gptkbp:instance_of
|
gptkb:Film_Director
gptkb:Producer
gptkb:Screenwriter
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gptkbp:active_years
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1940-1990
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gptkbp:active_years_end
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gptkb:1990
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gptkbp:active_years_start
|
gptkb:1949
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gptkbp:awards
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gptkb:Golden_Lion
gptkb:Lifetime_Achievement_Award
Best Director Award at Cannes Film Festival
Lifetime Achievement Award from the American Film Institute
Best Director at the Berlin International Film Festival
Best Screenplay at the Venice Film Festival
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gptkbp:birth_date
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August 12, 1912
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gptkbp:birth_place
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gptkb:Worcester,_Massachusetts,_USA
gptkb:Winston-Salem,_North_Carolina,_USA
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gptkbp:born_in
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gptkb:Worcester,_Massachusetts
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gptkbp:born_on
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August 12, 1912
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gptkbp:child
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gptkb:Sam_Fuller_Jr.
gptkb:Robert_Fuller
Judy Fuller
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gptkbp:children
|
gptkb:Sam_Fuller_Jr.
gptkb:Jesse_Fuller
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gptkbp:death_date
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March 30, 1997
October 30, 1997
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gptkbp:death_place
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gptkb:Los_Angeles,_California,_USA
gptkb:Paris,_France
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gptkbp:died_on
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October 30, 1997
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gptkbp:directed
|
gptkb:White_Dog
gptkb:The_Last_Command_(1955)
gptkb:The_Baron_of_Arizona
gptkb:The_Last_Command
gptkb:The_Devil's_Candy
gptkb:Forty_Guns
gptkb:Underworld_USA
gptkb:The_Deadly_Affair
gptkb:The_Black_Windmill
gptkb:The_Great_Northfield_Minnesota_Raid
gptkb:The_Big_Red_One
gptkb:Forty_Guns_(1957)
gptkb:Run_of_the_Arrow
gptkb:Shock_Corridor_(1963)
gptkb:Street_of_No_Return_(1989)
gptkb:The_Big_Red_One_(1980)
gptkb:The_Black_Widow_(1954)
gptkb:The_Great_Northfield_Minnesota_Raid_(1972)
gptkb:The_Shock_Corridor
gptkb:Pickup_on_South_Street
gptkb:Shock_Corridor
gptkb:Street_of_No_Return
gptkb:The_Crimson_Kimono
gptkb:The_Naked_Kiss
gptkb:The_Steel_Helmet
gptkb:The_Black_Widow
gptkb:The_Night_of_the_Following_Day
The Night of the Following Day (1969)
Pickup on South Street (1953)
Run of the Arrow (1957)
The Baron of Arizona (1950)
The Crimson Kimono (1959)
The Deadly Affair (1966)
The Devil's Candy (1995)
The Naked Kiss (1964)
The Steel Helmet (1951)
White Dog (1982)
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gptkbp:education
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gptkb:University_of_Southern_California
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gptkbp:film
|
gptkb:1990
gptkb:Street_of_No_Return
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gptkbp:film_debut
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gptkb:1949
gptkb:I_Shot_Jesse_James
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gptkbp:film_festival
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gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
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gptkbp:genre
|
gptkb:Film_Noir
gptkb:drama
gptkb:thriller
gptkb:war
noir
War Film
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https://www.w3.org/2000/01/rdf-schema#label
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Samuel Fuller
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gptkbp:influenced
|
gptkb:Martin_Scorsese
gptkb:Jim_Jarmusch
gptkb:Quentin_Tarantino
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gptkbp:influenced_by
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gptkb:Howard_Hawks
gptkb:Orson_Welles
gptkb:Film_Noir
gptkb:Expressionism
gptkb:Jean-Luc_Godard
gptkb:John_Ford
gptkb:D._W._Griffith
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gptkbp:known_for
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gptkb:Forty_Guns
gptkb:Forty_Guns_(1957)
gptkb:Shock_Corridor_(1963)
gptkb:The_Big_Red_One_(1980)
gptkb:Pickup_on_South_Street
gptkb:Shock_Corridor
gptkb:The_Naked_Kiss
Social commentary
War films
Controversial themes
Social commentary in films
Bold storytelling
Innovative use of violence in cinema
Pickup on South Street (1953)
The Naked Kiss (1964)
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gptkbp:military_service
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gptkb:United_States_Army
|
gptkbp:nationality
|
gptkb:American
|
gptkbp:notable_work
|
gptkb:White_Dog
gptkb:The_Baron_of_Arizona
gptkb:The_Last_Command
gptkb:Forty_Guns
gptkb:The_Deadly_Affair
gptkb:The_Black_Windmill
gptkb:The_Big_Red_One:_The_Reconstruction
gptkb:The_Great_Northfield_Minnesota_Raid
gptkb:The_Big_Red_One
gptkb:The_Shock_Corridor
gptkb:The_Devil's_Brigade
gptkb:Pickup_on_South_Street
gptkb:Shock_Corridor
gptkb:Street_of_No_Return
gptkb:The_Crimson_Kimono
gptkb:The_Naked_Kiss
gptkb:The_Steel_Helmet
|
gptkbp:occupation
|
gptkb:Film_Director
gptkb:Producer
gptkb:Journalist
gptkb:Screenwriter
gptkb:Novelist
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gptkbp:posthumous_recognition
|
gptkb:Samuel_Fuller_Award_for_Best_Feature_Film
Inducted into the Hollywood Walk of Fame
Tribute at the 1998 Cannes Film Festival
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gptkbp:signature
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Complex characters
Cinematic experimentation
Gripping narratives
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gptkbp:spouse
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gptkb:Christa_Lang
Christina Fuller
Catherine Fuller
|
gptkbp:bfsParent
|
gptkb:Fixed_Bayonets!
gptkb:My_Darling_Clementine
gptkb:Plymouth_Colony
gptkb:Mayflower
gptkb:The_Big_Red_One
gptkb:Mayflower_Compact
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gptkbp:bfsLayer
|
5
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