Statements (58)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:String_Quartet
|
| gptkbp:analysis |
Widely studied in musicology
|
| gptkbp:characteristic |
Emotional depth
Use of motifs Complex counterpoint Innovative structure |
| gptkbp:composer |
gptkb:Ludwig_van_Beethoven
|
| gptkbp:cultural_impact |
Significant in Western classical music
|
| gptkbp:debut_year |
1825
1826 |
| gptkbp:dedication |
gptkb:Count_Andreas_Razumovsky
gptkb:Joseph_Haydn gptkb:Prince_Joseph_Franz_Maximilian_Lobkowitz |
| gptkbp:first_performance |
gptkb:Vienna
|
| gptkbp:form |
Four movements
|
| gptkbp:historical_context |
Composed during Beethoven's late period
|
| https://www.w3.org/2000/01/rdf-schema#label |
Beethoven's late quartets
|
| gptkbp:influence |
Modern classical music
|
| gptkbp:inspiration |
Influenced many composers
|
| gptkbp:key |
Various keys
|
| gptkbp:legacy |
Considered masterpieces of chamber music
|
| gptkbp:music_style |
Dramatic contrasts
Use of motifs Exploration of tonality Use of counterpoint Use of silence Innovative use of form Exploration of form Contrapuntal writing Thematic transformation Varied textures Use of rhythm Innovative use of dynamics Use of dynamics Integration of folk elements Use of chromaticism Emotional contrasts Exploration of harmony Exploration of rhythm Exploration of texture Emphasis on individual voices Exploration of melody Exploration of sonority Exploration of dissonance Extended harmonic language Use of cyclic form |
| gptkbp:notable_bands |
gptkb:5
gptkb:String_Quartet_No._16_in_F_major,_Op._135 gptkb:String_Quartet_No._12_in_E-flat_major,_Op._127 |
| gptkbp:notable_work |
gptkb:String_Quartet_No._14_in_C-sharp_minor,_Op._131
gptkb:String_Quartet_No._15_in_A_minor,_Op._132 gptkb:String_Quartet_No._13_in_B-flat_major,_Op._130 |
| gptkbp:performers |
String quartets
|
| gptkbp:recordings |
Many notable recordings exist
|
| gptkbp:style |
Late Romantic
|
| gptkbp:bfsParent |
gptkb:The_String_Quartet_No._13
gptkb:String_Quartet_No._10 |
| gptkbp:bfsLayer |
4
|