Statements (636)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:newspaper
gptkb:fictional_character gptkb:album gptkb:novel gptkb:character |
gptkbp:adaptation |
gptkb:ballet
gptkb:The_Stranger_(film) gptkb:radio_station gptkb:graphic_novel gptkb:opera gptkb:theater gptkb:drama gptkb:film |
gptkbp:adaptation_year |
gptkb:1967
gptkb:2019 |
gptkbp:adaptations |
gptkb:theater
gptkb:film |
gptkbp:adapted_into |
gptkb:films
gptkb:theater gptkb:film graphic novels the novel radio plays the stage |
gptkbp:advertising |
local businesses
national brands |
gptkbp:appears_in |
gptkb:The_Devil_All_the_Time
gptkb:The_Big_Lebowski The Stranger's Wife The Stranger's Daughter |
gptkbp:artist |
gptkb:Billy_Joel
|
gptkbp:associated_with |
gptkb:Jeff_Lebowski
gptkb:Walter_Sobchak gptkb:The_Dude Donny |
gptkbp:author |
gptkb:Albert_Camus
|
gptkbp:awards |
gptkb:None
gptkb:none gptkb:Nobel_Prize_in_Literature gptkb:Prix_de_l'_Académie_Française gptkb:N/_A multiple regional journalism awards Grammy Award for Album of the Year (nominated) |
gptkbp:billy_joel's_career |
Breakthrough album
|
gptkbp:box_office |
$15 million
$46.2 million |
gptkbp:camus's_existentialism |
rejection of traditional values
|
gptkbp:camus's_influence |
gptkb:French_literature
|
gptkbp:camus's_legacy |
philosopher and writer
|
gptkbp:camus's_literary_style |
existentialist themes
|
gptkbp:camus's_philosophy |
the absurd
|
gptkbp:camus's_writing_style |
minimalist
|
gptkbp:cast |
gptkb:Luchino_Visconti
gptkb:Benoît_Jacquot gptkb:Jacques_Deray |
gptkbp:certification |
gptkb:Platinum
|
gptkbp:character |
gptkb:Marie_Cardona
gptkb:Raymond_Sintès the prosecutor the chaplain |
gptkbp:character_development |
gptkb:Meursault's_trial
Meursault's confrontation with death Meursault's emotional detachment Meursault's transformation Meursault's relationship with Marie |
gptkbp:character_traits |
philosophical
mysterious wise laid-back enigmatic |
gptkbp:character_type |
gptkb:Cowboy
|
gptkbp:characteristic |
gptkb:Raymond_Sintès
gptkb:Meursault's_trial the prosecutor Meursault's emotional detachment Meursault's relationship with Marie the chaplain Meursault's relationship with society |
gptkbp:chart_performance |
#2 on Billboard 200
|
gptkbp:circulation |
approximately 50,000
|
gptkbp:collaborator |
gptkb:Richie_Cannata
gptkb:Phil_Ramone gptkb:Doug_Stegmeyer gptkb:David_Brown gptkb:Liberty_De_Vitto |
gptkbp:conflict |
gptkb:Meursault's_trial
internal conflict societal norms social conflict societal conflict |
gptkbp:contains |
philosophical dialogues
|
gptkbp:cover_art |
Artwork by John Kosh
The Stranger album cover |
gptkbp:coverage |
Seattle area
|
gptkbp:created_by |
gptkb:Albert_Camus
|
gptkbp:critical_analysis |
gptkb:moral_ambiguity
existential themes character study |
gptkbp:critical_reception |
Highly acclaimed
controversial mixed widely acclaimed Controversial widely studied Widely acclaimed |
gptkbp:cultural_aspect |
French colonialism
existential crisis post-World War II France philosophical debates of the 20th century |
gptkbp:cultural_impact |
gptkb:Significant
gptkb:significant cult classic inspired art and literature influenced existential thought Considered a classic inspired various artworks inspired discussions on morality influenced literature considered one of the greatest albums of all time influenced philosophy influenced pop culture widely studied in schools inspired merchandise influenced modern philosophy Considered one of the greatest albums of all time influenced art and literature influenced art influenced film influenced music influenced films inspired literary criticism adapted into various media inspired philosophical discussions inspired fan events inspired discussions on absurdism featured in academic studies inspired philosophical debates inspired quotes and memes inspired existentialist thought |
