|
gptkbp:instance_of
|
gptkb:character
|
|
gptkbp:affiliation
|
Woland's retinue
|
|
gptkbp:appearance
|
in a black suit
|
|
gptkbp:appears_in
|
gptkb:various_adaptations
gptkb:The_Master_and_Margarita
|
|
gptkbp:author
|
gptkb:Mikhail_Bulgakov
|
|
gptkbp:character_development
|
evolves throughout the story
|
|
gptkbp:character_traits
|
mischievous
cynical
|
|
gptkbp:character_type
|
gptkb:anti-hero
|
|
gptkbp:characters
|
to entertain
to challenge norms
to provide commentary
|
|
gptkbp:conflict
|
with authority
|
|
gptkbp:cultural_impact
|
iconic character
|
|
gptkbp:depicts
|
as a jester
tall man with glasses
|
|
gptkbp:function
|
trickster
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Koroviev
|
|
gptkbp:influence
|
gptkb:film_adaptations
gptkb:theater
Russian culture
postmodern literature
modern storytelling
Soviet literature
|
|
gptkbp:inspiration
|
for other characters
|
|
gptkbp:interacts_with
|
with Ivan Ponyrev
with Margarita
|
|
gptkbp:is_motivated_by
|
chaos
|
|
gptkbp:known_as
|
Fagott
|
|
gptkbp:legacy
|
in literature
in popular culture
|
|
gptkbp:motif
|
gptkb:deception
|
|
gptkbp:narrative
|
gptkb:comic_relief
|
|
gptkbp:nationality
|
gptkb:Russian
|
|
gptkbp:personality_trait
|
playful
sarcastic
|
|
gptkbp:portrayed_by
|
gptkb:Aleksandr_Abdulov
|
|
gptkbp:portrayed_in
|
in various media
in adaptations
|
|
gptkbp:relationship
|
gptkb:Woland
gptkb:Behemoth
with the Devil
with the city of Moscow
|
|
gptkbp:role
|
assistant to Woland
|
|
gptkbp:setting
|
gptkb:Moscow
|
|
gptkbp:symbolizes
|
the duality of human nature
the absurdity of life
|
|
gptkbp:theme
|
the absurd
|
|
gptkbp:themes
|
good vs evil
reality vs illusion
freedom vs control
|
|
gptkbp:time_period
|
1930s
|
|
gptkbp:bfsParent
|
gptkb:Woland
|
|
gptkbp:bfsLayer
|
5
|