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gptkbp:instance_of
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gptkb:musical_composition
|
|
gptkbp:arrangements
|
arranged for various ensembles
|
|
gptkbp:audience
|
well-received by audiences
|
|
gptkbp:competitors
|
performed in international competitions
|
|
gptkbp:composer
|
gptkb:Sergei_Prokofiev
|
|
gptkbp:critical_reception
|
generally positive
|
|
gptkbp:cultural_impact
|
influenced violin performance techniques
|
|
gptkbp:cultural_significance
|
important work in violin repertoire
remains relevant in contemporary music
|
|
gptkbp:dedication
|
gptkb:David_Oistrakh
|
|
gptkbp:duration
|
approximately 25 minutes
|
|
gptkbp:educational_use
|
studied in music conservatories
|
|
gptkbp:famous_event
|
performed at music festivals
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gptkbp:first_performance
|
gptkb:Madrid
|
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gptkbp:genre
|
gptkb:Concerto_for_Orchestra
|
|
gptkbp:historical_context
|
composed during Soviet era
|
|
gptkbp:influenced_artists
|
classical music
contemporary composers
|
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gptkbp:influences
|
Russian folk music
|
|
gptkbp:inspired_by
|
personal experiences
|
|
gptkbp:key
|
D major
|
|
gptkbp:movement
|
three
|
|
gptkbp:music_style
|
sonata form
analyzed in musicology studies
|
|
gptkbp:notable_collaborations
|
collaborated with orchestras
|
|
gptkbp:notable_conductors
|
gptkb:Bernstein
|
|
gptkbp:notable_performances
|
influenced violinists' interpretations
|
|
gptkbp:notable_performers
|
gptkb:David_Oistrakh
|
|
gptkbp:notable_recordings
|
gptkb:Itzhak_Perlman
|
|
gptkbp:orchestration
|
solo violin, orchestra
|
|
gptkbp:performance
|
frequently performed
|
|
gptkbp:performance_venue
|
performed in concert halls worldwide
|
|
gptkbp:premiere
|
gptkb:1935
|
|
gptkbp:published
|
1936
|
|
gptkbp:record_label
|
multiple labels
|
|
gptkbp:recordings
|
multiple interpretations available
|
|
gptkbp:related_works
|
gptkb:Violin_Concerto_No._1
|
|
gptkbp:second_movement
|
gptkb:Allegro_moderato
Allegro, ben marcato
Andante assai
|
|
gptkbp:style
|
neoclassical
|
|
gptkbp:theme
|
lyrical and dramatic
|
|
gptkbp:bfsParent
|
gptkb:Valery_Gergiev
gptkb:Hilary_Hahn
|
|
gptkbp:bfsLayer
|
5
|