Statements (112)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Samuel_Fuller
|
| gptkbp:allows |
controversial themes
|
| gptkbp:box_office |
$2 million
|
| gptkbp:budget |
$1 million
|
| gptkbp:character |
gptkb:Detective
gptkb:Kelly The local doctor The prostitute The town's mayor |
| gptkbp:cinematography |
gptkb:Stanley_Cortez
notable black-and-white visuals. |
| gptkbp:color |
black and white
|
| gptkbp:country |
gptkb:United_States
|
| gptkbp:critical_reception |
cult classic
|
| gptkbp:cultural_impact |
exploration of taboo subjects
in discussions of film noir. |
| gptkbp:cultural_significance |
social commentary
representation of women depiction of sexuality |
| gptkbp:directed_by |
gptkb:Samuel_Fuller
|
| gptkbp:director |
gptkb:Samuel_Fuller
|
| gptkbp:distributor |
gptkb:20th_Century_Fox
|
| gptkbp:edited_by |
gptkb:Samuel_Fuller
gptkb:Floyd_Crosby |
| gptkbp:editor |
non-linear
|
| gptkbp:features |
a twist ending.
|
| gptkbp:film_festival |
gptkb:film_festival
|
| gptkbp:film_score |
gptkb:soundtrack
|
| gptkbp:filming_location |
gptkb:California
|
| gptkbp:filmography |
studied in film schools
|
| gptkbp:genre |
gptkb:Police_Department
gptkb:High_School |
| gptkbp:has_awards |
Best Director at the 1964 Cannes Film Festival.
|
| gptkbp:has_cameo |
several notable actors.
|
| gptkbp:has_influence_on |
on feminist film criticism.
|
| gptkbp:has_song |
original score.
|
| gptkbp:has_theme |
identity.
betrayal. redemption. societal judgment. |
| gptkbp:home_media_release |
gptkb:DJ
gptkb:film |
| https://www.w3.org/2000/01/rdf-schema#label |
The Naked Kiss
|
| gptkbp:influenced |
later film noir.
|
| gptkbp:influenced_by |
Samuel Fuller’s experiences
|
| gptkbp:influences |
film noir
|
| gptkbp:inspiration |
real-life events
|
| gptkbp:is_available_on |
DVD.
Blu-ray. streaming services. |
| gptkbp:is_cited_in |
film studies.
|
| gptkbp:is_considered |
a significant work in American cinema.
|
| gptkbp:is_part_of |
Samuel Fuller's filmography.
|
| gptkbp:is_recognized_by |
a cult classic.
|
| gptkbp:is_referenced_in |
popular culture.
|
| gptkbp:language |
English
|
| gptkbp:legacy |
influence on later films
|
| gptkbp:music_by |
gptkb:Paul_Dunlap
|
| gptkbp:narrative_style |
flashbacks
|
| gptkbp:notable_for |
its character development.
its social commentary. its direction. its editing. its performances. its production design. its pacing. its dialogue. its cinematographic techniques. its bold narrative style. its controversial themes. its critique of American morality. its exploration of sexuality. its strong female lead. its themes of betrayal. its themes of conflict. its themes of despair. its themes of hope. its themes of identity. its themes of justice. its themes of loss. its themes of love. its themes of morality. its themes of redemption. its themes of revenge. its themes of societal judgment. its themes of survival. |
| gptkbp:notable_quote |
" I’m not a bad girl, I’m a good girl who’s been bad."
|
| gptkbp:plot |
A former prostitute returns to her hometown and tries to start a new life.
A former prostitute returns to her hometown and becomes embroiled in a murder investigation. |
| gptkbp:premiere |
gptkb:Borough
|
| gptkbp:rating |
NR
7.5/10 |
| gptkbp:release_date |
January 1964
|
| gptkbp:release_year |
gptkb:1964
|
| gptkbp:released_in |
gptkb:1964
|
| gptkbp:remake |
gptkb:none
|
| gptkbp:runtime |
101 minutes
|
| gptkbp:screenplay_by |
gptkb:Samuel_Fuller
Samuel Fuller. |
| gptkbp:set_in |
a small town.
|
| gptkbp:soundtrack |
gptkb:musical
|
| gptkbp:starring |
gptkb:Constance_Towers
gptkb:Michael_Dante gptkb:Anthony_Eisley |
| gptkbp:symbolism |
the color red
the kiss the town's facade |
| gptkbp:themes |
gptkb:TV_series
redemption societal judgment |