|
gptkbp:instance_of
|
gptkb:musical
gptkb:album
gptkb:event
gptkb:film
|
|
gptkbp:associated_acts
|
gptkb:The_Compass_Point_All_Stars
gptkb:Sly_and_Robbie
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:box_office
|
$1.2 million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:chart_position
|
#1 in the UK Albums Chart
#3 in the US Billboard 200
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|
gptkbp:cinematography_by
|
gptkb:Nicolas_Roeg
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|
gptkbp:contains
|
gptkb:The_Love_I_Lost
gptkb:Tell_Me_Why_(The_Riddle)
gptkb:The_Silence
gptkb:Crush
gptkb:The_World
gptkb:The_Other_Side_(Remix)
gptkb:The_Sound_of_Goodbye
gptkb:I_Don't_Deserve_You
gptkb:The_Other_Side
Nothing But You
We Are Alive
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|
gptkbp:cover_art
|
Grace Jones on the cover
|
|
gptkbp:created_by
|
gptkb:Motörhead
gptkb:Grace_Jones
gptkb:Paul_van_Dyk
|
|
gptkbp:critical_reception
|
generally positive
mixed
|
|
gptkbp:cult_status
|
gptkb:true
|
|
gptkbp:cultural_impact
|
considered a classic
featured in various media
influenced fashion and music videos
|
|
gptkbp:directed_by
|
gptkb:Nicolas_Roeg
|
|
gptkbp:edited_by
|
gptkb:Graeme_Clifford
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|
gptkbp:featured_artist
|
gptkb:Jessica_Sutta
gptkb:Wayne_Jackson
gptkb:Hemstock_&_Jennings
Jan Löchel
|
|
gptkbp:features
|
gptkb:Singer
live recordings
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_technique
|
gptkb:narrative_structure
gptkb:nihilism
gptkb:postmodernism
gptkb:metaphor
gptkb:parody
gptkb:satire
gptkb:absurdism
gptkb:character_development
gptkb:historical_context
gptkb:allegory
cultural references
symbolic
artistic expression
cynicism
social commentary
symbolism
violence
avant-garde
experimental
irony
non-linear
surreal
narrative complexity
artistic
dark humor
drugs
visual storytelling
gender roles
thematic exploration
identity crisis
social satire
psychedelic
existential themes
sexuality
cultural critique
character study
music integration
thematic depth
visual metaphor
psychological exploration
dreamlike
|
|
gptkbp:followed_by
|
gptkb:The_Politics_of_Dancing_3
gptkb:We_Are_Motörhead
Inside Story
|
|
gptkbp:follows
|
Seven Ways
|
|
gptkbp:genre
|
gptkb:drama
gptkb:thriller
gptkb:crime
heavy metal
trance
new wave
|
|
gptkbp:has_sequel
|
gptkb:none
|
|
gptkbp:has_song
|
gptkb:Various_Artists
|
|
gptkbp:has_soundtrack
|
yes
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
performance
|
|
gptkbp:influenced
|
subsequent films
|
|
gptkbp:influenced_artists
|
gptkb:Björk
gptkb:FKA_Twigs
gptkb:Solange
gptkb:Rihanna
gptkb:Lady_Gaga
|
|
gptkbp:influenced_by
|
counterculture of the 1960s
|
|
gptkbp:influences
|
gptkb:soul
disco
reggae
funk
|
|
gptkbp:label
|
gptkb:Island_Records
gptkb:Vandit_Records
gptkb:Steamhammer
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
42:00
75:00
70:00
|
|
gptkbp:music_by
|
gptkb:Jack_Nitzsche
|
|
gptkbp:notable_collaborators
|
gptkb:Tom_Moulton
gptkb:Alex_Sadkin
Jamaica's reggae musicians
|
|
gptkbp:notable_for
|
its exploration of identity
its visual style
its use of music
its controversial themes
Mick Jagger's acting debut
|
|
gptkbp:notable_singles
|
gptkb:I'm_Not_Perfect_(But_I'm_Perfect_for_You)
gptkb:Use_Me
My Jamaican Guy
|
|
gptkbp:notable_track
|
gptkb:The_Love_I_Lost
gptkb:Tell_Me_Why_(The_Riddle)
gptkb:Nothing_But_You_(Remix)
gptkb:Tell_Me_Why_(The_Riddle)_(Remix)
gptkb:Crush
gptkb:The_Other_Side_(Remix)
gptkb:Crush_(Remix)
gptkb:I_Don't_Deserve_You
gptkb:The_Other_Side
Nothing But You
We Are Alive
Crush (Original Mix)
Crush (Remix) (Original Mix)
I Don't Deserve You (Original Mix)
I Don't Deserve You (Remix)
I Don't Deserve You (Remix) (Original Mix)
Nothing But You (Original Mix)
Nothing But You (Remix) (Original Mix)
Tell Me Why (The Riddle) (Original Mix)
Tell Me Why (The Riddle) (Remix) (Original Mix)
The Love I Lost (Original Mix)
The Love I Lost (Remix)
The Love I Lost (Remix) (Original Mix)
The Other Side (Original Mix)
The Other Side (Remix) (Original Mix)
We Are Alive (Original Mix)
We Are Alive (Remix)
We Are Alive (Remix) (Original Mix)
|
|
gptkbp:notable_tracks
|
gptkb:Metropolis
gptkb:Overnight_Sensation
gptkb:Ace_of_Spades
gptkb:Orgasmatron
gptkb:Overkill
gptkb:Iron_Fist
Bomber
Killed by Death
The Chase Is Better Than the Catch
The One to Sing the Blues
|
|
gptkbp:performed_by
|
gptkb:Fall_Out_Boy
gptkb:The_1975
gptkb:Elton_John
|
|
gptkbp:preceded_by
|
gptkb:Overnight_Sensation
gptkb:Nightclubbing
Out There and Back
|
|
gptkbp:precedes
|
gptkb:Reflections
|
|
gptkbp:produced_by
|
Allied Artists Pictures
|
|
gptkbp:producer
|
gptkb:Grace_Jones
|
|
gptkbp:recorded_at
|
gptkb:Wembley_Arena
|
|
gptkbp:recording_location
|
gptkb:Compass_Point_Studios
|
|
gptkbp:release_date
|
1986-05-01
1998-11-17
2001-10-29
|
|
gptkbp:released_in
|
gptkb:1970
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:remastered
|
2010 edition
|
|
gptkbp:screenplay_by
|
gptkb:Donald_Cammell
gptkb:Nicolas_Roeg
|
|
gptkbp:set_in
|
gptkb:London
|
|
gptkbp:starring
|
gptkb:Anita_Pallenberg
gptkb:James_Fox
gptkb:Ray_Jagger
|
|
gptkbp:track
|
gptkb:The_Apple
gptkb:The_Hunter
gptkb:Walking_in_the_Rain
gptkb:The_Fashion_Show
gptkb:Art_Groupie
gptkb:I’ve_Seen_That_Face_Before_(Libertango)
gptkb:The_Last_Dance
gptkb:Use_Me
My Jamaican Guy
Love on Top of Love
Victor Should Have Been a Jazz Musician
|
|
gptkbp:track_count
|
gptkb:12
gptkb:16
|
|
gptkbp:bfsParent
|
gptkb:user_interface
gptkb:Industrial_Automation
gptkb:David_Byrne
gptkb:Joey_Bada$$
gptkb:Team_Rocket
gptkb:railway
gptkb:Edison_relay
gptkb:Web
gptkb:electricity
gptkb:music
gptkb:weapons
|
|
gptkbp:bfsLayer
|
3
|