The Mating Season (1948 film)
GPTKB entity
Statements (152)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:audience |
Gained a cult following over the years.
Received a mix of positive and negative reviews. Received a moderate audience rating. |
| gptkbp:based_on |
gptkb:The_Children's_Hour
The Mating Season (play) |
| gptkbp:box_office |
$2.5 million
$1.5 million |
| gptkbp:budget |
$1.5 million
|
| gptkbp:character |
The mother character is central to the plot.
|
| gptkbp:character_appearance |
Portrayal analyzed for its feminist implications.
|
| gptkbp:character_arc |
The main character undergoes significant change.
The mother character evolves throughout the film. |
| gptkbp:character_conflict_analysis |
Conflict analysis reveals deeper themes.
|
| gptkbp:character_development |
Focuses on character growth and family relationships.
Development analyzed for its depth. |
| gptkbp:character_interactions_analysis |
Interactions analyzed for their comedic timing.
|
| gptkbp:character_motivation |
Characters are driven by love and acceptance.
Motivations explored in character studies. |
| gptkbp:character_relationships |
Main conflict revolves around identity and acceptance.
Analyzed for its complex character relationships. Character dynamics drive the comedic elements. Character interactions are central to the plot. Dynamics analyzed for their comedic impact. Explores complex family relationships. |
| gptkbp:cinematography |
gptkb:Charles_Lang
Cinematography enhances the comedic elements. |
| gptkbp:cinematography_by |
gptkb:Charles_Lang
|
| gptkbp:color |
Black and white
|
| gptkbp:country |
gptkb:United_States
|
| gptkbp:critical_reception |
mixed reviews
|
| gptkbp:criticism |
Critiqued for its portrayal of gender roles.
|
| gptkbp:cultural_impact |
Analyzed for its impact on American culture.
The film reflects post-war American family dynamics. |
| gptkbp:cultural_references |
Referenced in various modern films.
|
| gptkbp:cultural_significance |
Represents the transition in American cinema post-WWII.
|
| gptkbp:design |
Features classic 1940s American interior design.
|
| gptkbp:director |
gptkb:Mitchell_Leisen
Mitchell Leisen is known for his work in romantic comedies. |
| gptkbp:distributor |
gptkb:Paramount_Pictures
|
| gptkbp:edited_by |
gptkb:Ellsworth_Hoagland
gptkb:Doane_Harrison Elmo Veron |
| gptkbp:editing |
Elmo Veron
|
| gptkbp:famous_quote |
" I’m not a maid, I’m a mother!"
|
| gptkbp:features |
romantic comedy elements
|
| gptkbp:film_awards |
Nominated for several awards.
|
| gptkbp:film_critique_analysis |
Critiques analyzed for their insights.
|
| gptkbp:film_cultural_impact_analysis |
Impact analyzed in film studies.
|
| gptkbp:film_festival |
Screened at various film festivals.
|
| gptkbp:film_legacy_analysis |
Legacy continues to influence filmmakers.
|
| gptkbp:film_legacy_impact |
Legacy continues to resonate in modern cinema.
|
| gptkbp:film_score |
The score received praise for its charm.
|
| gptkbp:film_technique |
Influenced future romantic comedies.
Utilizes various cinematic techniques. Cinematography reflects the style of the era. Cited in discussions of classic cinema. Influenced the style of later romantic comedies. Significant in the evolution of romantic comedies. Utilizes classic Hollywood filmmaking techniques. |
| gptkbp:filmography |
Analyzed for its themes of family and identity.
|
| gptkbp:follows |
gptkb:The_Mating_Season_(1948_film)
The Mating Season (play) The Mating Season (1948 film) sequel |
| gptkbp:genre |
gptkb:comedy
romance |
| gptkbp:historical_context |
Reflects societal norms of the late 1940s.
|
| gptkbp:historical_significance |
Significant in the context of post-war cinema.
|
| gptkbp:home_media_release |
Released on DVD.
