|
gptkbp:instance_of
|
gptkb:anthology
gptkb:novel
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:philosopher
gptkb:James_Joyce
gptkb:Monarch
gptkb:mythological_figure
gptkb:Hades
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:theatre
gptkb:1987
gptkb:2002
gptkb:2015
gptkb:film
The Dead (1987 film)
The Dead (2000 film)
The Dead (stage adaptation)
|
|
gptkbp:adapted_into
|
gptkb:theatre
gptkb:film
|
|
gptkbp:art_movement
|
gptkb:church
|
|
gptkbp:author
|
gptkb:James_Joyce
|
|
gptkbp:awards
|
gptkb:award
gptkb:none
gptkb:James_Tait_Black_Memorial_Prize
gptkb:O._Henry_Award
|
|
gptkbp:cast
|
gptkb:John_Huston
|
|
gptkbp:character
|
gptkb:Gretta_Conroy
gptkb:Lily
gptkb:Mr._Browne
Aunt Kate
Aunt Julia
Gabriel Conroy
Gabriel's mother
Gretta's father
Gretta's mother
Michael Furey
Misses Morkan
Molly Ivors
Mr. Morkan
The Morkan sisters
The guests at the party
The musicians
|
|
gptkbp:character_development
|
Gabriel's internal conflict
Gretta Conroy's past
Gabriel's transformation
Gretta's past
|
|
gptkbp:climax
|
Gabriel's epiphany
|
|
gptkbp:collection
|
gptkb:anthology
|
|
gptkbp:conflict
|
gptkb:military_conflict
internal conflict
|
|
gptkbp:contains_story
|
gptkb:Dubliners
|
|
gptkbp:critical_reception
|
widely acclaimed
highly acclaimed
|
|
gptkbp:cultural_impact
|
influenced writers
studied in literature courses
adapted into various media
considered a classic of modern literature
influenced Irish literature
part of the canon of Irish literature
|
|
gptkbp:cultural_significance
|
gptkb:poet
Irish identity
modernist literature
Dublin society
|
|
gptkbp:first_published
|
The Irish Homestead
|
|
gptkbp:genre
|
gptkb:anthology
literary fiction
modernist literature
|
|
gptkbp:historical_context
|
early 20th century
postcolonial Ireland
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Dead
|
|
gptkbp:influenced
|
gptkb:theatre
gptkb:literary_work
gptkb:film
literary critics
subsequent writers
|
|
gptkbp:influenced_by
|
gptkb:church
gptkb:Alexander_Chekhov
gptkb:Leo_Tolstoy
gptkb:Virginia_Woolf
gptkb:Charles_Dickens
gptkb:Henrik_Ibsen
Irish nationalism
|
|
gptkbp:influences
|
gptkb:poet
Irish nationalism
stream of consciousness
modernist literature
|
|
gptkbp:inspiration
|
Irish culture
Dublin society
Joyce's experiences in Dublin
Joyce's own experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
gptkb:anthology
short novella
|
|
gptkbp:literary_devices
|
symbolism
imagery
irony
foreshadowing
allusion
|
|
gptkbp:main_character
|
gptkb:Gretta_Conroy
Gabriel Conroy
|
|
gptkbp:motif
|
gptkb:musical
gptkb:Magic:_The_Gathering_set
gptkb:revelation
gptkb:mythological_figure
gptkb:family
gptkb:organization
Irish nationalism
paralysis
disconnection
epiphany
|
|
gptkbp:narrative_style
|
gptkb:modernism
realism
stream of consciousness
episodic
symbolism
frame story
third person
linear narrative
epiphany
|
|
gptkbp:notable_character
|
gptkb:Gretta_Conroy
Aunt Kate
Aunt Julia
Michael Furey
|
|
gptkbp:notable_quote
|
He was not long in finding out that he was not the only one.
The time had come for him to set out for home.
|
|
gptkbp:page_count
|
approximately 15
|
|
gptkbp:part_of
|
gptkb:Dubliners
|
|
gptkbp:published_by
|
gptkb:Dubliners
gptkb:1914
Grant Richards
|
|
gptkbp:published_year
|
gptkb:1914
|
|
gptkbp:publisher
|
gptkb:Maunsel_&_Co.
|
|
gptkbp:set_in
|
gptkb:Dublin
|
|
gptkbp:setting
|
gptkb:Dublin
Epiphany party
|
|
gptkbp:significance
|
considered a masterpiece
pivotal work in Joyce's career
final story in Dubliners
|
|
gptkbp:style
|
lyrical
realistic
descriptive
|
|
gptkbp:symbolism
|
gptkb:musical
gptkb:tank
gptkb:cemetery
snow
dinner party
|
|
gptkbp:theme
|
mortality
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:Magic:_The_Gathering_set
gptkb:cemetery
love
mortality
regret
|
|
gptkbp:viewpoint
|
third-person limited
|
|
gptkbp:written_by
|
gptkb:James_Joyce
|
|
gptkbp:wrote
|
depicts the complexity of relationships
examines personal and cultural identity
explores themes of paralysis
uses epiphany as a narrative device
|