|
gptkbp:instance_of
|
gptkb:artwork
gptkb:film
|
|
gptkbp:acquired_by
|
gptkb:State_Museum_of_Contemporary_Art
|
|
gptkbp:art_style
|
experimental
avant-garde style
|
|
gptkbp:available_on
|
gptkb:DVD
|
|
gptkbp:character_motivation
|
class struggle
|
|
gptkbp:character_type
|
allegorical
|
|
gptkbp:characterized_by
|
political figures
|
|
gptkbp:cinematography
|
gptkb:Alexander_Medvedkin
innovative techniques
|
|
gptkbp:collection
|
gptkb:Museum_of_Modern_Art
|
|
gptkbp:color_palette
|
red, white, black
|
|
gptkbp:conveys
|
political message
|
|
gptkbp:country
|
gptkb:Soviet_Union
|
|
gptkbp:created_in
|
gptkb:Vitebsk
|
|
gptkbp:creator
|
gptkb:El_Lissitzky
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
artistic movements
|
|
gptkbp:cultural_references
|
Soviet history
|
|
gptkbp:cultural_significance
|
gptkb:historical_fiction
Soviet propaganda
|
|
gptkbp:depicts
|
gptkb:White_Army
gptkb:Red_Army
class struggle
|
|
gptkbp:dimensions
|
100 cm × 70 cm
|
|
gptkbp:director
|
gptkb:Alexander_Medvedkin
|
|
gptkbp:editor
|
gptkb:Mikhail_Kovalchuk
|
|
gptkbp:exhibited_at
|
gptkb:Moscow
gptkb:International_Exhibition_of_Modern_Art
|
|
gptkbp:exhibition
|
gptkb:State_Tretyakov_Gallery
|
|
gptkbp:features
|
abstract forms
animated sequences
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:follows
|
the Russian Civil War
|
|
gptkbp:genre
|
propaganda film
|
|
gptkbp:has_been_restored
|
gptkb:2010
|
|
gptkbp:historical_context
|
post-revolutionary Russia
|
|
gptkbp:historical_figures
|
gptkb:Bolsheviks
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Beat the Whites with the Red Wedge
|
|
gptkbp:influence
|
modern graphic design
|
|
gptkbp:influenced
|
gptkb:socialist_realism
gptkb:Soviet_animation
artistic expression
documentary filmmaking
graphic arts
political art
political cinema
later Soviet cinema
posters of the Soviet era
|
|
gptkbp:influenced_by
|
gptkb:Suprematism
Constructivism
|
|
gptkbp:inspiration
|
gptkb:Bolshevik_Revolution
|
|
gptkbp:inspired
|
later political art
|
|
gptkbp:inspired_by
|
gptkb:Bolshevik_Revolution
|
|
gptkbp:is_analyzed_in
|
in art criticism
|
|
gptkbp:is_considered
|
iconic work
|
|
gptkbp:is_displayed_in
|
art museums worldwide
|
|
gptkbp:is_part_of
|
gptkb:Russian_Constructivist_art
|
|
gptkbp:is_recognized_as
|
as a significant artwork in art history
|
|
gptkbp:is_referenced_in
|
in literature about art movements.
|
|
gptkbp:language
|
gptkb:Russian
|
|
gptkbp:legacy
|
influential film
|
|
gptkbp:medium
|
gptkb:lithography
|
|
gptkbp:movement
|
gptkb:Russian_Constructivism
|
|
gptkbp:music
|
gptkb:Dmitri_Shostakovich
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_awards
|
Best Short Film
|
|
gptkbp:notable_for
|
political themes
|
|
gptkbp:notable_scene
|
battle sequences
|
|
gptkbp:part_of
|
Russian avant-garde movement
El Lissitzky's political works
|
|
gptkbp:premiere
|
gptkb:1930_Moscow_Film_Festival
|
|
gptkbp:production_company
|
Sovkino
|
|
gptkbp:related_to
|
gptkb:Russian_Civil_War
|
|
gptkbp:release_year
|
gptkb:1930
|
|
gptkbp:represents
|
Soviet ideology
|
|
gptkbp:restoration
|
by the Russian State Archive
|
|
gptkbp:runtime
|
approximately 50 minutes
|
|
gptkbp:screenings
|
international film festivals
|
|
gptkbp:screenplay
|
gptkb:Alexander_Medvedkin
|
|
gptkbp:significance
|
political propaganda
|
|
gptkbp:style
|
gptkb:Suprematism
avant-garde
|
|
gptkbp:symbolism
|
red and white colors
|
|
gptkbp:symbolizes
|
struggle between Red and White forces
|
|
gptkbp:technique
|
gptkb:print
color lithography
|
|
gptkbp:theme
|
gptkb:Civil_War_in_Russia
|
|
gptkbp:themes
|
gptkb:revolution
|
|
gptkbp:utilizes
|
gptkb:geometric_shapes
|
|
gptkbp:year_created
|
gptkb:1920
|
|
gptkbp:bfsParent
|
gptkb:El_Lissitzky
|
|
gptkbp:bfsLayer
|
5
|