Statements (94)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:orchestral_music
|
| gptkbp:arrangements |
arranged for various ensembles
for various ensembles |
| gptkbp:artistic_influence |
influenced by Eastern European folk music
|
| gptkbp:artistic_innovation |
innovative orchestration techniques
|
| gptkbp:audience |
popular with audiences
engages audiences emotionally |
| gptkbp:characteristics |
dynamic contrasts
|
| gptkbp:composer |
gptkb:Béla_Bartók
|
| gptkbp:critical_analysis |
subject of extensive analysis
|
| gptkbp:critical_reception |
widely acclaimed
highly acclaimed |
| gptkbp:cultural_aspect |
reflects wartime experiences
|
| gptkbp:cultural_impact |
significant impact on classical music
widely studied in music education |
| gptkbp:cultural_representation |
recognized as a masterpiece
|
| gptkbp:cultural_significance |
important work in the orchestral repertoire
|
| gptkbp:dedication |
to the Boston Symphony Orchestra
to the conductor Serge Koussevitzky |
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:educational_use |
studied in music programs
|
| gptkbp:first_performance |
gptkb:Boston_Symphony_Hall
|
| gptkbp:form |
gptkb:Concerto_for_Orchestra
|
| gptkbp:historical_context |
written during World War II
|
| gptkbp:historical_interpretation |
varied interpretations by conductors
|
| gptkbp:historical_significance |
important in 20th-century music history
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Concerto for Orchestra
|
| gptkbp:influence |
gptkb:Hungarian_folk_music
|
| gptkbp:influenced |
gptkb:jazz_music
film music many contemporary composers |
| gptkbp:influenced_artists |
considered a landmark composition
by other composers inspired later orchestral works |
| gptkbp:influences |
gptkb:folk_music
|
| gptkbp:inspiration |
Bartók's experiences during World War II
|
| gptkbp:inspired_by |
the experience of World War II
|
| gptkbp:instrumentation |
full orchestra
|
| gptkbp:legacy |
remains a staple of orchestral repertoire
|
| gptkbp:movement |
gptkb:Interpol
|
| gptkbp:music_style |
complex and innovative
multi-movement form unique musical language |
| gptkbp:musical_elements |
rhythmic complexity
melodic development harmonic innovation rich harmonic language textural variety |
| gptkbp:notable_conductors |
gptkb:Gustavo_Dudamel
gptkb:Daniel_Barenboim gptkb:Zubin_Mehta gptkb:Pierre_Boulez gptkb:Bernstein gptkb:Serge_Koussevitzky |
| gptkbp:notable_features |
virtuosity of individual instruments
|
| gptkbp:notable_performances |
gptkb:Boston_Symphony_Orchestra
in concert halls |
| gptkbp:notable_performers |
performed by leading orchestras
|
| gptkbp:notable_recordings |
Deutsche Grammophon recording
|
| gptkbp:number_of_movements |
five
|
| gptkbp:number_of_stages |
gptkb:orchestra
|
| gptkbp:orchestration |
large orchestra
|
| gptkbp:part_of |
standard orchestral repertoire
|
| gptkbp:performance |
performed worldwide
evolved over time challenging for orchestras to perform |
| gptkbp:performance_tradition |
often performed in concert halls
|
| gptkbp:performed_at |
major music festivals
|
| gptkbp:performed_by |
orchestras worldwide
leading orchestras |
| gptkbp:premiere |
gptkb:1944
|
| gptkbp:premiere_date |
gptkb:1944
|
| gptkbp:premiere_location |
gptkb:Boston
|
| gptkbp:record_label |
gptkb:Deutsche_Grammophon
gptkb:Philips_Classics gptkb:Sony_Classical gptkb:EMI_Classics gptkb:Naxos |
| gptkbp:recordings |
numerous
multiple recordings available |
| gptkbp:related_works |
Concerto for Orchestra by other composers
|
| gptkbp:second_movement |
gptkb:Interpol
nocturne finale game of pairs |
| gptkbp:significance |
one of Bartók's most popular works
|
| gptkbp:style |
modern classical
20th-century classical music |
| gptkbp:thematic_element |
rich thematic development
|
| gptkbp:theme |
varied themes and motifs
|
| gptkbp:themes |
playful and lyrical
|
| gptkbp:year_composed |
1943
|
| gptkbp:bfsParent |
gptkb:Philip_Glass
|
| gptkbp:bfsLayer |
3
|