomon_(2005_film)
gptkb:The_Outrage
gptkb:Rashomon_(2005)
gptkb:Rashomon_(2015)
gptkb:Rashomon_(1964)
gptkb:Rashomon_(2010)
gptkb:The_Outrage_(1964)
Rashomon (1990)
Rashomon (1996)
|
|
gptkbp:restoration
|
gptkb:Criterion_Collection
|
|
gptkbp:runtime
|
88 minutes
|
|
gptkbp:score
|
gptkb:Fumio_Hayasaka
|
|
gptkbp:screenplay_by
|
gptkb:Ryūnosuke_Akutagawa
gptkb:Masato_Ide
gptkb:Akira_Kurosawa
|
|
gptkbp:series
|
standalone
|
|
gptkbp:set_in
|
gptkb:Japan
feudal Japan
|
|
gptkbp:setting
|
gptkb:Japan
gptkb:Kyoto,_Japan
gptkb:forest
Ancient Japan
Rashomon gate
|
|
gptkbp:starring
|
gptkb:Machiko_Kyō
gptkb:Toshiro_Mifune
gptkb:Masayuki_Mori
gptkb:Takashi_Shimura
gptkb:Machiko_Kyo
|
|
gptkbp:style
|
minimalist
|
|
gptkbp:symbolism
|
Rashomon gate
|
|
gptkbp:target_audience
|
young adult
|
|
gptkbp:theme
|
gptkb:memory
perception
human nature
perspective
subjectivity of truth
|
|
gptkbp:themes
|
gptkb:justice
gptkb:memory
subjectivity
human nature
perspective
truth
truth and subjectivity
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Italian
gptkb:Spanish
gptkb:Jay_Rubin
gptkb:German
English
multiple languages
|
|
gptkbp:viewpoint
|
multiple perspectives
|
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Foreign_Language_Film
|
|
gptkbp:written_by
|
gptkb:Ryunosuke_Akutagawa
|
|
gptkbp:year
|
gptkb:Heian_period
|
|
gptkbp:bfsParent
|
gptkb:Shōwa
gptkb:Imperial_Japan
gptkb:Toho_Company
gptkb:Akira_Kurosawa
gptkb:Showa_period
|
|
gptkbp:bfsLayer
|
4
|