Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_movement
|
| gptkbp:associated_with |
gptkb:Alexander_Rodchenko
gptkb:Kazimir_Malevich gptkb:El_Lissitzky gptkb:Vladimir_Tatlin |
| gptkbp:characterized_by |
gptkb:geometric_shapes
abstract forms experimental techniques |
| gptkbp:contributed_to |
gptkb:architecture
gptkb:graphic_design gptkb:film theater design |
| gptkbp:declined_in |
Stalinist policies
|
| gptkbp:flourished_during |
1910s to 1930s
|
| https://www.w3.org/2000/01/rdf-schema#label |
Soviet avant-garde
|
| gptkbp:influenced |
modern art
|
| gptkbp:influenced_by |
gptkb:Suprematism
Constructivism |
| gptkbp:key_concept |
gptkb:cinema
gptkb:performance_art gptkb:conceptual_art gptkb:installation_art avant-garde music color theory integration of art and technology artistic freedom political engagement dynamic composition collage techniques cultural revolution avant-garde literature collective creativity anti-bourgeois sentiment social function of art aesthetic revolution art as a tool for social change material experimentation new visual language avant-garde photography non-objectivity |
| gptkbp:led_to |
postmodern art
|
| gptkbp:notable_exhibitions |
gptkb:The_International_Exhibition_of_Modern_Art
The Last Futurist Exhibition of Paintings 0.10 The First All-Russian Exhibition of Art |
| gptkbp:notable_works |
gptkb:Tatlin's_Tower
Black Square by Kazimir Malevich Beat the Whites with the Red Wedge by El Lissitzky The Constructor by Alexander Rodchenko |
| gptkbp:originated_in |
gptkb:Soviet_Union
|
| gptkbp:promoted |
gptkb:socialist_realism
|
| gptkbp:revived_in |
post-Soviet art movements
|
| gptkbp:bfsParent |
gptkb:Sergei_Eisenstein
|
| gptkbp:bfsLayer |
4
|