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Mating Season (1948 film)
|
| gptkbp:influenced |
later romantic comedies
|
| gptkbp:influenced_artists |
Influenced by the screwball comedy genre.
|
| gptkbp:influenced_by |
gptkb:The_Palm_Beach_Story
gptkb:The_Lady_from_Shanghai gptkb:The_Bachelor_and_the_Bobby-Soxer gptkb:The_More_the_Merrier gptkb:The_Thin_Man_Goes_Home gptkb:The_Lady_Vanishes gptkb:The_Great_Race gptkb:The_Great_Ziegfeld gptkb:The_Philadelphia_Story gptkb:The_Thin_Man gptkb:It_Happened_One_Night gptkb:The_Lady_Eve gptkb:The_Major_and_the_Minor gptkb:The_Ghost_and_Mrs._Muir gptkb:The_Man_Who_Knew_Too_Much gptkb:The_Farmer_Takes_a_Wife gptkb:The_Shop_Around_the_Corner gptkb:The_Odd_Couple gptkb:The_Front_Page gptkb:Bringing_Up_Baby gptkb:His_Girl_Friday gptkb:The_Awful_Truth Influenced later romantic comedies. screwball comedies |
| gptkbp:influences |
The Mating Season (1948 film) is influenced by earlier screwball comedies.
|
| gptkbp:inspired_by |
Lillian Hellman's play
The Mating Season (1948 film) is inspired by Lillian Hellman's play. |
| gptkbp:is_portrayed_as |
Portrays strong female characters.
|
| gptkbp:language |
English
|
| gptkbp:legacy |
Continues to be studied in film courses.
Considered a classic in the romantic comedy genre. Contextualized within its historical period. |
| gptkbp:metacritic_score |
Critics gave it a mixed rating.
|
| gptkbp:motif |
Motifs of disguise and revelation are prevalent.
|
| gptkbp:music |
gptkb:Franz_Waxman
|
| gptkbp:music_by |
gptkb:Franz_Waxman
gptkb:Miklós_Rózsa |
| gptkbp:notable_film |
The film features several notable cameos.
|
| gptkbp:notable_scene |
family reunion scene
wedding scene The reveal of the mother's true identity. misunderstanding scene |
| gptkbp:plot |
A woman pretends to be a maid to get closer to her son.
A woman pretends to be a maid to win back her husband. |
| gptkbp:preceded_by |
The Mating Season (play)
|
| gptkbp:precedes |
The Mating Season (1948 film) prequel
|
| gptkbp:premiere |
gptkb:New_York_City
|
| gptkbp:production_company |
gptkb:Paramount_Pictures
|
| gptkbp:release_date |
1948
December 1948 December 15, 1948 |
| gptkbp:release_format |
theatrical
|
| gptkbp:release_year |
1948
|
| gptkbp:remake |
The film has been remade in various forms.
|
| gptkbp:runtime |
90 minutes
95 minutes |
| gptkbp:screenplay |
gptkb:Lillian_Hellman
|
| gptkbp:screenplay_by |
gptkb:Lillian_Hellman
|
| gptkbp:set_in |
gptkb:New_York_City
|
| gptkbp:setting |
Set in a suburban American home.
|
| gptkbp:soundtrack |
Includes original songs by Franz Waxman.
|
| gptkbp:starring |
gptkb:Eve_Arden
gptkb:Betty_Field gptkb:Betty_Lynn gptkb:Miriam_Hopkins gptkb:Claudette_Colbert gptkb:John_Lund Eleanor Parker |
| gptkbp:symbolism |
Characters symbolize various societal roles.
Symbolism explored in character studies. |
| gptkbp:themes |
gptkb:social_class
gptkb:identity love and relationships family dynamics Explores themes of identity and family. Themes analyzed in academic settings. Themes of love, deception, and family. |
| gptkbp:writer |
gptkb:Lillian_Hellman
|
| gptkbp:bfsParent |
gptkb:The_Mating_Season_(1951_film)
|
| gptkbp:bfsLayer |
5
|