|
gptkbp:instance_of
|
gptkb:novel
gptkb:short_story
|
|
gptkbp:adaptation
|
gptkb:musical
|
|
gptkbp:adaptation_year
|
gptkb:1987
gptkb:2002
gptkb:2015
|
|
gptkbp:adaptations
|
gptkb:film_adaptation
gptkb:stage_adaptation
gptkb:film
gptkb:stage_play
The Dead (1987 film)
The Dead (2000 film)
The Dead (stage adaptation)
|
|
gptkbp:adapted_into
|
gptkb:film
gptkb:stage_play
|
|
gptkbp:author
|
gptkb:James_Joyce
|
|
gptkbp:awards
|
gptkb:none
gptkb:James_Tait_Black_Memorial_Prize
gptkb:O._Henry_Award
|
|
gptkbp:cast
|
gptkb:John_Huston
|
|
gptkbp:character
|
gptkb:Lily
gptkb:Mr._Browne
Aunt Kate
Aunt Julia
Gabriel's mother
Gretta's father
Gretta's mother
Michael Furey
Misses Morkan
Molly Ivors
Mr. Morkan
The Morkan sisters
The guests at the party
The musicians
|
|
gptkbp:character_development
|
Gabriel's internal conflict
Gretta Conroy's past
Gabriel's transformation
Gretta's past
|
|
gptkbp:characters
|
gptkb:Gretta_Conroy
Aunt Kate
Aunt Julia
Gabriel Conroy
Michael Furey
|
|
gptkbp:climax
|
Gabriel's epiphany
|
|
gptkbp:collection
|
gptkb:short_stories
|
|
gptkbp:conflict
|
gptkb:conflict
internal conflict
|
|
gptkbp:critical_reception
|
widely acclaimed
highly acclaimed
|
|
gptkbp:cultural_impact
|
influenced writers
studied in literature courses
adapted into various media
considered a classic of modern literature
influenced Irish literature
part of the canon of Irish literature
|
|
gptkbp:cultural_significance
|
gptkb:Celtic_mythology
Irish identity
modernist literature
Dublin society
|
|
gptkbp:first_published
|
The Irish Homestead
|
|
gptkbp:genre
|
gptkb:short_story
literary fiction
modernist literature
|
|
gptkbp:historical_context
|
early 20th century
postcolonial Ireland
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Dead
|
|
gptkbp:influenced
|
gptkb:theater
gptkb:literature
gptkb:film
literary critics
subsequent writers
|
|
gptkbp:influenced_by
|
gptkb:Alexander_Chekhov
gptkb:Leo_Tolstoy
gptkb:Virginia_Woolf
gptkb:Charles_Dickens
gptkb:Henrik_Ibsen
gptkb:Catholicism
Irish nationalism
|
|
gptkbp:influences
|
gptkb:Celtic_mythology
Irish nationalism
stream of consciousness
modernist literature
|
|
gptkbp:inspiration
|
Irish culture
Dublin society
Joyce's experiences in Dublin
Joyce's own experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:last_story_in
|
gptkb:Dubliners
|
|
gptkbp:length
|
gptkb:short_story
short novella
|
|
gptkbp:literary_devices
|
symbolism
imagery
irony
foreshadowing
allusion
|
|
gptkbp:literary_movement
|
gptkb:Modernism
|
|
gptkbp:literary_significance
|
considered a masterpiece
pivotal work in Joyce's career
|
|
gptkbp:main_character
|
gptkb:Gretta_Conroy
Gabriel Conroy
|
|
gptkbp:motif
|
gptkb:cultural_identity
gptkb:revelation
gptkb:Ghost
gptkb:memory
gptkb:family
gptkb:music
Irish nationalism
paralysis
disconnection
epiphany
|
|
gptkbp:narrative
|
episodic
frame story
third person
linear narrative
|
|
gptkbp:narrative_style
|
gptkb:modernism
realism
stream of consciousness
symbolism
epiphany
|
|
gptkbp:notable_character
|
gptkb:Gretta_Conroy
Aunt Kate
Aunt Julia
Michael Furey
|
|
gptkbp:notable_quote
|
He was not long in finding out that he was not the only one.
The time had come for him to set out for home.
|
|
gptkbp:page_count
|
approximately 15
|
|
gptkbp:part_of
|
gptkb:Dubliners
|
|
gptkbp:protagonist
|
Gabriel Conroy
|
|
gptkbp:publication_year
|
gptkb:1914
|
|
gptkbp:published_by
|
Grant Richards
|
|
gptkbp:published_in
|
gptkb:Dubliners
gptkb:1914
|
|
gptkbp:published_year
|
gptkb:1914
|
|
gptkbp:publisher
|
gptkb:Maunsel_&_Co.
|
|
gptkbp:set_in
|
gptkb:Dublin
|
|
gptkbp:setting
|
gptkb:Dublin
Epiphany party
|
|
gptkbp:significance
|
final story in Dubliners
|
|
gptkbp:style
|
lyrical
realistic
descriptive
|
|
gptkbp:symbolism
|
gptkb:light
gptkb:death
gptkb:music
snow
dinner party
|
|
gptkbp:theme
|
mortality
|
|
gptkbp:themes
|
gptkb:death
gptkb:identity
gptkb:memory
love
mortality
regret
|
|
gptkbp:viewpoint
|
third-person limited
|
|
gptkbp:won_award
|
gptkb:Academy_Award_nomination
|
|
gptkbp:writings
|
depicts the complexity of relationships
examines personal and cultural identity
explores themes of paralysis
uses epiphany as a narrative device
|
|
gptkbp:written_by
|
gptkb:James_Joyce
|
|
gptkbp:bfsParent
|
gptkb:Mage
gptkb:James_Joyce
gptkb:The_Grateful_Dead
gptkb:Walt_Whitman
gptkb:Our_Town
gptkb:Hades
|
|
gptkbp:bfsLayer
|
4
|