gptkbp:instance_of
|
gptkb:film
|
gptkbp:aspect_ratio
|
1.37:1
|
gptkbp:awards
|
Best Director at Cannes
|
gptkbp:based_on
|
short story by Anton Chekhov
|
gptkbp:box_office
|
successful
|
gptkbp:cinematography_by
|
gptkb:Sergei_Urusevsky
|
gptkbp:color
|
black and white
|
gptkbp:country
|
gptkb:Soviet_Union
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_impact
|
gptkb:Soviet_cinema
|
gptkbp:directed_by
|
gptkb:Mikhail_Kalatozov
|
gptkbp:distributor
|
gptkb:Mosfilm
|
gptkbp:edited_by
|
gptkb:Mikhail_Kalatozov
|
gptkbp:follows
|
gptkb:The_Cranes_Are_Flying
|
gptkbp:genre
|
gptkb:drama
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Elephants (1948)
|
gptkbp:influenced
|
gptkb:cinema
gptkb:narrative_structure
gptkb:film
art house cinema
cinematic techniques
visual storytelling
documentary filmmaking
future filmmakers
|
gptkbp:influenced_by
|
Russian literature
|
gptkbp:language
|
gptkb:Russian
|
gptkbp:legacy
|
influential film
|
gptkbp:music_by
|
gptkb:Dmitri_Shostakovich
|
gptkbp:notable_for
|
gptkb:art
gptkb:original_score
cinematography
performances
|
gptkbp:precedes
|
I Am Twenty
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
gptkbp:produced_by
|
gptkb:Mikhail_Kalatozov
|
gptkbp:release_date
|
1948
|
gptkbp:runtime
|
90 minutes
|
gptkbp:screenplay_by
|
gptkb:Mikhail_Kalatozov
|
gptkbp:starring
|
gptkb:Vladimir_Zeldin
gptkb:Vera_Maretskaya
Vladimir Soshalsky
Mikhail Kuznetsov
Aleksandr Shvorin
|
gptkbp:themes
|
gptkb:loss
gptkb:identity
gptkb:memory
gptkb:war
human experience
|
gptkbp:bfsParent
|
gptkb:Salvador_Dali
|
gptkbp:bfsLayer
|
4
|