Statements (163)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Alfred_Schnittke
gptkb:Béla_Bartók gptkb:Dmitri_Shostakovich gptkb:Krzysztof_Penderecki gptkb:Niccolò_Paganini gptkb:Shostakovich gptkb:Dmitry_Shostakovich gptkb:The_Concerto_for_Violin,_Cello,_and_Orchestra gptkb:Sergei_Prokofiev |
| gptkbp:arrangements |
for various ensembles
|
| gptkbp:artist |
complex rhythms
thematic development dynamic contrasts expressive melodies rich harmonies virtuosic passages colorful orchestration orchestral color dramatic climaxes contrapuntal textures expressive dynamics rhythmic drive lyrical sections |
| gptkbp:associated_with |
Philip Glass's minimalist phase
|
| gptkbp:audience |
popular among audiences
|
| gptkbp:characteristics |
repetitive motifs
|
| gptkbp:commissioned |
orchestras worldwide
|
| gptkbp:composer |
gptkb:Zoltán_Kodály
gptkb:Sergei_Prokofiev gptkb:Philip_Glass gptkb:Pablo_de_Sarasate |
| gptkbp:critical_reception |
generally positive
|
| gptkbp:cultural_impact |
performed worldwide
widely performed in concert halls inspired other composers featured in competitions influenced violin repertoire |
| gptkbp:cultural_significance |
important work in violin repertoire
|
| gptkbp:dedicated_to |
gptkb:Robert_Mc_Duffie
|
| gptkbp:dedication |
to the violinist Pablo de Sarasate
to the violinist David Oistrakh to the violinist Zoltán Székely |
| gptkbp:difficulty |
high
|
| gptkbp:duration |
approximately 20 minutes
approximately 25 minutes |
| gptkbp:filming_location |
gptkb:Paris
|
| gptkbp:first_performance |
gptkb:Budapest
gptkb:Carnegie_Hall in Madrid |
| gptkbp:focuses_on |
taught in conservatories
|
| gptkbp:genre |
gptkb:classical
gptkb:Piano_Sonata classical music |
| gptkbp:historical_context |
gptkb:19th_century
written during World War I |
| https://www.w3.org/2000/01/rdf-schema#label |
Violin Concerto No. 1
|
| gptkbp:influenced |
modern classical music
|
| gptkbp:influenced_artists |
20th-century classical music
contemporary composers |
| gptkbp:influenced_by |
American folk music
Eastern music traditions |
| gptkbp:influences |
gptkb:Hungarian_folk_music
Spanish music Russian folk music Western classical music traditions |
| gptkbp:inspiration |
gptkb:mythological_figure
Prokofiev's experiences during the Russian Revolution |
| gptkbp:inspired |
new compositions in classical music
|
| gptkbp:inspired_by |
Glass's interest in rhythm
|
| gptkbp:instrumentation |
gptkb:orchestra
gptkb:musician violin and orchestra |
| gptkbp:is_a_venue_for |
concert halls
|
| gptkbp:is_analyzed_in |
musicology studies
|
| gptkbp:is_available_on |
gptkb:streaming_platforms
|
| gptkbp:is_celebrated_in |
its innovative structure
|
| gptkbp:is_discussed_in |
music theory classes
|
| gptkbp:is_featured_in |
concert programs
documentaries about Philip Glass. |
| gptkbp:is_often_associated_with |
violin competitions
|
| gptkbp:is_often_used_in |
Glass's other works
|
| gptkbp:is_recognized_by |
a significant work in contemporary music
|
| gptkbp:key |
D major
|
| gptkbp:length |
approximately 25 minutes
|
| gptkbp:movement |
gptkb:Allegro_moderato
gptkb:Allegro_non_troppo gptkb:Andante gptkb:Allegro_vivace gptkb:Adagio three Allegro, ben marcato |
| gptkbp:music_style |
rhythmic complexity
dynamic contrasts lyrical melodies virtuosic passages orchestral color concerto form harmonic richness |
| gptkbp:notable_conductors |
gptkb:Vladimir_Jurowski
gptkb:Daniel_Barenboim gptkb:Valery_Gergiev gptkb:Zubin_Mehta gptkb:Bernstein |
| gptkbp:notable_event |
classical music festivals
violin competitions orchestral festivals |
| gptkbp:notable_feature |
minimalist style
lyrical passages |
| gptkbp:notable_for |
its emotional depth
|
| gptkbp:notable_performance |
many orchestras worldwide
often played in competitions |
| gptkbp:notable_performers |
gptkb:Itzhak_Perlman
gptkb:Joshua_Bell gptkb:Anne-Sophie_Mutter gptkb:David_Oistrakh |
| gptkbp:notable_recordings |
gptkb:1990
numerous by Anne-Sophie Mutter by Hilary Hahn by Itzhak Perlman by Joshua Bell Robert Mc Duffie with the Atlanta Symphony Orchestra |
| gptkbp:orchestration |
strings, woodwinds, brass, percussion
solo violin and orchestra |
| gptkbp:part_of |
Philip Glass's concert repertoire
|
| gptkbp:performance |
varied interpretations
orchestral concerts challenging for violinists |
| gptkbp:performed_by |
gptkb:Chicago_Symphony_Orchestra
gptkb:New_York_Philharmonic gptkb:London_Philharmonic_Orchestra international competitions various orchestras chamber music concerts international venues orchestral concerts major music festivals |
| gptkbp:premiere |
gptkb:1987
1878 1915 |
| gptkbp:premiere_date |
1923
|
| gptkbp:published_by |
gptkb:Dunvagen_Music_Publishers
1879 |
| gptkbp:publisher |
gptkb:Boosey_&_Hawkes
|
| gptkbp:record_label |
multiple labels
|
| gptkbp:recorded_by |
gptkb:20th_century
21st century various artists |
| gptkbp:related_works |
gptkb:Violin_Concerto_No._2
|
| gptkbp:repertoire |
contemporary violinists
|
| gptkbp:signature_move |
for many violinists
|
| gptkbp:significance |
important work in violin repertoire
|
| gptkbp:social_structure |
sonata form
three movements |
| gptkbp:style |
neoclassical
romantic 20th-century classical music post-minimalism |
| gptkbp:theme |
lyrical and dramatic
|
| gptkbp:year_composed |
gptkb:1917
1915 |