Statements (217)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:fictional_character
|
| gptkbp:adaptation |
gptkb:film_adaptation
gptkb:musical_adaptation gptkb:stage_adaptation gptkb:television_adaptation |
| gptkbp:age |
young adult
|
| gptkbp:appears_in |
gptkb:Gone_with_the_Wind
|
| gptkbp:associated_with |
gptkb:Gone_with_the_Wind
gptkb:Gothic_literature American literature cultural studies film history romantic drama feminist discourse |
| gptkbp:birth_place |
gptkb:Georgia
|
| gptkbp:body_shape |
her experiences during the war
|
| gptkbp:born |
gptkb:Tara
|
| gptkbp:challenges |
gptkb:the_Civil_War
rebuilding her life |
| gptkbp:character_development |
evolves through hardship
|
| gptkbp:character_traits |
Determined
Manipulative Resourceful strong-willed Strong-willed determined manipulative passionate resourceful selfish headstrong |
| gptkbp:child |
gptkb:Wade_Hampton
gptkb:Beatrice gptkb:Eugene |
| gptkbp:community_involvement |
in the face of adversity
|
| gptkbp:conflict |
gptkb:Civil_War
Internal conflict Societal expectations learns to be independent |
| gptkbp:created_by |
gptkb:Margaret_Mitchell
|
| gptkbp:cultural_impact |
icon of American literature
icon of the American South |
| gptkbp:depicted_in |
ambitious
a strong female lead |
| gptkbp:development |
grows from a naive girl to a strong woman
|
| gptkbp:dislikes |
others
|
| gptkbp:enemy |
Rhett Butler (initially)
|
| gptkbp:family |
O' Hara family
|
| gptkbp:famous_dress |
black mourning dress
green dress made from curtains red dress for the party white dress for the barbecue |
| gptkbp:famous_for |
her determination to rebuild her life
her iconic green dress her love for Ashley Wilkes her survival during the Civil War her tumultuous relationship with Rhett Butler |
| gptkbp:famous_quote |
“ As God is my witness, I’ll never be hungry again.”
' As God is my witness, I'll never be hungry again.' ' I'll think about that tomorrow.' |
| gptkbp:first_appearance |
gptkb:Gone_with_the_Wind
1936 |
| gptkbp:friend |
gptkb:Melanie_Hamilton
|
| gptkbp:gender |
gptkb:Female
|
| gptkbp:goal |
rebuild her life after the war
|
| gptkbp:has_ambitions_to |
rebuild her life
|
| gptkbp:has_been_restored |
Tara after the war
|
| gptkbp:has_child |
gptkb:Bonnie_Blue_Butler
|
| gptkbp:has_conflict_with |
gptkb:Rhett_Butler
gptkb:Ashley_Wilkes societal norms |
| gptkbp:has_friend |
gptkb:Melanie_Hamilton
with Mammy |
| gptkbp:has_interest |
gptkb:Rhett_Butler
|
| gptkbp:has_relationship_with |
gptkb:Melanie_Hamilton
gptkb:Ashley_Wilkes |
| gptkbp:has_tradition |
loss and resilience
|
| https://www.w3.org/2000/01/rdf-schema#label |
Scarlett O' Hara
|
| gptkbp:influence |
gptkb:cultural_icon
Film history Feminist literature feminist interpretations |
| gptkbp:influenced_by |
gptkb:Civil_War
Southern Belle culture |
| gptkbp:inspiration |
feminist interpretations
|
| gptkbp:is_a |
gptkb:cultural_heritage
gptkb:protagonist gptkb:cultural_icon gptkb:tragic_figure gptkb:feminism gptkb:cultural_phenomenon symbol of perseverance strong-willed woman complex anti-heroine representation of Southern womanhood symbol of the South's resilience |
| gptkbp:is_a_figure_in |
American culture
|
| gptkbp:is_a_focal_point_for |
the narrative of Gone with the Wind
|
| gptkbp:is_a_moment_of |
gptkb:vulnerability
self-reflection |
| gptkbp:is_a_representation_of |
the Old South
|
| gptkbp:is_a_subject_of |
gptkb:film_adaptations
psychological analysis |
| gptkbp:is_a_symbol_of |
Southern womanhood
|
| gptkbp:is_affected_by |
the changing social landscape
the Civil War's aftermath |
| gptkbp:is_analyzed_in |
literary studies
her character development cultural critiques |
| gptkbp:is_associated_with |
