|
gptkbp:instance_of
|
gptkb:film_score
gptkb:film
|
|
gptkbp:adaptations
|
inspired stage plays
|
|
gptkbp:art_style
|
poetic imagery
poetic realism
|
|
gptkbp:aspect_ratio
|
16:9
|
|
gptkbp:audience
|
widely appreciated
|
|
gptkbp:award
|
gptkb:Palme_d'_Or
|
|
gptkbp:awards
|
gptkb:Palme_d'_Or
|
|
gptkbp:box_office
|
gptkb:unknown
$500,000
$1 million
successful
successful in the Soviet Union
|
|
gptkbp:cast
|
gptkb:Arben_Shala
gptkb:Arben_Bajraktaraj
gptkb:Dardane_Kastrati
gptkb:Dren_Abazi
gptkb:Liridon_Lahu
gptkb:Blerim_Destani
gptkb:Vera_Kastrati
gptkb:Adriana_Matoshi
gptkb:Fjolla_Morina
gptkb:Blerim_Kelmendi
Faton Kastrati
Luan Jaha
Shkumbin Istrefi
Eda Zariqi
|
|
gptkbp:character
|
gptkb:Alexei
gptkb:Mikhail
gptkb:Nikolai
gptkb:Pavel
gptkb:Boris
gptkb:Sasha
gptkb:Elena
gptkb:Sonia
gptkb:Tatiana
gptkb:Irina
gptkb:Masha
gptkb:Viktor
gptkb:Vanya
gptkb:Yelena
gptkb:Olga
gptkb:Vera
gptkb:Nina
gptkb:Svetlana
gptkb:Lena
gptkb:Mira
gptkb:Raisa
gptkb:Mark
gptkb:Sofia
gptkb:Victor
gptkb:Yuri
gptkb:Darya
Andrei
the loss of innocence
the struggle for survival
Oksana
the struggle against fate
Lilya
the quest for redemption
the journey of self-discovery
Misha
Zinaida
Dasha
Grigory
the complexity of human emotions
Veronika
Petr
the quest for identity
the fragility of happiness
the impact of war on families
the power of memory
Anya
Dmitri
the hope for a better future
Artem
Anatoly
Sergei
the struggles of the protagonist
the search for meaning in chaos
Lyudmila
the search for solace
the impact of war on youth
the emotional toll of war
the impact of war on relationships
the inevitability of change
the longing for peace
Oleg
Fedor
the journey through grief
Veronika's journey
Boris's sacrifice
the burden of loss
the emotional scars of war
the hope for reunion
the impact of separation
the interplay of love and duty
the longing for peace and stability
the power of love to heal.
the resilience of love
|
|
gptkbp:character_arc
|
Veronika's journey
Boris's journey
Mark's journey
|
|
gptkbp:character_development
|
complex characters
complex relationships
Complex characters.
focuses on emotional struggles
|
|
gptkbp:character_motivation
|
patriotism
personal sacrifice
|
|
gptkbp:character_relationships
|
love triangle
|
|
gptkbp:cinematography
|
gptkb:Sergei_Urusevsky
Vladimir M. Vukovic
|
|
gptkbp:cinematography_by
|
gptkb:Sergei_Urusevsky
|
|
gptkbp:color
|
gptkb:Color
black and white
|
|
gptkbp:composer
|
gptkb:Mikael_Tariverdiev
|
|
gptkbp:country
|
gptkb:Kosovo
gptkb:Soviet_Union
gptkb:Albania
|
|
gptkbp:critical_reception
|
acclaimed
highly acclaimed
Highly acclaimed by critics.
|
|
gptkbp:criticism
|
highly praised
Praised by film critics.
|
|
gptkbp:cultural_impact
|
gptkb:significant
Considered a classic of Soviet cinema.
considered a classic of Soviet cinema
significant in Soviet cinema
|
|
gptkbp:cultural_references
|
Referenced in other media.
|
|
gptkbp:cultural_significance
|
Symbol of hope.
important in film history
reflects Soviet society during war
|
|
gptkbp:directed_by
|
gptkb:Mikhail_Kalatozov
|
|
gptkbp:director
|
gptkb:Kaltrina_Krasniqi
gptkb:Mikhail_Kalatozov
|
|
gptkbp:distributor
|
gptkb:Kino_Lorber
gptkb:Mosfilm
|
|
gptkbp:duration
|
approximately 30 minutes
|
|
gptkbp:edited_by
|
gptkb:Marina_Zudina
|
|
gptkbp:editing
|
gptkb:Marina_Zudina
|
|
gptkbp:editor
|
gptkb:Mira_Staleva
|
|
gptkbp:film
|
Produced by Mosfilm.
|
|
gptkbp:film_awards
|
Best Foreign Film
Numerous awards.
|
|
gptkbp:film_editing
|
gptkb:Mikhail_Kalatozov
gptkb:Marina_Zudina
|
|
gptkbp:film_festival
|
gptkb:Sarajevo_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Sofia_International_Film_Festival
|
|
gptkbp:film_score
|
Memorable score.
integral to the film's impact
Mieczysław Wojnicz's score
|
|
gptkbp:film_technique
|
Innovative camera work.
inspired filmmakers
Artistic cinematography.
