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gptkbp:instance_of
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gptkb:film
|
|
gptkbp:awards
|
Nominated for Academy Award
|
|
gptkbp:based_on
|
gptkb:The_Long_Goodbye_(novel)
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|
gptkbp:box_office
|
$2.5 million
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|
gptkbp:budget
|
$1.6 million
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|
gptkbp:character
|
gptkb:Terry_Lennox
gptkb:Ellen_March
gptkb:Philip_Marlowe
Marlowe's cat
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|
gptkbp:character_development
|
Complex characters
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|
gptkbp:cinematography_by
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gptkb:Vilmos_Zsigmond
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|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
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|
gptkbp:cultural_impact
|
Cult classic
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|
gptkbp:cultural_significance
|
Reflects 1970s America
|
|
gptkbp:director
|
gptkb:Robert_Altman
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
Aaron Stell
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|
gptkbp:film_editing
|
Non-linear narrative
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:Los_Angeles
|
|
gptkbp:genre
|
gptkb:mystery
gptkb:drama
gptkb:crime
|
|
gptkbp:has_cameo
|
gptkb:Robert_Altman
Elliott Gould's cat
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Long Good-Bye (film)
|
|
gptkbp:influenced
|
Modern detective fiction
Neo-noir films
Later detective films
Television detective shows
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|
gptkbp:influenced_by
|
gptkb:Film_Noir
gptkb:French_New_Wave
|
|
gptkbp:inspired_by
|
gptkb:Raymond_Chandler
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:John_Williams
|
|
gptkbp:notable_quote
|
It's a long goodbye.
|
|
gptkbp:notable_scene
|
The final confrontation
The beach scene
Marlowe's investigation
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
|
|
gptkbp:release_date
|
March 7, 1973
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|
gptkbp:release_year
|
gptkb:1973
|
|
gptkbp:screenplay_by
|
gptkb:Leigh_Brackett
|
|
gptkbp:setting
|
gptkb:Los_Angeles
|
|
gptkbp:starring
|
gptkb:Elliott_Gould
gptkb:Sterling_Hayden
gptkb:Nina_van_Pallandt
|
|
gptkbp:theme
|
gptkb:Isolation
gptkb:Betrayal
gptkb:friendship
|
|
gptkbp:bfsParent
|
gptkb:Mike_Hammer
|
|
gptkbp:bfsLayer
|
5
|