|
gptkbp:instanceOf
|
film
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|
gptkbp:artwork
|
montage
|
|
gptkbp:availableIn
|
DVD
|
|
gptkbp:cinematographyBy
|
Dmitri Shostakovich
|
|
gptkbp:country
|
gptkb:Soviet_Union
|
|
gptkbp:criticalReception
|
positive
|
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gptkbp:culturalImpact
|
influenced future filmmakers
|
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gptkbp:culturalSignificance
|
gptkb:Soviet_cinema
|
|
gptkbp:depicts
|
Bolshevik_victory
|
|
gptkbp:description
|
abstract representation
|
|
gptkbp:director
|
gptkb:Vladimir_Mayakovsky
gptkb:Sergei_M._Eisenstein
|
|
gptkbp:editor
|
Esfir Shub
|
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:filmography
|
Dmitri Shostakovich
|
|
gptkbp:genre
|
propaganda film
|
|
gptkbp:historicalContext
|
gptkb:post-revolutionary_Russia
|
|
gptkbp:historicalSignificance
|
gptkb:early_Soviet_propaganda
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Beat the Whites with the Red Wedge
|
|
gptkbp:influenced
|
avant-garde cinema
documentary filmmaking
|
|
gptkbp:influencedBy
|
gptkb:Russian_Revolution
constructivism
|
|
gptkbp:influences
|
Soviet_montage_theory
|
|
gptkbp:inspiration
|
gptkb:Russian_Civil_War
|
|
gptkbp:isReflectedIn
|
Goskino
|
|
gptkbp:language
|
Russian
|
|
gptkbp:legacy
|
considered a classic
|
|
gptkbp:narrativeStyle
|
non-linear
|
|
gptkbp:notableFeature
|
Dmitri Shostakovich
none
wedge imagery
|
|
gptkbp:notableFor
|
political themes
|
|
gptkbp:premiere
|
gptkb:Moscow
|
|
gptkbp:productionCompany
|
Goskino
|
|
gptkbp:releaseYear
|
1930
|
|
gptkbp:renovated
|
2010
|
|
gptkbp:runtime
|
10 minutes
|
|
gptkbp:screenings
|
international film festivals
|
|
gptkbp:screenplayBy
|
gptkb:Sergei_M._Eisenstein
|
|
gptkbp:soundtrack
|
Dmitri Shostakovich
|
|
gptkbp:style
|
avant-garde
expressionist
|
|
gptkbp:symbolism
|
red wedge
white forces
|
|
gptkbp:theme
|
class struggle
revolutionary zeal
|