|
gptkbp:instance_of
|
gptkb:literary_work
|
|
gptkbp:adapted_into
|
gptkb:theater
gptkb:film
|
|
gptkbp:author
|
gptkb:William_Shakespeare
|
|
gptkbp:available_in
|
gptkb:print
digital format
|
|
gptkbp:contains
|
gptkb:Macbeth
gptkb:Romeo_and_Juliet
gptkb:Hamlet
gptkb:Othello
gptkb:A_Midsummer_Night's_Dream
sonnets
narrative poems
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
high
|
|
gptkbp:genre
|
gptkb:poetry
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Shakespeare's Collected Works
|
|
gptkbp:influenced
|
gptkb:Screenwriter
gptkb:poet
Western literature
modern playwrights
|
|
gptkbp:influenced_by
|
classical literature
Italian literature
|
|
gptkbp:is_cited_in
|
gptkb:literary_criticism
academic papers
|
|
gptkbp:language
|
English
|
|
gptkbp:notable_character
|
gptkb:Juliet_Capulet
gptkb:Puck
gptkb:Lady_Macbeth
gptkb:Hamlet
gptkb:Othello
|
|
gptkbp:notable_quote
|
All the world's a stage
To be, or not to be
A rose by any other name would smell as sweet.
Out, out brief candle!
The lady doth protest too much, methinks.
|
|
gptkbp:notable_themes
|
gptkb:power
gptkb:betrayal
gptkb:identity
love
mortality
|
|
gptkbp:performed_in
|
theatres worldwide
|
|
gptkbp:published
|
1623
|
|
gptkbp:published_by
|
gptkb:The_Stationers'_Company
|
|
gptkbp:scholarly_analysis
|
extensive
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:bfsParent
|
gptkb:The_Comedy_of_Errors
|
|
gptkbp:bfsLayer
|
4
|