|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:awards
|
Best Director at Cannes
|
|
gptkbp:based_on
|
original screenplay by Yasujirō Ozu
|
|
gptkbp:box_office
|
moderate success
|
|
gptkbp:character_development
|
subtle and nuanced
|
|
gptkbp:cinematography
|
gptkb:Yasujirō_Ozu
natural lighting
long takes
minimalist style
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:Japan
|
|
gptkbp:critical_reception
|
highly acclaimed
|
|
gptkbp:cultural_impact
|
influential in Japanese cinema
|
|
gptkbp:director
|
gptkb:Yasujirō_Ozu
|
|
gptkbp:distributor
|
gptkb:Shochiku
|
|
gptkbp:edited_by
|
gptkb:Yasujirō_Ozu
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:follows
|
gptkb:The_End_of_Summer
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Conclusion 1972
|
|
gptkbp:influenced
|
global cinema
subsequent Japanese filmmakers
|
|
gptkbp:influenced_by
|
gptkb:Italian_Neorealism
gptkb:Western_cinema
gptkb:Japanese_culture
|
|
gptkbp:language
|
gptkb:Japanese
|
|
gptkbp:language_spoken
|
minimalistic
|
|
gptkbp:music_by
|
gptkb:Tōru_Takemitsu
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_cast
|
gptkb:Yūko_Mochizuki
gptkb:Masayuki_Mori
gptkb:Keiko_Kishi
gptkb:Setsuko_Hara
gptkb:Chishū_Ryū
|
|
gptkbp:precedes
|
gptkb:The_Taste_of_Tea
|
|
gptkbp:produced_by
|
gptkb:Shinobu_Hashimoto
|
|
gptkbp:release_year
|
gptkb:1972
|
|
gptkbp:remake
|
The Conclusion 2005
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Yasujirō_Ozu
|
|
gptkbp:set_in
|
post-war Japan
|
|
gptkbp:themes
|
gptkb:loss
gptkb:family
gptkb:tradition
modernity
|
|
gptkbp:bfsParent
|
gptkb:Julian_Opie
|
|
gptkbp:bfsLayer
|
4
|