gptkbp:instanceOf
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graphic design style
|
gptkbp:alsoKnownAs
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gptkb:International_Typographic_Style
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gptkbp:characterizedBy
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minimalism
asymmetrical layouts
flush left, ragged right text
objective photography
sans-serif typefaces
use of grids
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gptkbp:emergedIn
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1950s
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gptkbp:emphasizes
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functionality
readability
clarity
objectivity
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gptkbp:exhibitedAt
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gptkb:Kunsthaus_Zürich
gptkb:Museum_of_Modern_Art
|
https://www.w3.org/2000/01/rdf-schema#label
|
Swiss Style
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gptkbp:influenced
|
web design
corporate identity design
modern graphic design
|
gptkbp:influencedBy
|
gptkb:Bauhaus
gptkb:De_Stijl
Constructivism
|
gptkbp:notableDesigner
|
gptkb:Max_Bill
gptkb:Carlo_Vivarelli
gptkb:Richard_Paul_Lohse
gptkb:Armin_Hofmann
gptkb:Emil_Ruder
gptkb:Hans_Neuburg
gptkb:Josef_Müller-Brockmann
gptkb:Wolfgang_Weingart
|
gptkbp:notablePublication
|
gptkb:Neue_Grafik
|
gptkbp:notableTypefaces
|
gptkb:Helvetica
gptkb:Akzidenz-Grotesk
gptkb:Univers
|
gptkbp:originatedIn
|
gptkb:Switzerland
|
gptkbp:relatedTo
|
gptkb:typeface
minimalism
modernism
grid systems
|
gptkbp:taughtAt
|
gptkb:Basel_School_of_Design
gptkb:Zurich_School_of_Arts_and_Crafts
|
gptkbp:usedIn
|
gptkb:brand
advertising
websites
publications
posters
signage
editorial design
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gptkbp:bfsParent
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gptkb:Rudolph_de_Harak
|
gptkbp:bfsLayer
|
5
|