|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:box_office
|
$2 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:character
|
gptkb:The_Dead
gptkb:The_Bad
The Good
|
|
gptkbp:character_development
|
Supporting characters' arcs
Protagonist's journey
Antagonist's motives
|
|
gptkbp:cinematography
|
Mark Rutledge
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:cultural_impact
|
Cult following
Merchandising opportunities
Influence on indie films
References in media
Film analysis in academia
|
|
gptkbp:director
|
gptkb:Jesse_V._Johnson
|
|
gptkbp:distributor
|
gptkb:football_club
|
|
gptkbp:editor
|
gptkb:Michael_S._Murphy
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
|
|
gptkbp:genre
|
gptkb:musical
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Good, The Bad, and The Dead
|
|
gptkbp:influences
|
gptkb:Spaghetti_Westerns
Thrillers
Action cinema
Crime films
Noir films
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Kurt_Oldman
|
|
gptkbp:plot
|
A retired hitman is drawn back into the world of crime.
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Bounty_Films
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
August 2015
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
|
|
gptkbp:release_year
|
gptkb:2015
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jesse_V._Johnson
|
|
gptkbp:soundtrack
|
gptkb:Kurt_Oldman
|
|
gptkbp:starring
|
gptkb:Michael_Paré
gptkb:Danny_Trejo
gptkb:Kirk_Harris
|
|
gptkbp:themes
|
gptkb:Redemption
gptkb:Violence
gptkb:Betrayal
gptkb:loyalty_program
Morality
|
|
gptkbp:bfsParent
|
gptkb:Doomtown:_Reloaded
|
|
gptkbp:bfsLayer
|
5
|