gptkbp:cultural_references |
gptkb:French_literature
inspired various artworks 20th-century philosophy Algerian culture absurdist theater existentialist literature often referenced in literature courses often referenced in philosophy courses |
gptkbp:cultural_significance |
explores themes of absurdity and meaninglessness
|
gptkbp:depicts |
emotional detachment
|
gptkbp:directed_by |
gptkb:Orson_Welles
|
gptkbp:director |
gptkb:Joel_Coen
gptkb:Luchino_Visconti gptkb:Gérard_Philipe gptkb:Ethan_Coen |
gptkbp:discusses |
the meaning of life
|
gptkbp:editor |
gptkb:Dan_Savage
|
gptkbp:editorial_focus |
gptkb:investigative_journalism
progressive diverse backgrounds fact-checking local experts opinion pieces experienced journalists |
gptkbp:ended |
open-ended
|
gptkbp:events |
art exhibitions
community forums annual film festival local music events |
gptkbp:examines |
societal norms
|
gptkbp:explores |
the meaning of life
themes of alienation |
gptkbp:fan_base |
Billy Joel fans
|
gptkbp:fan_favorite |
gptkb:Yes
|
gptkbp:fan_reception |
cult following
widely acclaimed by critics and fans alike |
gptkbp:featured_in |
Various music documentaries
Various media and films |
gptkbp:features |
Maman's funeral
|
gptkbp:features_supporting_character |
gptkb:Marie_Cardona
gptkb:Raymond_Sintès the judge the prosecutor |
gptkbp:film |
English
|
gptkbp:film_awards |
gptkb:National_Film_Registry
gptkb:AFI's_100_Years...100_Laughs gptkb:Academy_Award_nomination Golden Globe nomination |
gptkbp:film_editing |
gptkb:1967
gptkb:2019 gptkb:Marcello_Mastroianni |
gptkbp:film_length |
117 minutes
|
gptkbp:first_appearance |
gptkb:1998
|
gptkbp:first_edition |
Released in 2011
|
gptkbp:first_published |
gptkb:1942
|
gptkbp:focus |
local news and culture
|
gptkbp:followed_by |
gptkb:The_Plague
|
gptkbp:follows |
gptkb:Meursault's_trial
Meursault's life |
gptkbp:format |
print and online
|
gptkbp:founded |
gptkb:2000
|
gptkbp:genre |
gptkb:rock
gptkb:mystery gptkb:comedy gptkb:philosophy gptkb:crime Philosophical novel |
gptkbp:graphic_novel_adaptation_artist |
gptkb:Jacques_Ferrandez
|
gptkbp:graphics |
gptkb:2013
|
gptkbp:has_appearance |
cowboy attire
|
gptkbp:has_been |
analyzed extensively
|
gptkbp:has_implications_for |
freedom in absurdity
|
gptkbp:has_themes |
gptkb:death
gptkb:identity freedom alienation |
gptkbp:headquarters |
gptkb:Seattle,_Washington
|
https://www.w3.org/2000/01/rdf-schema#label |
The Stranger
|
gptkbp:impact |
local culture
political discourse community activism arts scene |
gptkbp:includes |
the trial of Meursault
|
gptkbp:influence |
gptkb:Nietzsche
gptkb:existentialism gptkb:Sartre gptkb:literature gptkb:Kierkegaard gptkb:philosophy postmodern literature existential philosophy |
gptkbp:influence_on |
gptkb:French_literature
postmodern literature existential philosophy contemporary philosophy |
gptkbp:influenced |
gptkb:theater_of_the_absurd
gptkb:literature gptkb:philosophy gptkb:film gptkb:literary_criticism postmodern literature existential philosophy film noir Covered by various artists modernist literature Used in films Featured in TV shows |
