Statements (95)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:adaptation |
arrangements for different ensembles.
|
| gptkbp:analysis |
frequently analyzed in musicology
often analyzed in music theory courses |
| gptkbp:audience |
often evokes strong emotional responses
|
| gptkbp:author |
various string quartets
|
| gptkbp:characteristics |
lyrical and dramatic elements
|
| gptkbp:composer |
gptkb:Alban_Berg
|
| gptkbp:critical_reception |
generally positive
|
| gptkbp:cultural_impact |
influenced contemporary classical music
influenced modern chamber music influenced the development of modern music theory |
| gptkbp:cultural_references |
referenced in literature and art
|
| gptkbp:cultural_significance |
important work in 20th-century music
reflects early 20th-century avant-garde trends |
| gptkbp:dedication |
gptkb:Willy_Hess
Hanna Fuchs-Robettin to Hanna Fuchs-Robettin |
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:filming_location |
gptkb:Berlin
gptkb:Vienna |
| gptkbp:first_performance |
gptkb:Vienna
|
| gptkbp:focuses_on |
studied in music theory courses
|
| gptkbp:form |
atonal music
cyclic form |
| gptkbp:genre |
gptkb:orchestra
|
| gptkbp:historical_context |
gptkb:post-World_War_I_Europe
varies by ensemble varies widely among performers varied among performers composed during the Weimar Republic |
| gptkbp:historical_significance |
reflects the evolution of 20th-century music.
|
| https://www.w3.org/2000/01/rdf-schema#label |
Lyric Suite
|
| gptkbp:influence |
film music composers
|
| gptkbp:influenced |
later composers
later composers like Anton Webern |
| gptkbp:influenced_artists |
post-World War II composers
|
| gptkbp:influenced_by |
gptkb:Gustav_Mahler
Berg's personal experiences |
| gptkbp:influences |
gptkb:Second_Viennese_School
12-tone technique contemporary classical music modern string quartets |
| gptkbp:inspired_by |
gptkb:Wagner's_Tristan_und_Isolde
personal experiences |
| gptkbp:instrument |
gptkb:String_Quartet
two violins, viola, cello |
| gptkbp:involved_forces |
gptkb:String_Quartet
|
| gptkbp:key |
A minor
|
| gptkbp:legacy |
considered a masterpiece of 20th-century music
remains a staple of the chamber music repertoire |
| gptkbp:movement |
gptkb:6
|
| gptkbp:music_style |
complex harmonies
uses counterpoint frequently discussed in academic papers non-traditional forms used |
| gptkbp:notable_features |
complex rhythms
use of silence atonality |
| gptkbp:notable_performance |
featured in major music festivals
documented in music archives frequently performed in chamber music festivals |
| gptkbp:notable_performers |
gptkb:Alban_Berg_Quartet
|
| gptkbp:notable_production |
part of Berg's significant works
|
| gptkbp:notable_recordings |
numerous
available on streaming platforms available on various labels numerous interpretations exist performed by the Alban Berg Quartet |
| gptkbp:performance |
performed worldwide
requires advanced technique requires deep understanding of the score |
| gptkbp:performed_by |
major music festivals
various string quartets |
| gptkbp:premiere_date |
gptkb:1927
|
| gptkbp:published_by |
gptkb:Universal_Edition
|
| gptkbp:related_works |
gptkb:Berg's_Violin_Concerto
gptkb:Piano_Sonata |
| gptkbp:scholarly_analysis |
subject of numerous academic papers
|
| gptkbp:signature_move |
varies by movement
|
| gptkbp:significance |
important work in 20th-century music
|
| gptkbp:style |
gptkb:Expressionism
expressionism atonal music twelve-tone |
| gptkbp:thematic_element |
love and loss
explores love and loss explores complex emotional landscapes |
| gptkbp:theme |
explores existential themes
recurring themes throughout the work |
| gptkbp:uses |
12-tone technique
|
| gptkbp:year_composed |
1926
|
| gptkbp:bfsParent |
gptkb:Alban_Berg
gptkb:Berg |
| gptkbp:bfsLayer |
4
|