|
gptkbp:instanceOf
|
gptkb:person
|
|
gptkbp:activeYearsEnd
|
1974
|
|
gptkbp:activeYearsStart
|
1920s
|
|
gptkbp:awardReceived
|
gptkb:AIGA_Medal
|
|
gptkbp:birthDate
|
1902-04-02
|
|
gptkbp:birthPlace
|
gptkb:Leipzig,_Germany
|
|
gptkbp:child
|
gptkb:Peter_Tschichold
|
|
gptkbp:citizenship
|
gptkb:Germany
gptkb:Switzerland
|
|
gptkbp:deathDate
|
1974-08-11
|
|
gptkbp:deathPlace
|
gptkb:Locarno,_Switzerland
|
|
gptkbp:designedBy
|
gptkb:Saskia_(typeface)
gptkb:Transit_(typeface)
Sabon
|
|
gptkbp:education
|
gptkb:Academy_of_Graphic_Arts_and_Book_Trade,_Leipzig
|
|
gptkbp:employer
|
gptkb:Penguin_Books
|
|
gptkbp:fieldOfWork
|
gptkb:book
gptkb:design
gptkb:typeface
|
|
gptkbp:gender
|
male
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Jan Tschichold
|
|
gptkbp:influenced
|
gptkb:Swiss_Style
Modern graphic design
|
|
gptkbp:influencedBy
|
gptkb:Bauhaus
gptkb:El_Lissitzky
Constructivism
|
|
gptkbp:knownFor
|
advocacy of modernist typography
standardizing Penguin Books design
transition from modernism to classical design
|
|
gptkbp:language
|
gptkb:German
|
|
gptkbp:movement
|
gptkb:New_Typography
|
|
gptkbp:nationality
|
gptkb:German
Swiss
|
|
gptkbp:notableWork
|
gptkb:Die_neue_Typographie
gptkb:Sabon_(typeface)
Penguin Books design guidelines
|
|
gptkbp:occupation
|
gptkb:book
gptkb:typeface
author
|
|
gptkbp:residence
|
gptkb:Leipzig
gptkb:Locarno
Basel
|
|
gptkbp:restingPlace
|
gptkb:Locarno,_Switzerland
|
|
gptkbp:signature
|
Jan Tschichold signature.svg
|
|
gptkbp:spouse
|
gptkb:Edith_Kramer
|
|
gptkbp:wrote
|
gptkb:Die_neue_Typographie
Asymmetric Typography
Typographische Gestaltung
|
|
gptkbp:bfsParent
|
gptkb:Paul_Rand
gptkb:Eric_Gill
|
|
gptkbp:bfsLayer
|
5
|