|
gptkbp:instanceOf
|
gptkb:historical_period
|
|
gptkbp:centralTo
|
gptkb:England
gptkb:France
gptkb:Italy
gptkb:Netherlands
gptkb:Spain
|
|
gptkbp:characteristic
|
imitation
polyphony
modal harmony
a cappella vocal music
|
|
gptkbp:feature
|
rise of secular music
development of instrumental music
emergence of music printing
expansion of vocal ranges
greater use of triads
use of word painting
|
|
gptkbp:genre
|
gptkb:villancico
gptkb:Carnatic_music
gptkb:orchestra
gptkb:song
gptkb:ricercar
marina
canzona
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Music of the Renaissance
|
|
gptkbp:influencedBy
|
gptkb:print
gptkb:Greek_and_Roman_antiquity
gptkb:Humanism
|
|
gptkbp:notableComposer
|
gptkb:William_Byrd
gptkb:Claudio_Monteverdi
gptkb:Giovanni_Pierluigi_da_Palestrina
gptkb:Josquin_des_Prez
gptkb:Orlando_di_Lasso
gptkb:Tomás_Luis_de_Victoria
Thomas Tallis
|
|
gptkbp:notableFor
|
gptkb:viol
gptkb:bass_guitar
harpsichord
recorder
crumhorn
sackbut
|
|
gptkbp:notableWork
|
gptkb:Il_bianco_e_dolce_cigno
gptkb:Ave_Maria...virgo_serena
gptkb:Missa_Papae_Marcelli
gptkb:Spem_in_alium
gptkb:L'homme_armé_Masses
|
|
gptkbp:period
|
1400–1600
|
|
gptkbp:predecessor
|
gptkb:Music_of_the_Medieval_period
|
|
gptkbp:successor
|
gptkb:Music_of_the_Baroque_period
|
|
gptkbp:bfsParent
|
gptkb:Julian_Bream_Consort
|
|
gptkbp:bfsLayer
|
7
|