|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
Symbolic imagery
Long takes
|
|
gptkbp:audience
|
Cult following
|
|
gptkbp:award
|
gptkb:Best_Foreign_Language_Film
Best Director at Cannes
|
|
gptkbp:awards
|
Best Director at Cannes
|
|
gptkbp:box_office
|
$1 million
Limited release
|
|
gptkbp:character
|
gptkb:Maria
gptkb:The_Doctor
gptkb:The_Boy
gptkb:The_Priest
|
|
gptkbp:character_arc
|
Alexander's transformation
|
|
gptkbp:character_development
|
Complex characters
|
|
gptkbp:character_motivation
|
Desire to protect family
|
|
gptkbp:character_relationships
|
gptkb:friendship
Father and son
Husband and wife
Man and God
|
|
gptkbp:cinematography
|
gptkb:Sven_Nykvist
gptkb:Svetlana_Malyshkina
|
|
gptkbp:country
|
gptkb:Sweden
|
|
gptkbp:critical_reception
|
Positive
Acclaimed by critics
|
|
gptkbp:cultural_impact
|
Influenced filmmakers
Studied in film schools
Cited in discussions of spirituality
|
|
gptkbp:cultural_references
|
Artistic expression
Existential philosophy
Religious symbolism
|
|
gptkbp:directed_by
|
gptkb:Andrei_Tarkovsky
|
|
gptkbp:director
|
gptkb:Andrei_Tarkovsky
|
|
gptkbp:distributor
|
Tarkovsky Film
|
|
gptkbp:dlc
|
gptkb:Left_4_Dead_2
|
|
gptkbp:editing
|
gptkb:Andrei_Tarkovsky
|
|
gptkbp:editor
|
gptkb:Lyudmila_Zaitseva
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
Orchestral
|
|
gptkbp:film_technique
|
Non-linear narrative
Art-house
Symbolic motifs
Long takes
Minimal dialogue
Symbolic framing
|
|
gptkbp:filming_location
|
gptkb:Gotland
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
gptkb:1987
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Sacrifice
|
|
gptkbp:influenced
|
gptkb:The_Tree_of_Life
gptkb:The_Seventh_Seal
gptkb:Melancholia
|
|
gptkbp:influenced_by
|
gptkb:Nietzsche
gptkb:Fellini
gptkb:Camus
gptkb:Christianity
gptkb:Bergman
gptkb:Dostoevsky
gptkb:Kurosawa
gptkb:Christian_theology
gptkb:philosophy
gptkb:film
Russian literature
|
|
gptkbp:influences
|
gptkb:art
gptkb:Nietzsche
gptkb:The_Bible
gptkb:Bergman
gptkb:Dostoevsky
gptkb:philosophy
|
|
gptkbp:inspiration
|
gptkb:The_Book_of_Job
gptkb:Dostoevsky
gptkb:Kierkegaard
|
|
gptkbp:language
|
gptkb:Swedish
|
|
gptkbp:legacy
|
Considered a masterpiece.
|
|
gptkbp:main_character
|
gptkb:Alexander
|
|
gptkbp:music
|
gptkb:Johann_Sebastian_Bach
gptkb:Georgy_Sviridov
|
|
gptkbp:narrative
|
Non-linear
|
|
gptkbp:notable_awards
|
Best Director at Cannes Film Festival
|
|
gptkbp:notable_quote
|
" The world is a place of suffering."
" Faith is a choice."
" I will sacrifice everything for my family."
" The end is the beginning."
|
|
gptkbp:notable_scene
|
The dream sequence
The final monologue
The sacrifice scene
|
|
gptkbp:notable_themes
|
gptkb:existentialism
gptkb:sacrifice
faith
|
|
gptkbp:philosophy
|
Human existence
Meaning of life
Nature of faith
Is faith enough?
What is the meaning of sacrifice?
What is the value of life?
|
|
gptkbp:plot
|
A man makes a pact with God to save his family.
|
|
gptkbp:production_company
|
Tarkovsky Film
Tarkovsky Film Company
|
|
gptkbp:release_date
|
1986-09-01
|
|
gptkbp:release_year
|
gptkb:1986
|
|
gptkbp:remake
|
gptkb:The_Sacrifice_(2019)
|
|
gptkbp:remastered
|
gptkb:2015
gptkb:Yes
|
|
gptkbp:runtime
|
149 minutes
|
|
gptkbp:screenplay
|
gptkb:Andrei_Tarkovsky
|
|
gptkbp:setting
|
Post-apocalyptic world
|
|
gptkbp:soundtrack
|
gptkb:1986
Available on CD
|
|
gptkbp:symbolism
|
gptkb:Nature
gptkb:Fire
gptkb:Destruction
the house
the tree
|
|
gptkbp:thematic_element
|
gptkb:Hope
gptkb:Isolation
gptkb:Despair
|
|
gptkbp:theme
|
gptkb:existentialism
gptkb:sacrifice
faith
|
|
gptkbp:bfsParent
|
gptkb:Andrei_Tarkovsky
gptkb:The_Rite_of_Spring
gptkb:Jean-Luc_Godard
gptkb:George_Herbert
gptkb:Joyce_Carol_Oates
gptkb:Ingmar_Bergman
gptkb:Warframe
|
|
gptkbp:bfsLayer
|
4
|