|
gptkbp:instanceOf
|
gptkb:person
|
|
gptkbp:almaMater
|
gptkb:Waseda_University
|
|
gptkbp:awardReceived
|
gptkb:Blue_Ribbon_Award
gptkb:film_award
|
|
gptkbp:birthDate
|
1903-12-12
|
|
gptkbp:birthPlace
|
gptkb:Tokyo,_Japan
|
|
gptkbp:burialPlace
|
Engaku-ji, Kamakura, Japan
|
|
gptkbp:causeOfDeath
|
gptkb:cancer
|
|
gptkbp:child
|
none
|
|
gptkbp:deathDate
|
1963-12-12
|
|
gptkbp:deathPlace
|
gptkb:Tokyo,_Japan
|
|
gptkbp:debutYear
|
gptkb:Sword_of_Penitence_(1927)
|
|
gptkbp:filmography
|
Ozu Yasujirō filmography
|
|
gptkbp:genre
|
shomingeki
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Ozu Yasujirō
|
|
gptkbp:influenced
|
gptkb:Wim_Wenders
gptkb:Jim_Jarmusch
gptkb:Hou_Hsiao-hsien
gptkb:Abbas_Kiarostami
|
|
gptkbp:knownFor
|
minimalist style
depicting family life
low camera angles
|
|
gptkbp:language
|
Japanese
|
|
gptkbp:lastFilm
|
gptkb:An_Autumn_Afternoon_(1962)
|
|
gptkbp:militaryConflict
|
gptkb:Second_Sino-Japanese_War
gptkb:World_War_II
|
|
gptkbp:militaryService
|
gptkb:Imperial_Japanese_Army
|
|
gptkbp:nationality
|
Japanese
|
|
gptkbp:notableWork
|
gptkb:An_Autumn_Afternoon
gptkb:Equinox_Flower
gptkb:Floating_Weeds
gptkb:I_Was_Born,_But...
gptkb:Tokyo_Story
Good Morning
Early Summer
Late Spring
|
|
gptkbp:occupation
|
gptkb:film_director
gptkb:screenwriter
|
|
gptkbp:parent
|
Ozu Sakae
Ozu Toranosuke
|
|
gptkbp:religion
|
gptkb:Buddhism
|
|
gptkbp:restingPlace
|
Engaku-ji, Kamakura, Japan
|
|
gptkbp:signature
|
Ozu Yasujirō signature.svg
|
|
gptkbp:spouse
|
never married
|
|
gptkbp:studio
|
gptkb:Shochiku
|
|
gptkbp:style
|
direct address
elliptical editing
tatami shot
|
|
gptkbp:yearsActive
|
1927–1962
|
|
gptkbp:bfsParent
|
gptkb:Maeda_Setsuko
|
|
gptkbp:bfsLayer
|
8
|