Statements (291)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical
gptkb:graphic_novel gptkb:opera gptkb:novel gptkb:play |
| gptkbp:adaptation |
gptkb:ballet
gptkb:television_series gptkb:radio_station gptkb:graphic_novel gptkb:opera gptkb:theater gptkb:film The Master and Margarita (novel) |
| gptkbp:adaptations |
gptkb:film_adaptation
gptkb:ballet gptkb:stage_adaptation gptkb:opera gptkb:theater gptkb:film |
| gptkbp:adapted_into |
gptkb:television_series
gptkb:films gptkb:opera gptkb:theater gptkb:film gptkb:theater_productions various directors |
| gptkbp:author |
gptkb:Mikhail_Bulgakov
|
| gptkbp:awards |
gptkb:Golden_Mask_Award
gptkb:Theatrical_Award_of_the_Russian_Federation |
| gptkbp:based_on |
novel by Mikhail Bulgakov
|
| gptkbp:character |
gptkb:Pontius_Pilate
gptkb:Behemoth gptkb:Ivan_Ponyrev gptkb:Azazello gptkb:Hella gptkb:Nina gptkb:Mikhail_Alexandrovich_Berlioz Andrei Ivanovich Latunsky Nikanor Ivanovich Bosoy Bulgakov's alter ego Margarita's lover The Master’s manuscript |
| gptkbp:characters |
gptkb:Pontius_Pilate
gptkb:Woland gptkb:beer gptkb:Behemoth gptkb:Ivan_Ponyrev gptkb:Azazello gptkb:Nina gptkb:The_Master Margarita's lover |
| gptkbp:choreography |
gptkb:Mikhail_Messerer
|
| gptkbp:composer |
gptkb:Andrei_Konchalovsky
gptkb:Rodion_Shchedrin |
| gptkbp:contains |
philosophical discussions
historical references magic realism |
| gptkbp:contains_themes |
gptkb:power
gptkb:Love gptkb:identity love Existentialism faith good vs evil Good vs Evil |
| gptkbp:critical_reception |
positive reviews
widely acclaimed cult following audience acclaim |
| gptkbp:cultural_impact |
inspired literature
inspired adaptations inspired visual arts influenced literature influenced pop culture inspired other works performed internationally inspired music influenced writers popular among readers studied in universities translated into many languages inspired artworks studied in literature courses influenced filmmakers adapted into various media discussed in academic studies influenced artists popular in Russia |
| gptkbp:cultural_significance |
philosophical questions
exploration of faith exploration of art critique of Soviet society |
| gptkbp:director |
gptkb:Andrei_Konchalovsky
|
| gptkbp:features |
gptkb:Woland
gptkb:The_Devil |
| gptkbp:features_character |
gptkb:Woland
gptkb:beer gptkb:The_Master |
| gptkbp:film_editing |
gptkb:The_Master_and_Margarita_(1972_film)
gptkb:The_Master_and_Margarita_(2005_film) |
| gptkbp:first_performance |
gptkb:Bolshoi_Theatre
|
| gptkbp:first_published |
gptkb:Moscow
gptkb:the_Soviet_Union |
| gptkbp:genre |
gptkb:musical_theatre
gptkb:opera gptkb:novel gptkb:satire gptkb:fantasy philosophical fiction |
| gptkbp:has_adaptation |
multiple formats
|
| gptkbp:has_awards |
various literary awards
|
| gptkbp:has_cultural_impact |
gptkb:significant
widely studied inspired other works |
| https://www.w3.org/2000/01/rdf-schema#label |
The Master and Margarita
|
| gptkbp:illustrated_by |
various artists
|
| gptkbp:influence |
Russian literature
magic realism |
| gptkbp:influenced_artists |
gptkb:The_Master_and_Margarita_(ballet)
gptkb:The_Master_and_Margarita_(TV_series) The Master and Margarita (musical) The Master and Margarita (graphic novel) The Master and Margarita (opera) |
| gptkbp:influenced_by |
gptkb:Gnosticism
gptkb:Russian_Orthodoxy gptkb:Christianity Russian literature Soviet society |
| gptkbp:influences |
gptkb:theater
gptkb:philosophy Russian literature |
| gptkbp:inspiration |
gptkb:Christianity
gptkb:politics gptkb:religion gptkb:philosophy Russian history Soviet society Bulgakov's life |
| gptkbp:is_a |
gptkb:novel
|
| gptkbp:is_available_in |
digital formats
print formats |
| gptkbp:is_considered_as |
a classic
|
| gptkbp:is_considered_to_be |
a masterpiece
a significant work of art a pivotal work in Russian literature |
