gptkbp:instance_of
|
gptkb:novel
|
gptkbp:adaptation
|
gptkb:1973
gptkb:The_Long_Goodbye_(film)
|
gptkbp:author
|
gptkb:Raymond_Chandler
|
gptkbp:character
|
gptkb:Roger_Wade
gptkb:Dr._Verloc
gptkb:Detective
gptkb:Evelyn_Lennox
Marlowe's cat
Marlowe's friend
Mrs. Wade
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_impact
|
influenced literature
influenced film
influenced music
influenced television
|
gptkbp:director
|
gptkb:Robert_Altman
|
gptkbp:filmography
|
gptkb:Elliott_Gould
gptkb:Los_Angeles
The Long Goodbye (1973)
|
gptkbp:genre
|
gptkb:Detective
gptkb:mythological_figure
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Long Goodbye (novel)
|
gptkbp:influenced
|
neo-noir genre
|
gptkbp:inspiration
|
Chandler's own experiences
|
gptkbp:language
|
English
|
gptkbp:main_character
|
gptkb:Terry_Lennox
|
gptkbp:notable_quote
|
“ It was a blonde. A blonde to make a bishop kick a hole in a stained-glass window.”
|
gptkbp:portrayed_by
|
gptkb:Philip_Marlowe
|
gptkbp:predecessor
|
gptkb:The_Little_Sister
|
gptkbp:published_by
|
1953
|
gptkbp:publisher
|
gptkb:Houghton_Mifflin
|
gptkbp:setting
|
gptkb:Los_Angeles
|
gptkbp:significance
|
considered a classic
explores themes of identity
explores themes of love
explores themes of deception
explores moral ambiguity
explores themes of loyalty
explores themes of justice
explores themes of loss
explores themes of existentialism
character study of Marlowe
examines post-war America
part of the Philip Marlowe series
|
gptkbp:style
|
hardboiled
|
gptkbp:successor
|
gptkb:Playback
|
gptkbp:theme
|
gptkb:betrayal
gptkb:Community_Center
|
gptkbp:themes
|
disillusionment
|
gptkbp:voice_actor
|
gptkb:Philip_Marlowe
|
gptkbp:bfsParent
|
gptkb:Raymond_Chandler
|
gptkbp:bfsLayer
|
3
|