gptkbp:influenced_artists |
gptkb:John_Mayer
gptkb:Elton_John gptkb:Bruce_Springsteen gptkb:Ben_Folds gptkb:Billy_Currington gptkb:Sara_Bareilles New wave Soft rock Pop rock Classic rock Adult contemporary Many contemporary musicians |
gptkbp:influenced_by |
gptkb:Nietzsche
gptkb:existentialism gptkb:Bob_Dylan gptkb:Elton_John gptkb:Simon_&_Garfunkel gptkb:The_Beatles gptkb:Sartre gptkb:Kierkegaard Nihilism Camus' own experiences |
gptkbp:influences |
gptkb:jazz
gptkb:French_literature postmodern literature pop rock soft rock R& B |
gptkbp:inspiration |
Camus' philosophy
Camus's experiences Joel's experiences in New York City |
gptkbp:inspired |
gptkb:philosopher
gptkb:artists gptkb:Writer various literary works |
gptkbp:inspired_by |
Billy Joel's experiences in New York City
|
gptkbp:instruments |
gptkb:piano
gptkb:Drums gptkb:Bass gptkb:saxophone gptkb:guitar Strings |
gptkbp:is |
gptkb:a_cosmic_being_in_Marvel_Comics
|
gptkbp:is_a_moment_of |
gptkb:Murder_of_the_Arab
gptkb:Meursault's_trial |
gptkbp:is_analyzed_in |
philosophy courses
its themes |
gptkbp:is_associated_with |
the absurdist movement
|
gptkbp:is_cited_in |
gptkb:Academic
gptkb:philosopher academic papers academic studies philosophical discussions literary critiques discussions of absurdism |
gptkbp:is_considered |
a seminal work
a classic a critique of society a philosophical text a classic of 20th-century literature a philosophical work a foundational text in existentialism a reflection of existential thought a critique of traditional values |
gptkbp:is_discussed_in |
gptkb:philosophical_debates
gptkb:literary_criticism |
gptkbp:is_examined_in |
cultural studies
psychological studies |
gptkbp:is_explored_in |
cultural studies
character analysis psychological studies sociological studies theory of intertextuality theory of narrative structure theory of existentialism theory of literary theory theory of postmodernism theory of modernism the context of modern philosophy theory of nihilism the context of absurdism the lens of nihilism theory of absurd context theory of absurdism theory of character development theory of cultural context theory of ethical context theory of existential context theory of historical context theory of literary criticism theory of philosophical context theory of political context theory of reader-response criticism theory of social context theory of thematic analysis |
gptkbp:is_influenced_by |
the works of Kierkegaard
|
gptkbp:is_influential_in |
gptkb:literature
literary circles |
gptkbp:is_known_for |
its existential themes
its opening line |
gptkbp:is_noted_for |
its unique style
its philosophical depth its narrative structure its impact on literature. |
gptkbp:is_often_compared_to |
gptkb:Nausea
|
gptkbp:is_part_of |
gptkb:French_literature
modernist literature the literary canon the absurdist movement The Cycle of the Absurd the discourse on meaninglessness the existentialist tradition |
gptkbp:is_recognized_as |
a seminal text
|
gptkbp:is_referenced_in |
gptkb:film_adaptations
gptkb:popular_culture other literary works |
gptkbp:is_regarded_as |
a pivotal work
|
gptkbp:is_set_in |
gptkb:French_Algeria
the early 20th century |
gptkbp:is_studied_in |
university courses
literature courses high school curricula |
gptkbp:is_taught_in |
university courses
|
gptkbp:isbn |
978-0-679-72496-1
978-0-679-72496-2 |
gptkbp:label |
gptkb:Columbia_Records
|
gptkbp:language |
gptkb:French
1946 English |
gptkbp:language_spoken |
The Dude abides.