| gptkbp:is_inspired_by |
Bulgakov's experiences
|
| gptkbp:is_notable_for |
its humor
its character development its philosophical depth its narrative structure its social commentary |
| gptkbp:is_popular_in |
academic studies
literary circles |
| gptkbp:is_reviewed_by |
online platforms
newspapers literary journals |
| gptkbp:is_set_in |
gptkb:Soviet_Union
|
| gptkbp:language |
gptkb:Russian
|
| gptkbp:librettist |
gptkb:Mikhail_Bulgakov
|
| gptkbp:lyricist |
gptkb:Mikhail_Bulgakov
|
| gptkbp:main_character |
gptkb:Woland
gptkb:beer gptkb:The_Master |
| gptkbp:narrative_style |
gptkb:satire
gptkb:fantasy magical realism non-linear nonlinear satirical multi-layered |
| gptkbp:notable_character |
gptkb:Pontius_Pilate
gptkb:Woland gptkb:beer gptkb:Behemoth gptkb:Ivan_Ponyrev gptkb:Azazello gptkb:Hella gptkb:The_Master the writer the editor the critic the Professor Andrei Ivanovich Latunsky Nikanor Ivanovich Bosoy the Master’s lover |
| gptkbp:notable_production |
gptkb:Vladimir_Kekhman
|
| gptkbp:notable_quote |
I am not a coward.
“ The truth is not always the same as the majority opinion.” “ The truth is not in the book, but in the reader.” “ Manuscripts don’t burn.” Manuscripts don't burn. The devil is not as black as he is painted. The truth is not always the same as the majority opinion. “ Everything will turn out right, the world is built on that.” “ I am not a coward, I am a realist.” “ The devil is not as black as he is painted.” Everything will turn out right, the world is built on that. |
| gptkbp:notable_song |
gptkb:Margarita's_Waltz
gptkb:The_Master_and_Margarita_Duet The Devil's Song The Final Scene The Ball of the Behemoth |
| gptkbp:notable_themes |
gptkb:power
gptkb:identity love freedom good vs evil |
| gptkbp:original_language |
gptkb:Russian
|
| gptkbp:performance_style |
gptkb:musical_theatre
dramatic comedic elements fantasy elements |
| gptkbp:posthumous_recognition |
yes
|
| gptkbp:premiered_on |
gptkb:1971
gptkb:2012 |
| gptkbp:production_company |
gptkb:Theater_of_Nations
|
| gptkbp:published |
gptkb:1967
|
| gptkbp:published_by |
various publishers
|
| gptkbp:published_in |
gptkb:1967
gptkb:Russia gptkb:Soviet_Union |
| gptkbp:published_year |
gptkb:1967
|
| gptkbp:serialization |
Moscow magazine
|
| gptkbp:set_in |
gptkb:Moscow
|
| gptkbp:setting |
gptkb:Jerusalem
gptkb:Moscow gptkb:Soviet_Union |
| gptkbp:symbolism |
the nature of reality
the afterlife the moon the significance of dreams the duality of man the importance of friendship the nature of freedom the conflict between good and evil the relationship between the individual and society the role of fate the devil the ball the cat the power of love the Master the search for meaning the quest for identity the role of the artist the impact of history the nature of evil the critique of authority the power of imagination the absurdity of life the exploration of morality the struggle for truth the city of Moscow the literary world the struggle for artistic freedom the relationship between reality and illusion the Master’s novel the cat Behemoth Margarita's flight the nature of love and sacrifice the exploration of faith and doubt the search for truth and justice. the Master’s love for Margarita the character Woland |
| gptkbp:thematic_element |
gptkb:art
gptkb:betrayal gptkb:the_Devil gptkb:sacrifice the supernatural |
| gptkbp:theme |
gptkb:power
love good vs evil |
| gptkbp:themes |
gptkb:power
love freedom good vs evil redemption |
| gptkbp:translated_into |
gptkb:French
gptkb:Italian gptkb:Spanish gptkb:German English multiple languages various translators |
| gptkbp:was_influenced_by |
gptkb:the_Russian_Revolution
|
| gptkbp:written_by |
gptkb:Mikhail_Bulgakov
|
| gptkbp:written_in |
gptkb:Russian
|
| gptkbp:bfsParent |
gptkb:Soviet_Union
|
| gptkbp:bfsLayer |
3
|