|
gptkbp:instance_of
|
gptkb:artwork
gptkb:organization
|
|
gptkbp:associated_with
|
Robert Rauschenberg's early career
|
|
gptkbp:challenges
|
traditional art critics
traditional definitions of art
|
|
gptkbp:characteristics
|
combines painting and sculpture
|
|
gptkbp:collection
|
Museum of Modern Art collection
|
|
gptkbp:consists_of
|
various alien species
|
|
gptkbp:contains
|
text elements
|
|
gptkbp:created_by
|
gptkb:Robert_Rauschenberg
gptkb:Valve_Corporation
|
|
gptkbp:depicted_in
|
international exhibitions
|
|
gptkbp:dimensions
|
varies
|
|
gptkbp:enforces
|
totalitarian control
|
|
gptkbp:exemplified_by
|
Rauschenberg's innovative approach
|
|
gptkbp:exemplifies
|
Rauschenberg's artistic philosophy
|
|
gptkbp:exhibited_at
|
gptkb:Borough
various art museums
|
|
gptkbp:features
|
found objects
|
|
gptkbp:first_appearance
|
gptkb:Half-Life_2
|
|
gptkbp:fought_in
|
gptkb:watch
|
|
gptkbp:governed_by
|
gptkb:The_Citadel
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Combine
|
|
gptkbp:impact
|
influenced later artists
|
|
gptkbp:includes
|
gptkb:Photographer
|
|
gptkbp:influenced_by
|
gptkb:Artist
|
|
gptkbp:inspired
|
gptkb:art_installation
|
|
gptkbp:is_analyzed_in
|
art critiques
|
|
gptkbp:is_associated_with
|
the avant-garde movement
|
|
gptkbp:is_celebrated_in
|
its innovation
|
|
gptkbp:is_cited_in
|
art theory discussions
|
|
gptkbp:is_considered
|
a landmark in modern art
a fusion of art forms
a precursor to later art movements.
|
|
gptkbp:is_documented_in
|
art literature
|
|
gptkbp:is_evaluated_by
|
gptkb:battle
|
|
gptkbp:is_influenced_by
|
the cultural context of the 1950s
|
|
gptkbp:is_influential_in
|
contemporary art discussions
|
|
gptkbp:is_noted_for
|
its eclectic nature
|
|
gptkbp:is_part_of
|
the evolution of modern art
Rauschenberg's legacy
Rauschenberg's artistic exploration
Rauschenberg's exploration of materials
Rauschenberg's series of Combines
|
|
gptkbp:is_recognized_by
|
gptkb:art_historians
a significant contribution to art history
|
|
gptkbp:is_referenced_in
|
art education
|
|
gptkbp:is_respected_by
|
artists worldwide
|
|
gptkbp:is_studied_in
|
art history courses
|
|
gptkbp:is_symbolic_of
|
artistic experimentation
|
|
gptkbp:known_for
|
oppressive regime
|
|
gptkbp:location
|
gptkb:Museum_of_Modern_Art
|
|
gptkbp:monitors
|
layering of materials
|
|
gptkbp:notable_for
|
breaking traditional boundaries of art
|
|
gptkbp:part_of
|
gptkb:Half-Life_series
|
|
gptkbp:related_to
|
gptkb:Pop_Art_movement
|
|
gptkbp:represents
|
American culture in the 1950s
|
|
gptkbp:significance
|
pioneering work in contemporary art
|
|
gptkbp:style
|
gptkb:Neo-Dada
|
|
gptkbp:technique
|
assemblage
|
|
gptkbp:type
|
mixed media
|
|
gptkbp:uses
|
gptkb:advanced_technology
collage techniques
|
|
gptkbp:year_created
|
gptkb:1955
|
|
gptkbp:bfsParent
|
gptkb:Half-Life_2
|
|
gptkbp:bfsLayer
|
3
|