Sometimes you eat the bar, and sometimes the bar eats you. Well, that’s just, like, your opinion, man. |
gptkbp:legacy |
Enduring popularity
Iconic status in pop culture featured in various media and pop culture references inspired numerous covers and tributes remains a staple in classic rock radio Considered one of Billy Joel's best albums |
gptkbp:length |
39:36
39:25 |
gptkbp:literary_devices |
gptkb:dialogue
symbolism imagery irony foreshadowing |
gptkbp:literary_movement |
gptkb:existentialism
gptkb:absurdism |
gptkbp:literary_significance |
existential literature
modernist literature influential in existential literature considered a classic often studied in literature courses often referenced in popular culture part of the Western canon influenced writers like Franz Kafka influenced writers like Jean-Paul Sartre part of the existentialist canon |
gptkbp:live_performance |
Performed extensively by Billy Joel
Billy Joel's concerts |
gptkbp:lyrical_themes |
gptkb:Nostalgia
Love and relationships Life experiences |
gptkbp:main_character |
gptkb:Meursault
|
gptkbp:main_theme |
gptkb:absurdism
|
gptkbp:meursault's_actions |
murder of an Arab
|
gptkbp:meursault's_character_arc |
transformation through trial
|
gptkbp:meursault's_confrontation_with_society |
rebellion against norms
|
gptkbp:meursault's_emotional_response |
lack of grief
|
gptkbp:meursault's_emotional_state |
detachment
|
gptkbp:meursault's_final_acceptance |
the absurdity of life
|
gptkbp:meursault's_final_moments |
confrontation with death
|
gptkbp:meursault's_final_realization |
acceptance of absurdity
|
gptkbp:meursault's_perspective_on_life |
sensory experiences
|
gptkbp:meursault's_relationship |
gptkb:Marie_Cardona
|
gptkbp:meursault's_relationship_with_his_mother |
gptkb:complex
|
gptkbp:meursault's_relationship_with_nature |
intimacy
|
gptkbp:meursault's_relationship_with_society |
alienation
|
gptkbp:meursault's_relationship_with_time |
non-linear perception
|
gptkbp:meursault's_trial |
absurdity of justice
|
gptkbp:meursault's_trial_outcome |
guilty verdict
|
gptkbp:meursault's_view_on_happiness |
fleeting
|
gptkbp:meursault's_view_on_love |
superficial
|
gptkbp:meursault's_view_on_truth |
subjective
|
gptkbp:meursault's_worldview |
indifference
|
gptkbp:motif |
alienation
the passage of time isolation the sea indifference absurdity the search for meaning the trial the absurdity of life the weather |
gptkbp:music_style |
Eclectic
storytelling lyrics piano-driven rock |
gptkbp:music_video |
gptkb:Just_the_Way_You_Are_(music_video)
gptkb:Only_the_Good_Die_Young_(music_video) |
gptkbp:narrative |
stream of consciousness
objective provides commentary |
gptkbp:narrative_style |
first-person
stream of consciousness flashbacks minimalism non-linear storytelling vivid imagery dialogue-driven |
gptkbp:notable_aspect |
Food issue
Arts issue Best of Seattle issue Election issue annual Pride issue |
gptkbp:notable_awards |
gptkb:Grammy_Award_for_Album_of_the_Year
gptkb:American_Music_Award_for_Favorite_Pop/_Rock_Album Nominated for Best Pop Vocal Performance, Male |
gptkbp:notable_contributor |
gptkb:Charles_Mudede
gptkb:David_Schmader gptkb:Paul_Constant Annie Wagner Leah Baltus |
gptkbp:notable_feature |
Savage Love column
|
gptkbp:notable_performances |
gptkb:Billy_Joel's_Last_Play_at_Shea
gptkb:The_Last_Play_at_Shea_Stadium gptkb:The_Concert_for_New_York_City gptkb:Live_at_Carnegie_Hall |
gptkbp:notable_quote |
“ I opened myself to the gentle indifference of the world.”
“ I don’t believe in God.” “ It’s not my fault.” “ Mother died today.” “ I had only a little time left and I didn’t want to waste it on God.” “ Mother died today. Or maybe yesterday, I don’t know.” “ I had lived my life one way and I could just as well have lived it another.” “ There is no greater torment for a man than that of being alive.” “ I know very well that I am not a man of action.” “ I don't care about anything.” “ I had only to wish that there be no more.” |
