Statements (98)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:character
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Gone_with_the_Wind
|
| gptkbp:adaptation |
various media
|
| gptkbp:appears_in |
gptkb:musical
gptkb:Gone_with_the_Wind gptkb:film |
| gptkbp:associated_with |
gptkb:Atlanta
|
| gptkbp:business_model |
gptkb:Belle_Watling's_Place
|
| gptkbp:character_arc |
redemption arc
|
| gptkbp:character_development |
evolves throughout the story
|
| gptkbp:character_traits |
strong
independent compassionate |
| gptkbp:cultural_impact |
symbol of Southern womanhood
|
| gptkbp:cultural_representation |
Southern belle archetype
|
| gptkbp:depicted_in |
gptkb:musical
gptkb:film a survivor |
| gptkbp:economy |
Belle Watling's house
|
| gptkbp:enemy |
gptkb:Melanie_Hamilton
|
| gptkbp:famous_quote |
" I ain't no lady, I never was."
|
| gptkbp:fan_base |
gptkb:literary_work
theatergoers cult following literature enthusiasts |
| gptkbp:first_appearance |
Chapter 6
|
| gptkbp:has_conflict_with |
societal norms
society's norms Scarlett's ambitions |
| gptkbp:has_friend |
gptkb:Mammy
|
| gptkbp:has_influence_on |
feminist interpretations
|
| gptkbp:historical_context |
gptkb:Reconstruction_Era
|
| gptkbp:historical_period |
Civil War era
|
| https://www.w3.org/2000/01/rdf-schema#label |
Belle Watling
|
| gptkbp:impact |
gptkb:architect
|
| gptkbp:influence |
gptkb:organization
feminist interpretations subsequent literary works |
| gptkbp:influences |
Scarlett O' Hara's development
|
| gptkbp:inspiration |
feminist characters
|
| gptkbp:inspired_by |
real-life figures
|
| gptkbp:interacts_with |
gptkb:military_officer
|
| gptkbp:is_explored_in |
themes of love and loss
|
| gptkbp:is_friend_of |
gptkb:Mammy
|
| gptkbp:is_motivated_by |
gptkb:survival
desire for acceptance |
| gptkbp:last_appearance |
Chapter 47
|
| gptkbp:legacy |
gptkb:architect
gptkb:church gptkb:archaeological_site gptkb:literary_work American literature gender studies cultural narratives feminist literature Southern literature film history cultural stereotypes theatrical history cultural critiques adaptation studies American drama character archetypes feminist film theory character studies iconic character in literature social commentary in film social commentary in literature cultural representations of women film adaptations of literature discussions on race and class cultural discussions on morality historical representations of women social commentary in theater theatrical adaptations of literature |
| gptkbp:narrative_style |
gptkb:character
catalyst for change provides contrast to Scarlett O' Hara |
| gptkbp:notable_for |
her role in the Civil War era
|
| gptkbp:occupation |
madam
|
| gptkbp:portrayed_by |
gptkb:Ona_Munson
graphic novels television adaptations ambiguous morality |
| gptkbp:public_perception |
society as a fallen woman
|
| gptkbp:relationship |
gptkb:Scarlett_O'_Hara
gptkb:Rhett_Butler gptkb:Ashley_Wilkes the community her customers |
| gptkbp:reputation |
controversial
|
| gptkbp:set_in |
gptkb:American_South
|
| gptkbp:setting |
gptkb:American_Civil_War
|
| gptkbp:significant_event |
helps Scarlett O' Hara
|
| gptkbp:symbolizes |
complexity of morality
|
| gptkbp:viewpoint |
Rhett Butler as an ally
Scarlett O' Hara as a rival |