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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Mike_Hammer
|
|
gptkbp:box_office
|
Low earnings
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gptkbp:character
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gptkb:Detective
gptkb:Vicky
gptkb:Davey_Gordon
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gptkbp:character_arc
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gptkb:Redemption
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gptkbp:character_development
|
Complex characters
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gptkbp:cinematography
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gptkb:Stanley_Cortez
|
|
gptkbp:color
|
Black and white
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|
gptkbp:country
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gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
|
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gptkbp:cultural_impact
|
Cult following
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|
gptkbp:cultural_significance
|
Representation of 1950s America
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|
gptkbp:director
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gptkb:Samuel_Fuller
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gptkbp:distributor
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gptkb:Columbia_Pictures
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gptkbp:editor
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gptkb:Floyd_Crosby
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gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:filmography
|
gptkb:Floyd_Crosby
|
|
gptkbp:followed_by
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gptkb:The_Naked_Kiss
|
|
gptkbp:genre
|
film noir
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|
gptkbp:home_media_release
|
DVD and Blu-ray
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|
https://www.w3.org/2000/01/rdf-schema#label
|
The Case of the Killer's Kiss
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|
gptkbp:influenced
|
Film studies
Cinematography techniques
Modern thrillers
Later crime films
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|
gptkbp:influenced_by
|
gptkb:German_Expressionism
gptkb:American_cinema
Film noir genre
|
|
gptkbp:inspiration
|
Real-life events
|
|
gptkbp:language
|
English
Hard-boiled style
|
|
gptkbp:legacy
|
Influential film noir
|
|
gptkbp:music
|
gptkb:Henry_Vars
|
|
gptkbp:narrative_style
|
Non-linear storytelling
|
|
gptkbp:notable_appearance
|
Dream sequence
|
|
gptkbp:plot
|
A boxer is framed for murder.
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:rating
|
Not Rated
|
|
gptkbp:release_date
|
April 1955
|
|
gptkbp:release_year
|
gptkb:1955
|
|
gptkbp:remake
|
gptkb:None
|
|
gptkbp:runtime
|
82 minutes
|
|
gptkbp:screenings
|
gptkb:Film_festivals
|
|
gptkbp:screenplay_by
|
gptkb:Samuel_Fuller
|
|
gptkbp:set_in
|
gptkb:Borough
|
|
gptkbp:soundtrack
|
gptkb:Henry_Vars
|
|
gptkbp:starring
|
gptkb:Robert_Dix
gptkb:Irène_Jacob
|
|
gptkbp:symbolism
|
Urban isolation
|
|
gptkbp:theme
|
Crime and passion
|
|
gptkbp:themes
|
Love and betrayal
|