|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Dani_Martín
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:film
|
|
gptkbp:author
|
gptkb:Margaret_Mitchell
|
|
gptkbp:awards
|
gptkb:award
gptkb:10
|
|
gptkbp:based_on
|
novel by Margaret Mitchell
|
|
gptkbp:box_office
|
$3.3 million (2014)
|
|
gptkbp:character
|
gptkb:Belle_Watling
gptkb:Ellen_O'_Hara
gptkb:Frank_Kennedy
gptkb:Gerald_O'_Hara
gptkb:Mammy
gptkb:Melanie_Hamilton
gptkb:Ashley_Wilkes
gptkb:Carreen_O'_Hara
gptkb:Suellen_O'_Hara
Prissy
Rhett Butler's daughter
|
|
gptkbp:character_development
|
Scarlett O' Hara's growth
Rhett Butler's complexity
|
|
gptkbp:composer
|
gptkb:Max_Steiner
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
iconic status
|
|
gptkbp:cultural_significance
|
depiction of the South
|
|
gptkbp:director
|
gptkb:Victor_Fleming
|
|
gptkbp:genre
|
gptkb:church
gptkb:archaeological_site
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Lo que el viento se llevó
|
|
gptkbp:influenced
|
gptkb:film
gptkb:organization
other literature
|
|
gptkbp:influences
|
gptkb:war
Southern culture
|
|
gptkbp:inspiration
|
Mitchell's experiences in the South
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Scarlett_O'_Hara
gptkb:Rhett_Butler
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_quote
|
“ Frankly, my dear, I don't give a damn.”
|
|
gptkbp:page_count
|
1037
|
|
gptkbp:performance
|
controversial
|
|
gptkbp:published_by
|
1936
|
|
gptkbp:release_year
|
gptkb:2014
1939
|
|
gptkbp:sales
|
30 million copies
|
|
gptkbp:sequel
|
gptkb:Scarlett
|
|
gptkbp:setting
|
gptkb:American_South
|
|
gptkbp:starring
|
gptkb:Clark_Gable
gptkb:Olivia_de_Havilland
gptkb:Vivien_Leigh
|
|
gptkbp:symbolism
|
the struggle for survival
the war
Scarlett's green dress
the South's past
the plantation Tara
|
|
gptkbp:themes
|
gptkb:loss
gptkb:survival
gptkb:war
love
|