Statements (148)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:artwork
|
| gptkbp:aftermath |
psychological aspects of performance
|
| gptkbp:alter_ego |
self and other
|
| gptkbp:art_movement |
gptkb:artwork
|
| gptkbp:art_style |
gptkb:artwork
minimalism trust and betrayal human interaction Human psychology Challenge societal norms Exploration of human behavior to challenge perceptions of art vulnerability and strength exploration of the relationship between performer and audience. |
| gptkbp:artistic_influence |
gptkb:soundtrack
gptkb:feminist_art_movement feminist art Inspired performance art festivals Provoked thought on artist-audience relationship |
| gptkbp:artistic_legacy |
Influenced future generations of artists
art as a dialogue enduring influence on contemporary art pushing boundaries of art transformative impact on performance art evolution of performance art. |
| gptkbp:artwork |
gptkb:musical
art is a mirror of society art as a transformative experience interactivity and participation |
| gptkbp:audience |
gptkb:battle
varied responses Active participant active participant active participants psychological engagement intense engagement Direct interaction with the artist |
| gptkbp:awards |
numerous accolades
|
| gptkbp:challenges |
exploring limits of endurance
Limits of performance art |
| gptkbp:choreography |
physicality in art
to test limits explore limits of endurance |
| gptkbp:collaborated_with |
various artists
|
| gptkbp:controversy |
ethical implications
|
| gptkbp:created_by |
gptkb:Marina_Abramović
|
| gptkbp:creator |
gptkb:Marina_Abramović
|
| gptkbp:critical_reception |
controversial
mixed reviews Controversial Mixed reviews from critics |
| gptkbp:cultural_contribution |
to the field of performance art
performance art discourse |
| gptkbp:cultural_impact |
discussion on consent
artistic practices today challenging perceptions of art Influenced discussions on art and ethics |
| gptkbp:cultural_representation |
global perspectives in art
|
| gptkbp:cultural_significance |
pioneering work in performance art
Explored themes of power dynamics discussion on agency |
| gptkbp:duration |
6 hours
|
| gptkbp:ends_at |
Abramović's stillness
|
| gptkbp:equipment |
72 objects
A variety of items including a gun |
| gptkbp:exhibited_at |
various art institutions
|
| gptkbp:exhibitions |
internationally recognized
|
| gptkbp:followed_by |
Rhythm 10
|
| gptkbp:goal |
to confront societal norms
|
| gptkbp:historical_context |
1970s art scene
1970s performance art 1970s performance art movement |
| gptkbp:historical_significance |
exploration of power dynamics
Considered a turning point in performance art. |
| https://www.w3.org/2000/01/rdf-schema#label |
Rhythm 0
|
| gptkbp:impact |
Discussion on consent
exploration of boundaries exploration of boundaries in performance art |
| gptkbp:influenced |
performance art movement
later performance art Later performance artists |
| gptkbp:influenced_artists |
gptkb:musician
cross-disciplinary projects |
| gptkbp:influenced_by |
gptkb:Artist
gptkb:Fluxus_movement |
| gptkbp:inspired |
discussions on consent
future performance artists |
| gptkbp:inspired_by |
Conceptual art
|
| gptkbp:is_critical_for |
psychological exploration
Examined in art theory |
| gptkbp:is_criticized_for |
art should provoke thought
art as a mirror of society |
| gptkbp:is_described_as |
Exploration of limits
|
| gptkbp:is_documented_in |
video recordings
|
| gptkbp:is_explored_in |
body as a medium
limits of human experience |
| gptkbp:is_influential_in |
performance artists worldwide
|
| gptkbp:is_vulnerable_to |
human condition
|
| gptkbp:legacy |
Considered a landmark performance
pioneering performance art piece influential performance piece |
| gptkbp:location |
Studio Morra, Naples
|
| gptkbp:material |
72 objects
|
| gptkbp:medium |
gptkb:musical
gptkb:artwork |
| gptkbp:music_style |
immersive and experiential.
|
| gptkbp:narrative_style |
between artist and audience
|
| gptkbp:notable_feature |
self-experimentation
artist's passivity |
| gptkbp:notable_products |
objects provided for audience use
Objects placed on a table |
| gptkbp:notable_race |
Yugoslavian artist
|
| gptkbp:notable_work |
gptkb:The_Artist_Is_Present
focus on the body |
| gptkbp:outcome |
Audience interaction
physical interaction with the artist |
| gptkbp:participants |
Audience members
|
| gptkbp:performance |
Solo performance
Interactive performance durational performance 6 hours of stillness |
| gptkbp:philosophy |
art as experience
|
| gptkbp:political_ideology |
art as a form of protest
redefining female roles in art |
| gptkbp:powers |
artist and audience
|
| gptkbp:public_perception |
varied responses
Varied responses |
| gptkbp:related_works |
Rhythm 1
|
| gptkbp:role |
passive participant
|
| gptkbp:significance |
exploration of human behavior
Pioneering work in performance art |
| gptkbp:technique |
audience engagement
body as a medium use of personal vulnerability use of time and space |
| gptkbp:theme |
gptkb:Trust
trust and vulnerability Trust and vulnerability |
| gptkbp:themes |
Existentialism
|
| gptkbp:threats |
human emotions
|
| gptkbp:travel_time |
duration as a concept
|
| gptkbp:vocalization |
powerful communication tool
|
| gptkbp:was_a_response_to |
Some participants crossed boundaries
|
| gptkbp:year |
gptkb:1974
|
| gptkbp:year_created |
gptkb:1974
|
| gptkbp:bfsParent |
gptkb:Marina_Abramović
gptkb:The_Artist_is_Present |
| gptkbp:bfsLayer |
4
|