|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:Saturn_Award_nomination_for_Best_International_Film
|
|
gptkbp:boxOfficeGross
|
$14.2 million
|
|
gptkbp:budget
|
$4.1 million
|
|
gptkbp:cinematography
|
gptkb:Mark_Irwin
|
|
gptkbp:countryOfOrigin
|
gptkb:Canada
|
|
gptkbp:criticalReception
|
mixed to positive
|
|
gptkbp:director
|
gptkb:David_Cronenberg
|
|
gptkbp:distributor
|
gptkb:Avco_Embassy_Pictures
|
|
gptkbp:editingBy
|
gptkb:Ronald_Sanders
|
|
gptkbp:enemyOf
|
gptkb:Darryl_Revok
|
|
gptkbp:filmingLocation
|
gptkb:Montreal
gptkb:Toronto
|
|
gptkbp:franchise
|
gptkb:Scanners_film_series
|
|
gptkbp:genre
|
gptkb:science_fiction
|
|
gptkbp:homeMediaRelease
|
gptkb:DVD
gptkb:Blu-ray
gptkb:VHS
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Scanners
|
|
gptkbp:influencedBy
|
gptkb:science_fiction
horror genre
|
|
gptkbp:language
|
English
|
|
gptkbp:mainCharacter
|
gptkb:Cameron_Vale
|
|
gptkbp:musicBy
|
gptkb:Howard_Shore
|
|
gptkbp:notableFor
|
iconic head explosion scene
|
|
gptkbp:notableScene
|
head explosion
|
|
gptkbp:posterArtist
|
gptkb:Richard_Amsel
|
|
gptkbp:producer
|
gptkb:Claude_Héroux
|
|
gptkbp:productionCompany
|
gptkb:Canadian_Film_Development_Corporation
gptkb:Filmplan_International
|
|
gptkbp:rating
|
R
|
|
gptkbp:releaseYear
|
1981
|
|
gptkbp:runtime
|
103 minutes
|
|
gptkbp:sequel
|
gptkb:Scanners_II:_The_New_Order
gptkb:Scanners_III:_The_Takeover
|
|
gptkbp:specialEffectsBy
|
gptkb:Dick_Smith
|
|
gptkbp:spinOff
|
gptkb:Scanner_Cop
gptkb:Scanner_Cop_II
|
|
gptkbp:starring
|
gptkb:Michael_Ironside
gptkb:Patrick_McGoohan
gptkb:Jennifer_O'Neill
gptkb:Lawrence_Dane
gptkb:Stephen_Lack
|
|
gptkbp:status
|
cult classic
|
|
gptkbp:theme
|
telepathy
mind control
corporate conspiracy
psychic powers
|
|
gptkbp:writer
|
gptkb:David_Cronenberg
|
|
gptkbp:bfsParent
|
gptkb:David_Cronenberg
gptkb:Michael_Ironside
gptkb:Patrick_McGoohan
gptkb:Epson
|
|
gptkbp:bfsLayer
|
5
|