|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:authorOfSourceMaterial
|
gptkb:Sherwood_King
|
|
gptkbp:awards
|
none major
|
|
gptkbp:basedOn
|
gptkb:If_I_Die_Before_I_Wake
|
|
gptkbp:boxOfficeGross
|
commercial failure at release
|
|
gptkbp:character
|
gptkb:Arthur_Bannister
gptkb:Elsa_Bannister
gptkb:George_Grisby
gptkb:Michael_O'Hara
|
|
gptkbp:cinematography
|
gptkb:Charles_Lawton_Jr.
|
|
gptkbp:colorProcess
|
black-and-white
|
|
gptkbp:conservationStatus
|
preserved
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:criticalReception
|
now considered a classic
mixed at release
|
|
gptkbp:director
|
gptkb:Orson_Welles
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:editingBy
|
gptkb:Viola_Lawrence
|
|
gptkbp:genre
|
gptkb:crime
drama
film noir
|
|
gptkbp:homeMediaRelease
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lady from Shanghai
|
|
gptkbp:influenced
|
subsequent film noir
|
|
gptkbp:language
|
English
|
|
gptkbp:musicBy
|
gptkb:Heinz_Roemheld
|
|
gptkbp:notableFor
|
complex plot
innovative cinematography
Orson Welles' direction
Rita Hayworth's blonde hair
famous mirror scene
|
|
gptkbp:notableScene
|
hall of mirrors climax
|
|
gptkbp:producer
|
gptkb:William_Castle
|
|
gptkbp:productionCompany
|
gptkb:Columbia_Pictures
|
|
gptkbp:releaseDate
|
1947
|
|
gptkbp:runtime
|
87 minutes
|
|
gptkbp:screenwriter
|
gptkb:Orson_Welles
|
|
gptkbp:setIn
|
gptkb:Mexico
gptkb:New_York_City
gptkb:San_Francisco
|
|
gptkbp:starring
|
gptkb:Glenn_Anders
gptkb:Orson_Welles
gptkb:Rita_Hayworth
gptkb:Everett_Sloane
|
|
gptkbp:bfsParent
|
gptkb:Ben_Hecht
gptkb:Orson_Welles
gptkb:Rita_Hayworth
gptkb:Ruth_Chatterton
|
|
gptkbp:bfsLayer
|
5
|