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gptkbp:instance_of
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gptkb:film
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|
gptkbp:cinematography
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gptkb:Dziga_Vertov
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|
gptkbp:country
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gptkb:Soviet_Union
|
|
gptkbp:critical_reception
|
positive reviews
|
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gptkbp:cultural_impact
|
film studies
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gptkbp:director
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gptkb:Dziga_Vertov
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gptkbp:distributor
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gptkb:Kino_Lorber
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gptkbp:editor
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gptkb:Dziga_Vertov
|
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gptkbp:film_debut
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gptkb:The_Man_with_a_Movie_Camera
|
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gptkbp:film_festival
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gptkb:Cannes_Film_Festival
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gptkbp:film_length
|
68 minutes
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gptkbp:film_technique
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gptkb:film
|
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gptkbp:genre
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gptkb:documentary
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gptkbp:influence
|
documentary filmmaking
cinema verité
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gptkbp:influenced_by
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gptkb:cinema
gptkb:Soviet_cinema
documentary tradition
|
|
gptkbp:language
|
silent
|
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gptkbp:music
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gptkb:Various_Artists
|
|
gptkbp:notable_aspect
|
gptkb:Soviet_montage
social commentary
urban life
visual storytelling
|
|
gptkbp:notable_scene
|
gptkb:narrative_structure
gptkb:transportation
gptkb:visual_effects
gptkb:historical_context
gptkb:artistic_vision
cultural representation
cinematic innovation
audience engagement
artistic experimentation
editing techniques
cultural critique
daily routines
city life
industrial scenes
social observation
crowd scenes
camera techniques
|
|
gptkbp:notable_technique
|
montage
|
|
gptkbp:premiere
|
gptkb:2015_Cannes_Film_Festival
|
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gptkbp:release_year
|
gptkb:2015
|
|
gptkbp:remastering
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gptkb:regeneration
|
|
gptkbp:restoration
|
2015 restoration
|
|
gptkbp:runtime
|
68 minutes
|
|
gptkbp:screenings
|
international film festivals
|
|
gptkbp:soundtrack
|
new score
|
|
gptkbp:viewing_format
|
digital
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gptkbp:bfsParent
|
gptkb:Mikhail_Vertov
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gptkbp:bfsLayer
|
6
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