the American South
the themes of survival and love |
| gptkbp:is_challenged_by |
her own decisions
her own emotions |
| gptkbp:is_character_in |
American literature
evolves throughout the story faces moral dilemmas ultimately seeks redemption challenges societal expectations represents the struggle for identity defies traditional gender roles embodies the spirit of the South experiences personal tragedy is both loved and hated by readers. |
| gptkbp:is_characterized_by |
selfishness
resourcefulness |
| gptkbp:is_cited_in |
gptkb:popular_culture
|
| gptkbp:is_criticized_for |
her manipulative behavior
|
| gptkbp:is_defined_by |
her resilience
|
| gptkbp:is_driven_by |
her love for Ashley Wilkes
|
| gptkbp:is_explored_in |
gptkb:historical_context
gptkb:literary_analysis film studies |
| gptkbp:is_influenced_by |
her upbringing
|
| gptkbp:is_involved_in |
romantic entanglements
the struggle for identity the cotton industry the Reconstruction era the social dynamics of her time |
| gptkbp:is_known_for |
her determination
her fierce independence her complex personality her iconic hairstyle her iconic green dress her famous line ' I'll think about that tomorrow.' |
| gptkbp:is_married_to |
gptkb:Rhett_Butler
|
| gptkbp:is_motivated_by |
gptkb:Love
gptkb:Survival gptkb:survival gptkb:Wealth survival instincts |
| gptkbp:is_often_compared_to |
other literary heroines
|
| gptkbp:is_often_depicted_as |
a controversial figure
|
| gptkbp:is_often_discussed_in |
feminist literature
|
| gptkbp:is_often_seen_in |
a tragic heroine
|
| gptkbp:is_part_of |
gptkb:Gothic_literature
American literature |
| gptkbp:is_portrayed_as |
a complex character
a survivor a flawed protagonist |
| gptkbp:is_reflected_in |
the societal norms of her time
|
| gptkbp:is_remembered_for |
her iconic quotes
|
| gptkbp:is_represented_in |
gptkb:film_adaptations
|
| gptkbp:is_respected_by |
some characters
|
| gptkbp:is_set_in |
the Reconstruction era
|
| gptkbp:is_symbolic_of |
the Old South
|
| gptkbp:last_appearance |
1936
|
| gptkbp:legacy |
gptkb:merchandising
Cultural references Enduring popularity complex female character |
| gptkbp:lives_in |
gptkb:Tara
|
| gptkbp:nationality |
gptkb:American
|
| gptkbp:notable_for |
her determination and resilience
|
| gptkbp:notable_scene |
gptkb:The_burning_of_Atlanta
the burning of Atlanta The confrontation with Ashley Wilkes The proposal to Rhett Butler The vow to rebuild Tara the confrontation with Rhett at the end the declaration of independence from Ashley the moment she decides to return to Tara. the proposal to Rhett Butler |
| gptkbp:occupation |
gptkb:socialite
|
| gptkbp:occurs_in |
significant personal growth
|
| gptkbp:original_purpose |
win Ashley's love
|
| gptkbp:parent |
gptkb:Beatrice_Butler
gptkb:Eugene_Butler |
| gptkbp:portrayed_by |
gptkb:Vivien_Leigh
|
| gptkbp:portrayed_in |
gptkb:fan_fiction
gptkb:historical_fiction stage adaptations parodies literary analyses |
| gptkbp:relationship |
gptkb:Rhett_Butler
gptkb:Ashley_Wilkes with her father Gerald O' Hara with her mother Ellen O' Hara |
| gptkbp:relationship_with |
gptkb:Rhett_Butler
gptkb:Melanie_Hamilton gptkb:Ashley_Wilkes |
| gptkbp:setting |
gptkb:American_South
|
| gptkbp:spouse |
gptkb:Charles_Hamilton
gptkb:Rhett_Butler gptkb:Frank_Kennedy |
| gptkbp:struggles_with |
love and relationships
the loss of her first husband |
| gptkbp:symbolizes |
gptkb:Southern_Belle
gptkb:Resilience Southern womanhood Change in the South |
| gptkbp:time_period |
Civil War era
|
| gptkbp:ultimately_learns |
the value of love
|
| gptkbp:user_experience |
gptkb:betrayal
financial difficulties loss of family estate |
| gptkbp:bfsParent |
gptkb:Vivien_Leigh
|
| gptkbp:bfsLayer |
4
|