Schoenberg's Second Viennese School
GPTKB entity
Statements (56)
Predicate | Object |
---|---|
gptkbp:instanceOf |
musical movement
|
gptkbp:associatedWith |
gptkb:Alban_Berg
gptkb:Anton_Webern gptkb:Viennese_modernism cultural movements musical composition historical context literary movements music analysis music theory musicology musical performance cultural history music education social movements art movements political movements musical interpretation musical legacy musical collaboration musical innovation 20th-century classical music philosophical movements music criticism dodecaphony avant-garde composers atonal music musical experimentation musical reception Austrian_music Second_Viennese_School_composers |
gptkbp:characterizedBy |
atonality
|
gptkbp:establishedIn |
early 20th century
|
gptkbp:foundedBy |
gptkb:Arnold_Schoenberg
|
https://www.w3.org/2000/01/rdf-schema#label |
Schoenberg's Second Viennese School
|
gptkbp:impact |
avant-garde music
|
gptkbp:influenced |
modern classical music
|
gptkbp:influencedBy |
Romanticism
|
gptkbp:legacy |
influence on contemporary composers
|
gptkbp:location |
gptkb:Vienna
|
gptkbp:notableFeature |
gptkb:Richard_Wagner
gptkb:Igor_Stravinsky gptkb:Johannes_Brahms Franz Liszt Claude Debussy Arnold_Schoenberg's_own_works |
gptkbp:notableWorks |
gptkb:Wozzeck
Lyric Suite Pierrot Lunaire Suite for Piano, Op. 25 Variations for Orchestra, Op. 31 |
gptkbp:reduces |
mid-20th century
|
gptkbp:relatedTo |
gptkb:Serialism
New_Music |
gptkbp:style |
Expressionism
|
gptkbp:technique |
twelve-tone technique
|