Influenced filmmakers worldwide.
|
|
gptkbp:filming_location
|
Moscow.
|
|
gptkbp:filmography
|
gptkb:The_Cranes_Are_Flying
studied in film schools
Analyzed in film studies.
|
|
gptkbp:genre
|
gptkb:film_score
gptkb:drama
|
|
gptkbp:historical_context
|
post-war Soviet Union
Reflects Soviet society.
set during World War II
|
|
gptkbp:home_media_release
|
Released on DVD.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cranes Are Flying
|
|
gptkbp:influenced
|
gptkb:cinema
gptkb:New_Wave_cinema
film studies
film music
subsequent war films
Later filmmakers.
film directors worldwide
|
|
gptkbp:influenced_by
|
gptkb:Italian_Neorealism
gptkb:Italian_neorealism
gptkb:Soviet_cinema
Soviet realism
Russian literature.
|
|
gptkbp:inspiration
|
human resilience
Based on a play.
based on a short story by Viktor Shklovsky
Victor Shklovsky's writings
|
|
gptkbp:inspired_by
|
gptkb:World_War_II
|
|
gptkbp:label
|
gptkb:Melodiya
|
|
gptkbp:language
|
gptkb:Albanian
gptkb:Russian
|
|
gptkbp:legacy
|
influenced future filmmakers
Enduring legacy in cinema.
Influential in world cinema.
influential classic
|
|
gptkbp:main_character
|
gptkb:Boris
gptkb:Lira
gptkb:Mark
Veronika
Bardh
|
|
gptkbp:music
|
gptkb:Goran_Bregović
gptkb:Mieczysław_Wojnicz
|
|
gptkbp:music_by
|
gptkb:Mikael_Tariverdiev
|
|
gptkbp:music_composer
|
gptkb:Mikael_Tariverdiev
|
|
gptkbp:narrative_style
|
non-linear
non-linear storytelling
Non-linear storytelling.
|
|
gptkbp:notable_for
|
cinematography
emotional depth
innovative camera techniques
|
|
gptkbp:notable_scene
|
The crane flying scene.
the farewell at the train station
the bridge scene
|
|
gptkbp:notable_track
|
Theme from The Cranes Are Flying
|
|
gptkbp:performed_by
|
gptkb:orchestra
|
|
gptkbp:plot
|
A love story set against the backdrop of World War II.
A love story set during World War II.
|
|
gptkbp:plot_summary
|
A story of love and loss during World War II.
|
|
gptkbp:premiere
|
gptkb:2019_Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Mikhail_Kalatozov
|
|
gptkbp:producer
|
gptkb:Blerim_Kelmendi
|
|
gptkbp:production_company
|
gptkb:Doku_Fest
gptkb:Mosfilm
|
|
gptkbp:rating
|
7.5/10
|
|
gptkbp:recorded_in
|
gptkb:USSR
|
|
gptkbp:release_country
|
gptkb:Soviet_Union
|
|
gptkbp:release_date
|
gptkb:1957
1957-07-01
1957-09-01
1957-09-05
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1957
gptkb:2019
|
|
gptkbp:released_in
|
gptkb:1957
|
|
gptkbp:released_on
|
vinyl
|
|
gptkbp:remake
|
various international adaptations
Remade in other countries.
The Cranes Are Flying (2019)
|
|
gptkbp:restoration
|
Restored for modern audiences.
Restored in 2000.
|
|
gptkbp:runtime
|
90 minutes
97 minutes
|
|
gptkbp:screenings
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:screenplay
|
gptkb:Kaltrina_Krasniqi
gptkb:Victor_Shklovsky
|
|
gptkbp:screenplay_by
|
gptkb:Victor_Shklovsky
gptkb:Victor_Rozov
|
|
gptkbp:set_in
|
gptkb:Moscow
gptkb:World_War_II
|
|
gptkbp:setting
|
gptkb:World_War_II
|
|
gptkbp:soundtrack
|
Mikael Tariverdiev's score
emotional and haunting
|
|
gptkbp:starring
|
gptkb:Vladimir_Ivashov
gptkb:Aleksei_Batalov
gptkb:Tatiana_Samoilova
|
|
gptkbp:style
|
gptkb:classical
|
|
gptkbp:symbolism
|
cranes
cranes represent hope and loss
|
|
gptkbp:themes
|
love and loss
Explores themes of war.
Love and loss.
war and its effects on love
|
|
gptkbp:won_award
|
gptkb:Palme_d'_Or
|
|
gptkbp:bfsParent
|
gptkb:Soviet_Union
|
|
gptkbp:bfsLayer
|
3
|