Statements (76)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:book
gptkb:Writer |
| gptkbp:advocates_for |
asymmetrical layouts
grid systems |
| gptkbp:author |
gptkb:Jan_Tschichold
|
| gptkbp:available_formats |
gptkb:print
digital |
| gptkbp:available_on |
an e-book
|
| gptkbp:contains |
examples of typographic layouts
|
| gptkbp:country |
gptkb:Germany
|
| gptkbp:criticism |
ornamental typography
|
| gptkbp:discusses |
typographic hierarchy
|
| gptkbp:emphasizes |
functionality in design
|
| gptkbp:focus |
modernist design principles
|
| gptkbp:focuses_on |
modernist design principles
|
| gptkbp:genre |
gptkb:design
|
| https://www.w3.org/2000/01/rdf-schema#label |
The New Typography
|
| gptkbp:impact |
graphic design education
|
| gptkbp:influenced_by |
gptkb:Bauhaus
|
| gptkbp:inspired |
future typographic movements
|
| gptkbp:is_a |
design manifesto
|
| gptkbp:is_analyzed_in |
design critiques
typography scholars |
| gptkbp:is_associated_with |
modern typography
|
| gptkbp:is_available_in |
multiple languages
|
| gptkbp:is_celebrated_in |
typography enthusiasts
typography exhibitions |
| gptkbp:is_cited_in |
academic papers
design textbooks |
| gptkbp:is_considered |
a revolutionary text
a classic in design literature |
| gptkbp:is_considered_as |
a seminal work in typography
|
| gptkbp:is_critiqued_by |
traditionalists
|
| gptkbp:is_discussed_in |
design conferences
design critics |
| gptkbp:is_examined_in |
design critiques
typography courses graphic design history courses |
| gptkbp:is_influenced_by |
gptkb:Futurism
|
| gptkbp:is_influential_in |
contemporary designers
advertising design graphic design education |
| gptkbp:is_known_for |
its clear communication style
|
| gptkbp:is_part_of |
graphic design history
modernist movement design theory discussions graphic design curriculum |
| gptkbp:is_promoted_by |
design organizations
|
| gptkbp:is_recognized_by |
design institutions
|
| gptkbp:is_referenced_in |
design literature
design theorists design blogs |
| gptkbp:is_related_to |
visual communication
|
| gptkbp:is_studied_in |
design schools
|
| gptkbp:is_used_by |
graphic designers
|
| gptkbp:is_used_for |
typographic experimentation
|
| gptkbp:is_used_in |
branding projects
|
| gptkbp:language |
gptkb:German
|
| gptkbp:notable_feature |
asymmetrical layout
grid systems sans-serif typefaces |
| gptkbp:notable_influence |
graphic designers
typographers |
| gptkbp:promotes |
sans-serif typefaces
|
| gptkbp:published_by |
gptkb:L._W._Schmidt
gptkb:e_Book |
| gptkbp:published_in |
1928
|
| gptkbp:published_year |
1928
|
| gptkbp:publisher |
gptkb:L._W._Schmidt
|
| gptkbp:subject |
gptkb:Writer
|
| gptkbp:title |
Die neue Typographie
|
| gptkbp:topics |
gptkb:graphic_design
|
| gptkbp:translated_into |
English
|
| gptkbp:bfsParent |
gptkb:El_Lissitzky
gptkb:Theo_van_Doesburg |
| gptkbp:bfsLayer |
5
|