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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:Chantal_Akerman
gptkb:Mosfilm
gptkb:Roberto_Rossellini
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gptkbp:archives
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gptkb:Goskino
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gptkbp:awards
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Best Documentary at the 1929 Venice Film Festival
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gptkbp:cinematography
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gptkb:Mikhail_Kaufman
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gptkbp:country
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gptkb:Monarch
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gptkbp:critical_reception
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highly acclaimed
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gptkbp:cultural_significance
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gptkb:film
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gptkbp:director
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gptkb:Dziga_Vertov
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gptkbp:editor
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montage
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gptkbp:film_festival
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gptkb:International_Documentary_Film_Festival
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gptkbp:filmography
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symbolic imagery
long takes
non-linear narrative
documentary style
tracking shots
time-lapse
slow motion
panning
visual rhythm
voice-over narration
close-ups
montage sequences
jump cuts
experimental sound design
intertitles
double exposure
fast motion
split screen
abstract sequences
freeze frame
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gptkbp:genre
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gptkb:film
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|
https://www.w3.org/2000/01/rdf-schema#label
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The Man with a Movie Camera
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gptkbp:influence
|
modern cinema
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gptkbp:influenced
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gptkb:Andrei_Tarkovsky
gptkb:Jean-Luc_Godard
gptkb:Peter_Greenaway
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gptkbp:inspiration
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The Soviet Montage Theory
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gptkbp:language
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silent
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gptkbp:music
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gptkb:Dmitri_Shostakovich
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gptkbp:narrative_style
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non-narrative
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gptkbp:notable_appearance
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the train sequence
the camera as a character
the cityscape shots
the crowd scenes
the editing sequences
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gptkbp:premiere
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gptkb:Moscow
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gptkbp:release_year
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gptkb:1929
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gptkbp:restoration
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2010 restoration
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gptkbp:runtime
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68 minutes
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gptkbp:screenings
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gptkb:Cinematheque_Française
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|
gptkbp:technique
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experimental filmmaking
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gptkbp:thematic_element
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gptkb:technology
social change
everyday life
modernity
urban life
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