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gptkbp:instance_of
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gptkb:film
|
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gptkbp:bfsLayer
|
4
|
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gptkbp:bfsParent
|
gptkb:Rashomon
|
|
gptkbp:adapted_into
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gptkb:television_series
Stage plays
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Foreign_Language_Film
|
|
gptkbp:based_on
|
gptkb:Ryūnosuke_Akutagawa
|
|
gptkbp:cinematography
|
gptkb:Kazuo_Miyagawa
|
|
gptkbp:cultural_impact
|
Influenced cinema
|
|
gptkbp:directed_by
|
gptkb:Akira_Kurosawa
|
|
gptkbp:distributor
|
gptkb:Daiei_Film
|
|
gptkbp:filmography
|
gptkb:Akira_Kurosawa
gptkb:Toshio_Takahashi
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:mythological_figure
|
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https://www.w3.org/2000/01/rdf-schema#label
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Rashomon (1964)
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gptkbp:influenced_by
|
gptkb:church
gptkb:mythological_figure
Multiple perspectives
Philosophy of truth
|
|
gptkbp:inspired_by
|
gptkb:The_Rashomon_Effect
|
|
gptkbp:language
|
gptkb:Japanese
|
|
gptkbp:music_by
|
gptkb:Fumio_Hayasaka
|
|
gptkbp:notable_character
|
gptkb:Machiko_Kyō
gptkb:Toshiro_Mifune
gptkb:Masayuki_Mori
gptkb:Takashi_Shimura
|
|
gptkbp:premiered_on
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Akira_Kurosawa
|
|
gptkbp:released_in
|
gptkb:1964
|
|
gptkbp:remake
|
gptkb:Rashomon_(2010)
gptkb:The_Outrage_(1964)
|
|
gptkbp:runtime
|
88 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Ryūnosuke_Akutagawa
gptkb:Shinobu_Hashimoto
gptkb:Akira_Kurosawa
|
|
gptkbp:set_in
|
gptkb:Japan
|
|
gptkbp:themes
|
gptkb:Memory
gptkb:Deception
gptkb:military_conflict
gptkb:Truth
gptkb:legal_case
gptkb:organization
gptkb:Reality
Morality
Perception
Social commentary
Existentialism
Ambiguity
Perspective
Artistic expression
Philosophical inquiry
Human nature
Human experience
Cinematic innovation
Narrative complexity
Subjectivity of truth
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