Statements (61)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:String_Quartet
|
| gptkbp:characteristics |
Emotional depth
Complex harmonies Contrapuntal techniques Innovative structure Thematic development |
| gptkbp:composed_of |
gptkb:Ludwig_van_Beethoven
|
| gptkbp:cultural_significance |
Important work in the string quartet repertoire
|
| gptkbp:dedicated_to |
gptkb:Joseph_Haydn
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:filming_location |
gptkb:Vienna
|
| gptkbp:historical_context |
Early 19th century
Transition from Classical to Romantic music |
| https://www.w3.org/2000/01/rdf-schema#label |
Op. 59 No. 3
|
| gptkbp:influenced |
Later composers
|
| gptkbp:influenced_by |
Classical music
Haydn's quartets Mozart's quartets |
| gptkbp:is_available_in |
Sheet music
|
| gptkbp:key |
C major
|
| gptkbp:movement |
gptkb:Allegro
gptkb:4 Andante con moto Allegro molto Scherzo: Allegretto |
| gptkbp:notable_features |
Dramatic contrasts
Lyricism Innovative use of harmony Dynamic range Use of motifs Exploration of tonality Use of counterpoint Use of silence Rich textures Rhythmic complexity Exploration of form Use of dissonance Integration of folk elements Development of themes Use of chromaticism Contrasting moods Emotional contrasts Exploration of texture Emphasis on dialogue between instruments Use of motifs and variations Integration of different musical styles |
| gptkbp:notable_performance |
gptkb:String_Quartet
|
| gptkbp:notable_performers |
gptkb:Borodin_Quartet
gptkb:Tokyo_String_Quartet gptkb:Alban_Berg_Quartet gptkb:Emerson_String_Quartet |
| gptkbp:part_of |
String Quartets, Op. 59
|
| gptkbp:premiere_date |
1806
|
| gptkbp:published_by |
Artaria
|
| gptkbp:recorded_by |
gptkb:Various_artists
|
| gptkbp:related_to |
gptkb:Beethoven's_late_quartets
|
| gptkbp:style |
gptkb:orchestra
|
| gptkbp:year_composed |
1805
|
| gptkbp:bfsParent |
gptkb:String_Quartet_No._9_in_C_major,_Op._59_No._3
gptkb:Mazurka_in_F-sharp_minor,_Op._59_No._3 |
| gptkbp:bfsLayer |
5
|