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gptkbp:instance_of
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gptkb:ballet
|
|
gptkbp:adaptation
|
ballet adaptations
|
|
gptkbp:associated_with
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gptkb:Russian_ballet
|
|
gptkbp:choreography
|
gptkb:Vaslav_Nijinsky
by Martha Graham
by Pina Bausch
by Jerome Robbins
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gptkbp:composer
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gptkb:Igor_Stravinsky
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gptkbp:critical_reception
|
initially negative
|
|
gptkbp:cultural_impact
|
controversial premiere
|
|
gptkbp:cultural_significance
|
iconic status
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|
gptkbp:genre
|
classical music
|
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gptkbp:has_reception
|
widely acclaimed
|
|
gptkbp:influence
|
modern music
|
|
gptkbp:influenced
|
gptkb:jazz_music
film scores
dance choreography
contemporary classical composers
|
|
gptkbp:inspired
|
visual artists
numerous adaptations
|
|
gptkbp:notable_for
|
its innovative use of rhythm
|
|
gptkbp:notable_performance
|
Paris premiere
|
|
gptkbp:notable_products
|
polyrhythms
dissonance
ostinato patterns
|
|
gptkbp:notable_recordings
|
Leonard Bernstein conducting
|
|
gptkbp:notable_themes
|
gptkb:sacrifice
the passage of time
nature worship
ritualistic elements
the cycle of life
the struggle for survival
fertility rituals
the human experience
the power of nature
conflict between tradition and modernity
springtime renewal
the relationship between man and earth
|
|
gptkbp:orchestration
|
large orchestra
|
|
gptkbp:part_of
|
gptkb:The_Sacrifice
gptkb:The_Adoration_of_the_Earth
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|
gptkbp:performed_at
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major concert halls
|
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gptkbp:performed_by
|
various orchestras
|
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gptkbp:premiere_date
|
May 29, 1913
|
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gptkbp:premiere_location
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gptkb:Théâtre_des_Champs-Élysées
|
|
gptkbp:structure
|
two parts
|
|
gptkbp:style
|
gptkb:neoclassicism
|
|
gptkbp:theme
|
pagan rituals
|
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gptkbp:bfsParent
|
gptkb:Michael_Tilson_Thomas
gptkb:Leonard_Slatkin
gptkb:Pittsburgh_Symphony_Orchestra
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gptkbp:bfsLayer
|
4
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