gptkbp:notable_song |
gptkb:Scenes_from_an_Italian_Restaurant
gptkb:Just_the_Way_You_Are gptkb:Only_the_Good_Die_Young |
gptkbp:notable_themes |
gptkb:identity
freedom alienation morality human experience social norms |
gptkbp:notable_tracks |
gptkb:Movin'_Out_(Anthony's_Song)
gptkb:The_Last_Time gptkb:The_Stranger gptkb:Vienna gptkb:Scenes_from_an_Italian_Restaurant gptkb:Just_the_Way_You_Are gptkb:Only_the_Good_Die_Young gptkb:She's_Always_a_Woman Get It Right the First Time |
gptkbp:number_of_books |
2
|
gptkbp:original_language |
gptkb:French
|
gptkbp:owner |
gptkb:Stranger_Media,_LLC
|
gptkbp:page_count |
123
|
gptkbp:partnership |
local artists
local businesses non-profit organizations |
gptkbp:philosophy |
gptkb:nihilism
freedom alienation the absurd indifference the meaning of life meaning of life absurd hero What is the meaning of life? What is the nature of existence? What is the nature of truth? What is the role of society? What is the significance of death? what is existence? what is morality? death and existence |
gptkbp:plot |
gptkb:Meursault's_trial
Meursault's existential crisis Meursault's relationship with his mother |
gptkbp:portrayed_by |
gptkb:Sam_Elliott
|
gptkbp:previous_album |
gptkb:52nd_Street
|
gptkbp:producer |
gptkb:Phil_Ramone
|
gptkbp:production_company |
gptkb:Working_Title_Films
gptkb:Polygram_Filmed_Entertainment |
gptkbp:protagonist |
gptkb:The_Stranger
gptkb:Meursault gptkb:Public_service |
gptkbp:published |
gptkb:1942
|
gptkbp:published_by |
gptkb:Gallimard
|
gptkbp:published_in |
gptkb:1942
|
gptkbp:published_year |
gptkb:1942
|
gptkbp:publisher |
gptkb:Gallimard
Stranger Media |
gptkbp:radio_play_adaptation_director |
gptkb:N/_A
|
gptkbp:radio_play_adaptation_year |
gptkb:1954
|
gptkbp:reader_demographic |
community feedback
letters to the editor reader polls |
gptkbp:record_label |
gptkb:Columbia_Records
|
gptkbp:recording_location |
A& R Studios, New York City
A& R Recording, New York City |
gptkbp:related_to |
gptkb:The_Myth_of_Sisyphus
|
gptkbp:release_format |
gptkb:Vinyl
CD Digital digital vinyl |
gptkbp:release_year |
gptkb:1967
gptkb:1977 1946 March 6, 1998 |
gptkbp:remastered |
gptkb:2001
gptkb:2011 gptkb:Yes |
gptkbp:revival |
Vinyl reissue in 2011
Expanded edition in 2001 Remastered in 1998 |
gptkbp:role |
gptkb:Writer
|
gptkbp:set_in |
gptkb:Algeria
|
gptkbp:setting |
gptkb:Algeria
gptkb:California |
gptkbp:social_media_presence |
active on Facebook
active on Instagram active on Twitter |
gptkbp:songwriters |
gptkb:Billy_Joel
Billy Joel's personal experiences |
gptkbp:style |
minimalist
|
gptkbp:subscription_model |
free distribution
|
gptkbp:symbolism |
gptkb:death
the sea the sun indifference |
gptkbp:target_audience |
young adults
|
gptkbp:thematic_element |
gptkb:identity
isolation indifference |
gptkbp:theme |
gptkb:existentialism
gptkb:absurdism |
gptkbp:themes |
gptkb:Love
gptkb:Nostalgia gptkb:existentialism gptkb:loss gptkb:Absurdism gptkb:absurdism gptkb:death gptkb:identity Life love Existentialism Relationships alienation the nature of reality nostalgia the meaning of life meaning of life the concept of freedom the nature of existence the absurdity of life the absurdity of existence life's struggles |
gptkbp:title |
gptkb:L'Étranger
|
gptkbp:track |
gptkb:Movin'_Out_(Anthony's_Song)
gptkb:The_Dance gptkb:The_Stranger gptkb:Scenes_from_an_Italian_Restaurant gptkb:Just_the_Way_You_Are gptkb:She’s_Always_a_Woman gptkb:Only_the_Good_Die_Young Get It Right the First Time Everybody Has a Dream |
gptkbp:track_count |
gptkb:9
|
gptkbp:translated_into |
gptkb:Italian
gptkb:Japanese gptkb:Spanish gptkb:Matthew_Ward gptkb:German English multiple languages |
gptkbp:type |
alternative weekly
|
gptkbp:website |
thestranger.com
|
gptkbp:won_award |
Best Pop Vocal Performance, Male
|
gptkbp:writer |
gptkb:Joel_Coen
gptkb:Ethan_Coen |
gptkbp:written_by |
gptkb:Albert_Camus
|
gptkbp:written_in |
gptkb:French
|
gptkbp:bfsParent |
gptkb:Billy_Joel
|
gptkbp:bfsLayer |
3
|