Statements (36)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:Film_Director
|
| gptkbp:activeYears |
1920
1964 |
| gptkbp:associatedAct |
gptkb:Columbia_Pictures
gptkb:Paramount_Pictures gptkb:RKO_Pictures |
| gptkbp:awards |
Cinematography Award
|
| gptkbp:birthDate |
1898-01-21
|
| gptkbp:birthPlace |
Kraków
|
| gptkbp:children |
2
|
| gptkbp:deathDate |
1964-04-27
|
| gptkbp:deathPlace |
gptkb:Los_Angeles
|
| gptkbp:education |
gptkb:National_Film_School_in_Łódź
|
| gptkbp:filmography |
gptkb:The_Naked_City
gptkb:The_Last_of_Mrs._Cheyney gptkb:The_Man_Who_Knew_Too_Much gptkb:The_Adventures_of_Marco_Polo The Great Gatsby The Dark Corner The 27th Day The_Locket |
| https://www.w3.org/2000/01/rdf-schema#label |
Rudolf Maté
|
| gptkbp:influenced |
Film Directors
|
| gptkbp:influencedBy |
gptkb:German_Expressionism
|
| gptkbp:knownFor |
Cinematography
Film Noir |
| gptkbp:nationality |
American
Polish |
| gptkbp:notableWork |
gptkb:The_Naked_City
gptkb:The_Last_of_Mrs._Cheyney The Dark Corner The 27th Day The_Locket |
| gptkbp:occupation |
Film Producer
Screenwriter |
| gptkbp:spouse |
gptkb:Miriam_Maté
|